seen from United States
seen from United States
seen from United States
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seen from United States
seen from United States
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seen from United States
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seen from United States
Stephen Parrish, A Winter Evening, Windsor, N.S., n.d., etching, plate: 6 3⁄4 x 11 3⁄4 in. (17.3 x 29.8 cm), Smithsonian American Art Museum, Transfer from the National Museum of American History, Division of Graphic Arts, Smithsonian Institution, 1971.245
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Gulch near Santa Ynez Stephen Parrish
Lawn Chair
My mother sits in a lawn chair and does needlepoint, looking up every few seconds to squint at the sleepy road.
The design she stitches is a kitten’s head, a whiskered cartoon, the kind she drew for me as a child; painted onto my high chair back, my crib;
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This song literally made me pregnant. Either that or my ovaries exploded. Or I orgasmed. Or all three. I can't really tell.
Oh my gosh. Jonny, why are you so perfect?! I can't handle it!
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“An old book was a time capsule. When you opened the front cover, you opened a door to another world—a world accessible through a kind of looking glass made of hard-board and cloth. The author’s voice resonated in the reader’s head with the same words that had resonated in his own as he wrote them. He spoke to the reader from the past. What he had witnessed, experienced, learned, and discovered would live forever. You only had to turn a page to travel in time.” ― Stephen Parrish
Stephen Parrish
A Harbor Scene With Figure
Date:1880-1895
Stephen Parrish
A Harbor Scene With Figure
Date:1880-1895
Medium:Copper Plate Etching
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