ā What Should Not Happen Between Buck and Tommy in Season 9
(And why itās harmful if it does)
ā ļø Disclaimer:
This isnāt about policing queer identity. People explore. People learn. People fall in love late. Thatās all valid. But this is about how media frames queerness ā and how 9-1-1 risks reinforcing damaging tropes that queer audiences are exhausted by. When straight love stories are treated as stable and romantic, but queer ones are messy, painful, or never quite āenough,ā it stops being representation and starts being a pattern. Especially in 9-1-1, where Buck and Tommy had a chance at something emotionally grounded and real ā and the show chose to throw it away. What happens next matters. Not trying to overstepā ā just putting into words what I donāt want to see happen.
TL;DR: Stop treating queerness like a detour.
Buck doesnāt need to date around to realize he loved Tommy.
Tommy isnāt a placeholder.
And if Buck wonāt talk to him now, donāt pretend heāll magically be ready for someone else.
Growth means honesty. Not avoidance.
š« What Should NOT Happen:
1. Buck āexploresā queerness by dating multiple men or women before realizing Tommy was āthe oneā
ā Bisexuality doesnāt need to be proven through hookups. Tommy is not a test run.
2. Tommy stays emotionally stuck, waiting for Buck to figure himself out
ā Thatās not love. Thatās sidelining. Tommy deserves a story that isnāt on pause.
3. Buck returns with no growth, just longing
ā Love isnāt a Band-Aid for what you refused to confront. Do the work or stay away.
4. Tommy is framed as Buckās āfirst but not trueā queer love
ā This is the starter-boyfriend trope. Itās outdated, demeaning, and Tommy deserves better.
5. Tommy starts dating someone else, but theyāre just filler before Buck returns
ā New relationships arenāt fake just because theyāre not with the protagonist.
6. Tommy is punished by the narrative for moving on
ā Moving on is not betrayal. Stop treating emotional survival like a character flaw.
7. Buckās queerness is only shown through hookups or heartbreak
ā Being queer doesnāt mean suffering has to be your default love language.
8. Tommyās new partner is written as toxic just to make Buck look good
ā Thatās not drama. Thatās manipulation dressed as plot. Let Tommy choose well.
9. Buck dates someone awful just to realize Tommy was āthe good oneā
ā Let Buck grow ā not get traumatized into appreciation. Regret isnāt a love story.
10. Buck avoids accountability, hoping time will āsolveā things instead of talking to Tommy
ā You donāt magically become ready in the next relationship if you never faced the last one. Passivity is not a personality. It's avoidance.
If Buck truly loves Tommy ā he should talk to him. Be direct. Be honest.
If he doesnāt love him ā then he should stay away.
⨠Bonus Tropes to Watch Out For in Season 9:
(Because Sometimes Writers Canāt Help Themselves)
11. āNow that heās queer, Buck must suffer more than anyone elseā
ā Buck has already carried a mountain of emotional pain. Queerness shouldnāt mean more punishment.
12. āTommy should forgive anything, because Buckās figuring it outā
ā This is the same trap Hen/Karen fell into. Hen cheated, Karen had to be āunderstanding.ā Emotional labor ā love.
13. āNow that Buck is bi, he becomes hypersexual or āconfusedā by everyoneā
ā Being bi doesnāt mean you lose your emotional depth or loyalty.
14. āQueer love is always tragic; straight love is stableā
ā Hen/Karen? Nearly broken up. Buck/Tommy? Already broken.
15. āOne queer character is deep, the other becomes a plot deviceā
ā Tommy should not become āthe guy Buck almost texts.ā He deserves his own arc, not ghost-status.
16. Buckās queerness is āproven,ā then erased by pairing him with a woman
ā Bisexuality isnāt a checkbox or a detour. If Buck dates a woman just to ābalanceā the narrative, thatās not representation ā thatās quiet erasure.
š For contrast: Lone Star handled queerness with more care. (not perfect or that they didn't frustrate with lazy writing)
TK and Carlos already knew they were gay ā and their story began with clarity, not confusion. Buckās journey is different. Thatās valid.
But Lone Star gave its queer characters stability, love, and respect, even while showing their flaws.
Carlosās past marriage to a woman was treated with emotional honesty ā not used to erase his queerness.
Neither of them needed to āsleep aroundā to prove their identity or seriousness about each other.
And their pain (drug abuse, deaths, etc ) didnāt define their queerness ā their commitment did.
Mainline 9-1-1 could ā and should ā learn from that.
š¬ Before You Write the Next Chapter:
Buck doesnāt need to date more men or women to figure out if he loves Tommy.
Either he does, or he doesnāt.
What he doesnāt get to do is use other people as stepping stones to decide.
Queerness isnāt a test you pass by hurting people.
And love isnāt something you discover by leaving a trail of emotional casualties.
If Buck loves Tommy ā let him show up.
If he doesnāt ā let him leave him alone.
But donāt make someone else suffer just so he can answer a question heās too scared to ask.
š¬ Final Thought:
If Buck and Tommy reunite, let it be because they choose each other again ā from a place of growth, honesty, and mutual readiness.
Not because everyone else failed.
Not because one waited while the other wandered.
And not because the show needed one more tortured queer arc.
If they donāt reunite ā then let that be a choice that respects them both.
No more tropes. No more lessons. No more ghosts.
Just grown-ups. Talking. Feeling. Choosing.
Letās just walk away from using tired tropes to avoid doing the emotional work ā in writing and in love. and using stereotypes to compensate for a lack of storytelling courage. Show some heart in the stories.
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