Stefan Bertalan Untitled, - Red chalk, felt tip pen and pencil on paper 35,5 x 50 cm
seen from Slovenia
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seen from United States

seen from Malaysia
seen from Kazakhstan
seen from Bangladesh
seen from United States
seen from China
seen from United States

seen from Malaysia

seen from Singapore
seen from China
seen from Germany
seen from United States

seen from Malaysia

seen from United States

seen from United States

seen from United States

seen from Malaysia
seen from United States
Stefan Bertalan Untitled, - Red chalk, felt tip pen and pencil on paper 35,5 x 50 cm

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Stefan Bertalan
STEFAN BERTALAN
Untitled (Network, structural), 1975 Tusche auf Papier (Federzeichnung) - India ink on paper (pen drawing) 34,9 x 49 cm - 13.7 x 19.3 in.
Untitled (Network with strong lines), 1978 Tusche auf Papier (Federzeichnung) - India ink on paper (pen drawing) 35,2 x 50,2 cm - 13.8 x 19.8 in.
Untitled (Network), 1978 Tusche auf Papier (Federzeichnung) - India ink on paper (pen drawing) 35,1 x 50,1 cm - 13.8 x 19.7 in.
Stefan Bertalan De Natura Rerum, 2012 Johnen Galerie, Berlin
Stefan Bertalan, Biennale Arte, Venezia 2013.
The work of Romanian artist Stefan Bertalan unearths the inherent complexity contained within even the most seemingly mundane elements of nature, such as individual plants or insects, imbuing the everyday with a profound spiritual and philosophical significance. Through a form od subjective research, the artist creates works that are detailed records of environmental and biological precesses and are also personal explorations. Equal parts durational performance, daily ritual and ecological investigation, Bertalan's project reflects the artist's idiosyncratic cosmology, in which a single organism functions as a symbolic microcosm of the universe as a whole.

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We Saw Seashells at the Art Show:
The mesmerizing forms of shells are everywhere in this year's Venice Biennale, from the "The Encyclopedic Palace," where Stefan Bertalan and Domenico Gnoli follow their spirals to illogical conclusions, to San Giorgio Maggiore, where Marc Quinn's enormous bronze mollusks guard the docks.
This inspired some obsessive collecting on my part this summer in Long Beach, New York. By August, it had gotten out of control. Luckily, by then the new Mermaid Art Studio opened, and I was able to give my treasures a new life as art supplies.
But before that, I brought them outside for a photo shoot.
That's when I made Spiral Jetty.
From Top: Marc Quinn, "The Origin of the World (Cassis madagascariensis), Atlantic Ocean, 310," 2012, bronze. Photo © Robin Cembalest; Stefan Bertalan, "Snails," red chalk, pencil on paper. Courtesy Johnen Galerie; Domenico Gnoli, "What is a Monster? Snail on Sofa," 1967, Indian ink, tempera and acrylic on cardboard. Courtesy Fundación Yannick y Ben Jakober; Robin Cembalest, "Spiral Jetty," photo shot in Long Beach, New York, September 2013.
Stefan Bertalan