Another subminiature tube amplifier, here using the 5672 tubes in push-pull. Preamp is based on the AC30 top boost and the Liverpool amplifier with it’s cold 3rd gain stage. Preamp and PI tubes are russian 6N17B and 6N16B.




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Another subminiature tube amplifier, here using the 5672 tubes in push-pull. Preamp is based on the AC30 top boost and the Liverpool amplifier with it’s cold 3rd gain stage. Preamp and PI tubes are russian 6N17B and 6N16B.

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Some years ago I built a superfly self-split PP subminiature tube amplifier (last pictures). Since then I wanted to make an improved version, with more gain, to play at home at night.
I changed the circuit to SE, which helped with the extra triode stage, and further reduced the output volume (it’s still to loud to play at maxed volume, as you can see I play it at 9 o’clock). The transformer is a fender reverb transformer, or as the hammond version is called, a 1750a.
Another problem was that the tubes were not properly protected, so I added the metal grill.
The similarities with another lil buddy made me use a similar faceplate style, the painted letters were really bad. This is how the Nightingale born! It uses the same MAX1771 SMPS as my other amps, but in a tiny board.
Sonos presentó un nuevo subwoofer inalámbrico, el Sub Mini, un equipo con diseño minimalista y moderno que se ve bien en cualquier ambiente.
«Grany» Minox Kodacolor 200 (via Flickr https://flic.kr/p/2iMYzRx)
«Kodacolor test» Minox (via Flickr https://flic.kr/p/2idmZig)

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Westway House, Botley, Oxford, UK. 30th November 2014. Yashica Samurai X3.0 and expired (2007) Pro Max 100 film. Developed at home in Ilfosol-3. Why the old photo? Well the modern building in the photo is going to be pulled down tomorrow. So, time to share this dusty old image and keep its memory alive. https://flic.kr/p/29x6ZXz
pentax auto 110 by rick_oleson on Flickr.
Pocket Instamatic 60 Test Roll
Fukkatsu 400 Color Print, 110 Format . The main idea behind this test shoot was capturing texture.