#interview with the vampire#iwtv#amc tvl#jacob anderson#sam reid
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Anthony Perkins uses a Minox subminiature camera in Pretty Poison (1968)
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Loch ness, Mark van den Brink
Æro, Denmark - Minox M3 5.0
07/08/25
minox, photographs leipzig 2012
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Minox a3s shot on Ilford Ortho and developed with Ilford Ilfosol 3
Article octobre 1956 de Photo Revue sur les appareil photo subminiature sur film 16mm et 9.5mm de large .Document rare sur usage des appareils qui utile du film cinéma qui permet des diapositives pour la projection a bas prix par rapport au film 24x36 .
Well, while I'm here.
I've gone back to shooting on film recently (as has, I'm aware, half the internet) for all the reasons you might expect; the joy of a physical object, the impetus to put more care into setting up my 36 shots per roll rather than just firing away, the fact that I get to decide how my image looks by controlling light rather than letting an app flatten it with fake HDR. My tool of choice has been a Minox GT-E, a teeny tiny camera, one of the smallest 35mm cameras ever made. It was a gift from a friend, who bought it new in Switzerland and used it on four continents across the 80s and 90s. He put it on a shelf after switching to digital and felt it needed a good home, so now it's my constant companion.
Anyway I just love this shot. @plenilune is lurking in the shadows, there. We were catching the bus back from a local bar and I ran across the street to snap this with the bus barreling closer, and I thought it wasn't going to turn out. Instead, it's an image I just keep going back to, which is part of the draw of the medium, really.
