An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1
Fandom: Marvel Cinematic Universe, The Avengers (Marvel Movies)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: James "Bucky" Barnes/Clint Barton/Steve Rogers/Tony Stark, Clint Barton/Steve Rogers
Characters: Tony Stark, Steve Rogers, Clint Barton, James "Bucky" Barnes
Additional Tags: starkspangledwinterhawk, SSWH 2018, a quiet morning, slight somnophilia, Tony Stark is not a morning person, 4x100 drabble, Sharing a Shower, Cuddling, Morning Wood, Domestic, Drabble
Summary:
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Did someone say more StarkSpangledWinterHawk? No? Too bad youâre getting some anyway. Watch out for under the cut!
Demon Bucky is bored. Driving others to sin is no fun when so many people donât need that much convincing. He remembers only a few hundred years ago when it took all of his cunning and skill to get a human to enjoy some premarital sex. Now he just needs to find the right establishment and humans will come onto him. He hates to sound like one of the older demons but he misses the good old days where humans were fun to manipulate.
Heâs so bored, in fact, that when he feels the tingle of magic that means a demon is being summoned, he seriously considers letting one of the underlings go up instead. Then he sighs, because summonings powerful enough to make him aware of them are so rare that this is actually interesting again. If it fails to be interesting enough for him, heâs going to smite the human that summoned him. They so rarely get summoning circles right anymore, theyâre so easy to break out of, and the sad truth is that a human desperate or dumb enough to summon a demon is rarely missed by friends or family.
Except everything about the summoning circle is perfect--every rune in its place and every sigil tight like a steel trap. Bucky is immediately pissed off but also intrigued by the skill that was necessary to complete the summoning circle like this. He looks around, frowning. It looks like a regular apartment, perhaps a bit on the shabbier side, but clean. Bucky turns his attention on the two humans instead, both of them looking at him, stunned. He examines them quickly, humming thoughtfully as he takes them in. Theyâve both got a darkness clinging to them, though the blondâs has definitely faded. The brunetâs has faded, too, but not as much.
âWhat do you want?â Bucky asks when itâs clear they arenât going to say anything. The circleâs clad tight enough that he canât leave until heâs heard them out, and itâs quite possible he might even have to make a deal with them to leave--heâs not quite sure yet, some of the sigils he needs to examine a little more.
The blond jumps, and then he straightens his shoulders and asks, âCan you heal people?â
Bucky sneers at him, offended. âI can do anything. The question is will I? To be clear, the answer is no.â
The blond looks dismayed, but the brunet straightens his shoulders and scowls at him. âEveryone has a price. Youâll do it if we offer you what you want.â
âAnd what do you think I want, precious?â Bucky asks, amused in spite of himself. Humans were so adorably stupid these days.
The brunet opens his mouth, then closes it again, frowning unhappily with the knowledge that he has no idea what Bucky would want. The blond frowns. âWhat do you want, then?â
âNothing,â Bucky answers immediately, because itâs true. As bored as he is, heâs also pretty content. He can easily find whatever he wants on his own. He looks the two humans up and down slowly. Perhaps later heâll find someone to sleep with. Hell, maybe heâll change form and seduce one of them.
âThereâs got to be something,â the blond insists helplessly. âAfter all heâs done for us, we should be able to help him too. I canât let him die like this. Iâve only just gotten him...â
Bucky watches as the brunet turns to look at the blond, trying to be reassuring even though he also looks a little heartbroken. Oh. How interesting. Itâs so obvious the brunet is in love with the other human, is perhaps also in love with other person theyâre speaking of, as the darkness clinging to him intensifies just a little.
Love me, his aura begs so softly, so pleadingly. Iâm here. Love me too. Please, Iâm here, please love me back. Itâs sad, for all that itâs delicious, and Bucky licks his lips at the agony that the blond canât see.
The brunet notices, eyes sharp and calculating. âWhat about me?â he asks, and starts to reach into the circle.
Bucky raises his eyebrows in surprise, but anything heâd say is covered up by the blond grabbing his hand before it can break through, angrily snapping, âHeâs not going to take you, Tony.â The brunet, Tony, looks hurt by the words. The blond immediately backtracks, changing his grip on Tonyâs hand to something gentler. âTony, you agreed to stop putting yourself in destructive situations. Come on. Look at him, obviously heâd take you, but you canât just--weâve been working on this, Tony...â
Bucky watches, enthralled, as the darkness clinging to Tony grows inkier with shame and jealousy. From what heâd seen, humans had melted down or harmed themselves with less darkness, and here this man stood, not crying or moving, just drowning in his shame and anger. Bucky wonders how he tastes, wants to put his mouth on him and sate himself with it.
âClint,â a voice croaks out from behind a closed door, and Bucky stares at it, because thatâs the croak of a dying man. Whoever is behind the door has weeks at most, a day or two at the least. No wonder theyâd called on him for help.
The blond, Clint, gives Tony a long look. âDonât do--anything you would do if you were alone,â he says, before disappearing behind the door as well.
Tony watches him go, and the darkness clinging to him deepens with longing.
âI could give you that,â Bucky purrs, and watches the human jump. âI could love you like you want to be loved.â
Tony brightens a little, then frowns. âNo. Youâre not capable of love.â
âI am,â Bucky says gently, letting his gaze soften. âI can love. I can love you, Tony. Donât you want to be loved like Clint is?â Tony bites his bottom lip, and Bucky moves closer, pressing his hands to the edge of the circle. âDonât you want to have your feelings returned, Tony? I can love you so deeply, sweetheart. I can give you what you want.â
Tony squirms, looking at the door before turning back at Bucky. âDemons--theyâre not capable of love,â he tries to insist, but his voice shakes.
âOh, no, sweetheart,â Bucky coos, honey dripping from his voice. âThatâs the problem. Weâre too capable of love. We love so deeply, over centuries. I could love you, dear, if youâd just let me. I could help you forget all the times youâve been looked over, ignored, forgotten. I can give you all the things youâve ever desired--love, affection, kindness. Everything that the world has cruelly withheld from you, Tony, I can give you that.â
â...I canât have your word on that,â Tony whispers.
Bucky leans as close as he can, cooing, âOh, honey, you can. Iâll promise you anything you want. Just tell me what you need, and Iâll give it to you. Iâll cut out my heart and put it in your hands, if thatâs what you want. Just please treat it tenderly. Itâs more sensitive without the protection of my chest.â
Tony looks back at the door again, but his body has turned away from it unconsciously. He looks back at Bucky and is obviously trying not to sound as hopeful as he feels. âWould you promise to heal Steve? To make sure that he and Clint have long, happy lives together?â
âOf course,â Bucky answers.
âWould you promise that Iâd be the only one?â he asks. âThat you wouldnât take more humans? So I wouldnât have to share you?â
âI wouldnât want to share you either,â Bucky agrees. âOf course.â
âWould you promise not to hit me? Would you promise that youâd never hurt me?â Tony whispers, trembling--with fear, with excitement, with desire and desperation.
âDo love-bites count as hurting, dear? Couldnât I leave the occasional nip to show everyone that you belong to me?â Bucky coos. âSo that no one could take you from me? So that youâd be mine, and mine alone?â
That seems to strike a chord in the human, eyes wide and aching, as he reaches out toward him again, fingers skimming the edge of the circle.
âTONY,â a voice bellows, and the door bursts open, and a man, small and skinny and sickly stands there, looking furious.
Bucky shrinks back, hisses angrily when Tonyâs hand jerks away from the circle.
âSteve,â Tony whispers, voice shaking with fright.
âAre you stupid,â Steve snarls, and Tony flinches, takes a step backward, away from Steve and toward the circle.
Bucky looks down at the humanâs feet, then looks back up, hissing at the blond threateningly, because heâs always been skilled at the fiddle. âHeâs not stupid. Heâs so clever. Look how well he did the circle. Only a clever human could do this.â
âOnly an idiot would summon a demon!â Steve insists angrily, and Tony takes another step backward, shaking.
âDonât say that, Stevie,â Bucky simpers, pressing to the edge of the circle again. âEvery summoning Iâve answered has always had a desperate human on the other side of it. Foolish? Perhaps, but always without anywhere else to turn. Where would you have them go, when everything else has forsaken them?â
âTheyâre not. Forsaken. Tony, come here,â Steve orders.
Tony hesitates, hugging himself.
âWhy do that, Tony?â Bucky whispers so only he can hear it. âWhat do they have to offer you? Heâs only out here because heâs angry. Iâd take care of you, sweetheart. Iâd love you. Donât you want to be loved?â
âTony,â Clint says, voice trembling. âPlease come away from the circle. Weâll talk about this. Come back.â
Tonyâs silent for a moment before his shoulders slump.
Bucky nearly pounds on the circle in rage, bearing his teeth. No. No. He was so close. Tony was almost his. He glares at Clint over Steveâs shoulder, then smirks, smug. âBack to what? A dying man? Stevie has days at most.â
Clint looks crushed, and Tony makes a tiny, pained gasping sound. Steve lets out a roar thatâs all inhuman anger and righteousness, darting toward them on legs that shouldnât have the strength to even be able to stumble to their knees, and Tony lets out a terrified yelp as he steps backward.
His heel breaks the circle, and Bucky grabs him, snarling victoriously and dragging him back further into the circle. His delighted cackling covers Tonyâs scream of terror as he drags him back through the portal with him.
.-.-.-.
They hadnât made a deal. But Buckyâs powers canât touch an angel unless they allow it, so he wouldnât have been able to heal Steve anyway.
âSteve was an angel?â Tony whispers into Buckyâs chest, tears still clinging to his lashes.
âLooked like a guardian angel,â Bucky confirms.
âOh,â Tony says sadly. âHe must have been Clintâs.â
Bucky doesnât tell him that Steve was probably his guardian angel, too. Steve was run ragged, so much that he couldnât take time to rest and heal, and itâs clear from the pale spots still dotting the darkness over Tony that heâd spent a lot of time and effort on him alone. Thereâs darker spots, too, true despair that should have killed him but heâd been dragged back out of. Steve looked like that because of Tony, not because of Clint.
âI loved them,â Tony whispers, like itâs a shameful secret, like Bucky didnât know that just by looking at him. âAnd no matter what I did, theyâd look at me like I made them tired, or sad. I couldnât make them happy no matter how hard I tried. I was always their disaster friend that they had to take time out of their days taking care of.â
âIâm sure you werenât that much of a disaster,â Bucky offers.
âNo, I was,â Tony says miserably. âMaybe this really is better for everyone. At least when you get tired of me, you can eat me or something.â
Bucky nearly chokes. âI donât eat people!â
âYou can find someone to eat me, then,â Tony suggests. âThen I wonât make anyone tired or annoyed ever again.â
The darkness that covers Tony starts to taste sour, but Bucky doesnât tell him that.
Tony expects torture, expects to be hurt, especially since Bucky didnât actually make any promises, only said that he would. âIâm a hedonist, doll, not a monster,â Bucky explains patiently. âMost demons my age donât care for eating humans. Just the really old ones that you can outrun and the really young ones that you can basically kick off of you when you feel them gnawing.â Tony giggles wetly, reluctantly amused, and wipes his eyes.
âOf course, if you want me to hurt you, I can be persuaded,â Bucky adds with a lecherous smile, and the human laughs again. Itâs a good look on him.
Bucky shows him how to kick the younger demons to get them to leave him alone and itâs only then that Bucky really considers that Tonyâs humanity might be a problem--he doesnât kick hard enough.
âI donât want to hurt them,â Tony says sadly.
âTony, most of them are going to be eaten before they hit puberty,â Bucky tries to explain.
Tony looks up at him with wide, watery eyes. âBut theyâre so little and cute, like a lizard and a chicken had a baby.â
One of the little demons squawks, offended.
âClearly you have never met a chicken,â Tony tells it imperiously.
âI think itâs upset you called it small,â Bucky offers.
Tony squats down to pat the ugly little thing on the head. âYouâre really ugly,â he tells the demon. âBut itâs kind of cute.â
The little demon puffs its chest out. Bucky thinks itâs gearing up for a really angry shriek (those take effort in the younger demons), but all it does is strut around proudly. He canât tell if the thing is smug because it was called ugly or cute and he honestly doesnât want to know.
âCome on,â Bucky says gruffly, because seeing Tony be kind and gentle with the younger demons is doing weird things to his feelings.
Tony never gets the hang of kicking them, but thatâs okay, because most of them like him somehow. And hell, the ones that didnât were always ganged up on by the ones that did.
Bucky figures heâll just keep Tony close so that he can protect him because his heartâs softer than a beanbag.
.-.-.-.
Tony is a dream, so hot and slick and tight. He whines just right, whimpers in a way that makes Bucky want to surround him, keep him safe from everything. So many of the other demons are jealous, and Bucky thrives on it, whispers endearments and affection into Tonyâs ear until he revels in being wanted, feeling powerful and desirable. He clings to Buckyâs horns, the bases of his wings, leaves long scratches down his back and bloody bite marks on Buckyâs shoulders. Bucky loves it.
Bucky loves him.
So when heâs forcibly dragged back to the human plane by two familiar faces, heâs livid.
âYou had your chance!â he thunders. âHeâs mine now! Mine! You canât have him! Heâs mine!â
Steve, big and broad and buff now, snarls and leaps for the summoning circle in a flash of shiny feathers. Bucky surges to meet him. Thereâs a dazzling flash as heâs thrown backward with great force, slamming into the opposite wall. Bucky would laugh except heâd ricocheted around the summoning circle like a goddamn pinball.
âTony!â Clint exclaims, running for the circle and reaching out for him, but Steve lunges to yank him back with a hiss. âSteve!â he snaps, struggling in his grip.
âDO NOT. Go into the circle,â Steve hisses, then looks back at it, gently saying, âTony, honey, come here. Come out of the circle.â
Tony peeks out from behind Bucky, frowning. âButâŠâ
âCome out of the circle,â Steve repeats softly. âCome on, Tony. You donât have to stay with him anymore. We can help you.â
âYou canât help him, you never could,â Bucky snarls, wings swinging out to hide the human from view. âHeâs mine now. Iâve had him every which way you can have a human. Itâs not my fault youâre poor losers.â
Clint looks stricken. âTony.â
âHe didnât force me,â Tony explains helplessly. âI wanted--I just wanted--â
Bucky curls his tail around Tony and tugs him close, smug. âHe wanted to be wanted, and I gave that to him. You didnât and now youâre jealous.â
âTony, come on,â Clint says, smiling shakily. âYou donât really want to be with him, do you? Letâs talk about this, okay? Iâll make those pancakes you like so much.â
Tony looks torn, huddling up against Buckyâs side as he whispers, âBut he loves me.â
âDemons are not capable of love!â Steve snarls immediately.
âIâm more capable than you!â Bucky snarls back.
Tony at least has the sense to duck this time when they both leap at each other and collide with the edge of the summoning circle.
âCUT IT OUT,â Clint bellows, and Steve mulishly doesnât leap at the circle again. Bucky hisses and bares his teeth before curling around Tony again. â...Letâs talk this out like rational adults,â Clint says after a deep breath breath. âWe can figure this out. Okay?â
Steve makes an incredibly horrifying hissing sound at Bucky before curling his wings around Clint protectively. âOkay,â he answers begrudgingly.
âNo,â Bucky answers loudly, angry. âI was just about to eat and Iâm hungry.â
âWhat do you eat?â Clint asks, sighing.
âTonyâs ass, usually,â Bucky says, and itâs worth Tony screeching at him to see Clint and Steve flush.
.-.-.-.
Clint cries when he finds out that Tony was in love with him. The ugly kind, with heaving sobs and splotchy cheeks and snot everywhere. Tony looks miserable and tugs at Buckyâs arm and asks to leave.
âWe canât, sweetheart,â Bucky informs him gently. âI have to make a deal or hear them out.â
âBut I didnât tell Clint on purpose,â Tony sniffs. âHe was so happy with Steve. If Iâd said anything I would have just ruined it, and then they both would have hated me.â
âTony,â Steve chokes out, dismayed, and Bucky actually feels a little bad for how distraught the angel looks. Heâd clearly poured so much time and energy and power into Tony in an attempt to heal him, to the point where he nearly drove himself out of existence, and it hadnât worked.
Heâs still pretty smug, though, that heâs clearly done more for Tony than the angel had.
Steve must see it too, because his jaw clenches and the look he gives Bucky is of pure hatred. Bucky preens a little.
âBut I love you too,â Clint sobs, and Tony goes still at the demonâs side. âWhy do you think we tried so hard to help you, Tony? I wanted you to stay close, even if it was just as a friend. Every time you went back to the bottle or drugs to try and make yourself numb and we pulled you back out wasnât because we felt sorry for you. It was because I loved you.â
This⊠this might be a problem, Bucky thinks after a moment.
.-.-.-.
Clint tries to make a deal but every time he opens his mouth to make one, Steve makes an inhuman sound to cover his words so that even Bucky canât hear it, like glass breaking and nails on a chalkboard and every animal roar all rolled into one.
âGive him back,â Steve snarls when Clint falls silent. âYou stole him. Give him back.â
âFirst of all, he came into the circle, I didnât step out, so you canât say I stole him if he stepped in. I took an offering. Also! Tonyâs a person who can make his own choices,â Bucky says imperiously, even though heâs taking the worldâs biggest gamble, because heâs giving Tony a choice now and itâs possible that Tony wonât choose him. âThatâs what free will was all about, right?â
Steve makes a frustrated sound and glares at him but grinds out, âYes, it was.â
Tony gives Clint a look, longing and mournful and disappointed, but he also feels more content now than heâs ever felt in his life (except maybe that one time, when Clint had crawled into a hospital bed with him, and promised to be there for him when he needed, when the wounds on Tonyâs arms were still raw and tender, and Clintâs promise had felt a lot like love heâd never gotten before). Bucky lets him do whatever he wants back in Hell, even if itâs cooing over the baby demons, and patiently listens when Tony babbles on and on, trying to understand but mostly failing but not caring that he feels stupid at all.
âAre you happy, Tony?â Clint asks, elbowing Steve when he tries to squawk a negative in outrage. âDoes he make you happy?â
Tony, looking down at his feet under the angelâs incredulous gaze, whispers, âYes.â
Clint reaches out, and Tony shyly extends his hand over the edge of the circle, letting him hold it without stepping inside himself. âYou look happier,â Clint admits softly. âAnd if youâre happy, Iâm happy for you. But I donât want to never see you again. Canât I see you again?â
Tony looks up at Bucky pleadingly, all big, wet eyes and trembling lip because even with how short their time together has been, the demon is a sucker for him.
Bucky sighs, gritting his teeth as he glares at Steve, before finally saying, âIâm⊠sure that something could be arranged.â The way Tony perks up at the admission is worth it, even if the angel opposite him looks incredibly smug about it.
It feels a lot like a custody arrangement, but Tony and Clint are happy with it, so Bucky and Steve keep their mouths shut.
.-.-.-.
If Tony had thrived under Buckyâs attention, he absolutely blooms under Clintâs additional care. He smiles more, is more animated even when he and Bucky are alone, smiling and happy. Steve says nothing, but he relaxes the more they all hang out together, and Bucky gets the feeling that Clint might be smiling for Steve more, too.
Still, neither Bucky nor Steve are prepared to see Clint turn from chopping some carrots to cup Tonyâs cheeks and draw him into a kiss. Tony makes a startled little keening noise before leaning into the kiss, tipping his head accommodatingly, until theyâre both panting and moaning quietly into each otherâs mouths.
They only break apart at the sound of shattering glass, startled, and Tony shrinks when he sees the glass shards sunk into Steveâs palm, looking guiltily between him and Bucky.
âLook what you did,â Bucky hisses at Steve angrily, and heâd be lying if he said it was entirely because of how sad Tony looked.
âHng,â Steve replies dumbly.
Tony and Clint eye Steve for a moment, nervous and contemplative in turn, before Clint carefully curls his hands over Tonyâs hips and leans in to press a few nibbling kisses to his throat that make Tony whimper and press back against him.
âSteve!â Tony cries, distraught, as the angel collapses. âIâm sorry!â
âIâll never forgive you for this,â Bucky says, leaning over him and seriously considering just destroying him while heâs down, then has to do a double take. âHellâs bells,â he says gleefully. âHe came so hard he passed out.â
Bucky tries to convince Tony and Clint to keep going, but Tony is a fretter, and Clint is a follower, so he sighs and helps get Steve laid out on the couch. He does have to admit that itâs pretty adorable when Tony insists on putting a cool cloth over Steveâs forehead, and Clint gamely wets one for him.
Steve comes to a few minutes later with a breathless âoh lord I came so hard I went blind.â
This is the best day of his life, Bucky decides gleefully, and informs Steve that he has a washcloth over his eyes.
Steve gets his revenge when they come back from buying cake to find Clint bouncing on Tonyâs cock and Bucky trips over nothing and lands face-first into the cake he was holding with a splat.
âMy cake!â Tony whines.
Clint draws his attention back to him with a kiss and murmurs, âGuess youâll just hafta lick it off of him. What a shame.â Tony seems very on-board with this and lets himself be drawn into the kiss.
Steve wonders if he could get away with smearing Clintâs cake all over himself, too, but Bucky looks incredibly uncomfortable with how sticky he is, and honestly, getting the frosting out of his feathers is probably a chore anyway. Steve can just feed Clint his cake with a fork. He likes doing that anyway.
.-.-.-.
Steve and Bucky never really âget along,â but they manage to tolerate each other for their humansâ sakes. It helps that theyâre rewarded with kisses and⊠other favors.
âStill, you guys could at least show off for us once in a while,â Clint mutters petulantly.
Tony lifts his head and makes an interested noise.
âUgh,â Bucky begins, but cuts himself off with a keening noise when Steve buries his hands in his black feathers and tugs just the right way that Bucky drops to his knees and whines helplessly, at his mercy.
âWings can be a huge erogenous zone if you know where and how to touch,â Steve explains when he notices Clint and Tony gaping at him.
Bucky gets his revenge by making Steve hump against his thigh uselessly as he fondles his wings in return.
And, well, Steveâs not so bad. Rigid, maybe, because of his beliefs, but open to discussion if you approach him the right way. It helps that Steve admits he was jealous in the beginning, still is a little, because heâd spent so much time and effort and energy and even himself on Tony, and Bucky had so easily and quickly helped Tony when Steve had nearly died trying to do the same thing. Bucky supposes he can respect that. Even now, sometimes Tonyâs mood just drops, and Bucky canât do anything about it. He canât imagine the struggle of having to choose between charges and then watching as your powers do little to nothing to improve the one you chose.
He doesnât tell Steve that he just lets Tony be sad, and angry, and despairing, until Tony decides heâs tired of being depressed and shoves the feelings down again. It is, unfortunately, an angelâs nature to try and fix things. Bucky decides to give him just a little more leeway, because he canât imagine how it feels to fail someone like Steve failed Tony.
It sure is something to be protected by Steve when hunters come after him, though.
âYou make Tony happy, is all, and if Tonyâs happy, then Clintâs happy,â Steve mutters, blushing a little when Bucky gapes up at him. âTheyâd be sad if you were destroyed, so I had to protect you. Thatâs all. Donât put so much stock in this.â
âIâm telling Tony and Clint you like me,â Bucky answers immediately, and dodges Steveâs outraged swipe gleefully. âIâm telling them. You like me! Just for this, Iâll let you watch me fuck Tony with my tail. One time he rode me so hard I was chafed for days, the greedy little thing.â
Steve mutters to himself petulantly, but, well. Heâs noticed Buckyâs tail, too. Maybe he does want to see it in action.
It still takes a lot of enthused convincing from both Tony and Clint before he lets Bucky use that tail on him, though.
Another StarkSpangledWinterHawk idea! Set in some hand-wavy magical medieval timeline and setting.
Steve and Tony are together and happy. Theyâve hand-fasted in Steveâs country, and are traveling to Tonyâs to get hand-fasted there so that theyâre considered married in both countries and cultures. Unfortunately they never make it to Tonyâs country. As they reach the cliff-bridge over the river separating their countries, theyâre set upon by bandits. They struggle to defend themselves, but the ambush had been well-planned, their guards are struck down quickly, and Steve and Tony get separated in the fray.
Tony takes down the last of his attackers and turns to see Steve, fighting off the lead bandit over the bridge. He doesnât even have time to open his mouth when thereâs the sickening thud of flesh being punctured by arrows. Steve jerks, struck in by two arrows, one in his chest, and the other in his shoulder. The momentum from the arrows, one after the other, sends him stumbling over the edge of the bridge, eyes wide and sightless as he tips over. Tonyâs helpless scream is terrible even to his own ears. He leaps after Steve before he can even think about it, because he doesnât want to live without Steve, and maybe, just maybe, he can save him.
Tony crawls out of the river hours later, coughing up mouthfuls of water. He searches up and down the banks of the river for miles, but he never finds Steve.
So, like any good widower, TONY SWEARS REVENGE.
It takes a long time and a lot of effort, but, one by one, he tracks down and kills everyone in the troupe of bandits that had ambushed them and cost him Steve. While heâd searched for the leader of the bandits, a man named Schmidt, he learned that it was actually an assassination plot against Steve. He wonders what they had against Steve, exactly, but decides it doesnât matter. They both have to die for killing his husband. He knows heâs not good enough to kill Strucker or Baron Zemo, though, so he starts down the path that leads him into becoming the Merchant of Deathâhe hires another assassin with more skill to take Strucker and the Baron out for him.
The average person doesnât know what happened to make him as powerful as he is, but they all secretly think that Tony made a deal with the devil for it. How else could he amass an army of ruthless assassins and command such loyalty from them? But the real story is this: He takes in those who have nowhere else to go, feeds and clothes them, gives them shelter, and they remain loyal to him in response. Itâs not his fault that those so often cast aside by society, those who need help the most, are often criminals.
But Tony has rules, and his people know they must obey them to continue having his protection, first and foremost being: There must never be an innocent life shed. Even if it extends the assassination, no collateral damage is allowed. Everyone must pay a tithe, which goes to fund medicine and food for all of them. If someone finds the assignment theyâve been given kills an innocent, they must give up the job, and Tony will pay the difference out of his own purse. (And somehow, the person trying to have the innocent person assassinated always has the bad luck of dying soon after.) Tony takes care of his people, so his people are loyal to him.
Tony thinks about giving it up, once. He sees a familiar face in a crowd, and he nearly drops the loaf of bread heâd just bought when he hears the man laughâitâs a laugh heâs missed as if it was cut out of him. The only reason he doesnât approach the man is because heâs so afraid to be wrong (and, though he wonât admit it, heâs equally afraid to be right). He has one of his people approach the man instead, and she flirts and she smiles and then manages to mention the Merchant of Death without it being strange or pushy. The man closes off immediately, easy smile hardening into a scowl, and he tries to question her, but she bolts when she realizes the mood has changed.
âIt is Steve,â Natalia tells him softly, and apologizes for blundering, but Tony waves her off, says itâs the way Steveâs always been. He waits until heâs alone before he allows himself to ache, heart throbbing with the loss of Steve for a second time, and somehow this one feels more permanent for all that Steveâs alive. He still loves Steve, but⊠Steve would never forgive him for what heâs become. Heâd seen the disgust on his face when Natasha had mentioned the Merchant of Death. So he does the right thing, and Tony Stark dies quietly, and the Merchant of Death continues in his stead.
Clint Barton notices the change in his bossâTonyâs more withdrawn, doesnât spend as much time with the younger people in his citadel as he had, doesnât talk or joke as much at supper. Clint knows what a broken heart looks like, and he knows how helpful a rebound can be, so, because heâs a disaster anywhere but on a mission, he falls into bed with Tony. He figures it canât hurt anything. Tony comes to love him, even trusts him to train the younger assassins. Clint takes his trust and holds it close to his heart, thinks maybe he loves Tony, too.
Clint convinces Tony to farm instead of shelling out for all of their food. Once Tony hesitantly agrees, he teaches anyone who wants to learn how to ready a field for planting, how to sow seed, how to tend to growing crops. He insists on a harvest party, and people drink and eat and can and preserve for the coming winter. It helps get some of the hookers off the streets, gives the children chores so they canât get into mischief that could lead to trouble. Tony loves Clint for thisâloves him with his entire being.
So when Clint comes to him with a grim face after having to bury one of their own, a man who was just barely that, baby-fat still on his face, he knows heâs going to ache again.
âI canât do this anymore,â Clint whispers, and Tony doesnât blame him at all, because Clint always took the deaths a little harder than most of the people at the citadel. So he presses a small sack of gold into Clintâs hands, a bag of food and clothes, and sends him on one last mission. After he carries it out, he can be free of this life.
Clint never comes back, and Tony sets his jaw and carries on without him.
The Winter Soldier approaches Tony a few years later, hollow-eyed and jaw set and quietly asking for a patron so he can kill all the people who have made him what he is. Tony thinks he looks familiar, and that adds to his hesitance to take him in. Heâs heard things about the Winter Soldier, few of them good, and he knows that attaching his name to the Winter Soldier could put him at greater risk. But the Winter Soldier waits patiently, and in the end, thatâs what decides it for Tonyâheâs willing to be turned away, so he can stay, as long as heâs willing to take on a few other jobs to put toward tithes, and as long as he follows Tonyâs rules.
âNo one who has wronged me is innocent,â the Winter Soldier promises, and then, âI will remember this kindness.â
(Somehow, the last part seems like a threat, and Tony is terrified for roughly six months.)
Tony stops being scared of the Winter Soldier when he sees some of the younger kids in the citadel playing, and one of them trips and falls, skinning his knee. The Winter Soldier kneels beside the child and patiently soothes him until he stops crying. Tony does some checking up on the assassin and finds the Winter Soldierâs victims really arenât innocent, everâare quite the opposite, in fact. He tries to rescind his stipulation that he take on other jobs between his revenge killings.
âThis is fine,â the Winter Soldier says, and then is quiet for several minutes before he quietly offers, âYou can call me James.â
It takes years, but eventually James finishes what he started. Everyone who had tortured him is dead. He looks lighter, somehow, like the weight of every life he had yet to take had been lifted. He looks like an entirely different person.
âWhat will you do now?â Tony asks, curious to know what one does when their lifeâs purpose is fulfilled. Heâs pretty sure heâll never know the feeling himself. Not anymore.
âAinât really done anything else but this,â James admits, shoulders hunching with the admission. âDo you want me to leave?â
âYou can stay, if you like,â Tony says, surprised heâd want to, and then he notices Jamesâs eyes flickering over his face, unsure. He wonders where James would go, if this life is all heâs ever known, all he remembers. He looks up at James and instead adds a quiet, pleading, âStay.â
James leans down to kiss him, and itâs soft and hesitant. Tony knew he was doomed the moment the Winter Soldier delicately reached out to wipe the tears from a childâs face.
Eventually, James notices that some of the others in the citadel disappear quietly into the night. At first he thinks theyâre running out on Tony, and as angry as it makes him, he understands. Eventually this life can break even the strongest of men. Heâd only been so good himself because heâd been fueled by anger and hate. James recognizes one of the other assassins as someone heâd trained, once, what feels like a lifetime ago. He trusts her, so he mentions it to her, just to get her take on it.
âTony always lets them go when they ask,â Natalia says, and James nearly swallows his tongue in shock. It makes sense, though. Tony genuinely cares about everyone he takes in, and heâs generous to a fault. Of course heâd let people go if they asked.
(There are some people who donât ask, who try to hurt Tony before they go, thinking that Tony needs to be dead before they can be truly free. Tonyâs tears as he buries them are of both anger and anguish, and James doesnât understand how he can feel anguish for people who betrayed him, but heâs not stupid enough to say anything about it to his face.)
James does not become⊠unhappy. He knows heâs lucky to have Tony, to have a semblance of a life after what heâs gone through, and Tony shows him easy affection. But he does become weary. His missions become chores. Something in him grows cold when he looks at the children under Tonyâs protection and realizes that theyâre the children of criminals and bound to become criminals themselves. Itâs an endless cycle of violence and crime and something in him dries and withers when he realizes that Tony, for all his best intents, is contributing to it.
James seriously considers if he could make an honest life for himself. Wonders if Tony could come with him. Knows that Tony wonât. Agonizes over what to do.
Tony watches him, eyes sad and soft, and knows that James is going to leave him, too.
Itâs Natalia who puts them out of their misery. âYouâre not happy here,â she tells James, and he doesnât disagree. He loves Tony, but love alone cannot make a person happy. âAsk for his blessing to leave,â she orders, and her eyes are sadâthe only way she really shows that it hurts for her to say it. âHeâll let you.â
âHe loves me,â James says helplessly. He doesnât know if itâs an argument or if heâs just stating a fact.
âHe does,â Natalia agrees quietly. âBut he knows youâll be happier away from here. Away from him. So heâll let you go. Tony has only ever wanted people to be happy.â Like he isnât, she doesnât say, but James knows that thatâs what she means.
He goes to Tony, enjoys dinner and some tender love making. He thinks he can live like this, but now that Natalia has planted the seed, he wonders if thatâs really true, if this wouldnât end up killing him in its own way, seeping slowly through his heart and soul like poison. He pulls Tony close, clutches at him, and shamefully whispers, âI canât stay here anymore, sweetheart.â
Tony heaves a sigh against his lips, whispers back, âI know.â Heâs already gotten a small bag of gold coins together, a bag of food and clothes. Heâs only surprised it took James so long to admit that he could no longer stay, now that he could bring himself to make a choice. Heâs proud that James is willing to put his own wants and needs first, now, even if it hurts that his wants and needs require him to leave.
James presses delicate kisses to each of Tonyâs knuckles, then lifts one hand so he can lean his cheek into Tonyâs palm as he begs, âPlease donât think I love you any less.â
âI never do,â Tony says, and he aches, and he wonders how he will ever survive this.
It makes James ache too, because he realizes what Natalia meant, how Tony has let the people he loves go. Clearly heâs not the first. He takes in how weary Tony looks now, and he thinks that he might, at least, be the last. The selfish part of him hopes that he is, but he quashes that part of himself with the part that hopes he will find someone to love him as he deserves.
Tony looks up t him with sad eyes and whispers, âYou have one more mission, James. If you canât see it through, donât bother ever trying to come back.â
James nods solemnly. âI understand.â He figures he at least owes Tony this. He can do one last thing for the man he loves.
Tonyâs lower lip trembles. The words havenât gotten any easier for as many times as heâs said them. âI need you to kill Steve Rogers,â he says once heâs swallowed down a sob.
James feels as if the airâs been punched out of him. He canât believe Tony would ask this of him. Then again, maybe he canâmaybe Tony is trying to hurt him in response to being hurt. He supposes he can understand that. So he presses a kiss to the corner of Tonyâs mouth, shoulders his pack, and leaves to track down Steve Rogers.
James does find Steve Rogers, and he understands why Tony had told him to finish the job or donât come back. Steve Rogers is god-touched. He will not die. (He perhaps has tried to.) Even the most skilled assassins could not slay him, because the gods had not yet deemed it the right time for him. James remembers Steve Rogers always being more lucky than skilled in a fight. He can hold his own now, though, strong and steady and measured. The years have been kind to him. (They havenât been in other ways. He looks tired even as he accepts a kiss from another blond man, as he teaches someone who James recognizes as the Red Witch how to weave. He spends hours watching the night sky before the other blondâClint, James learnsâgently bullies him inside.)
James remembers loving Steve, and being loved by Steve, until a charming boy named Anthony came to the village, along with the promise of the Starksâ protection if only their town would offer someone to hand-fast with him. They were the only two of age at the time, and Steve still was the only one with enough sense of duty to the village to take the offer. He remembers feeling angry and jealous until he overheard Anthony whispering to Steve that he understood what his parents were asking for was unfair, and if Steve wanted to find his pleasures with someone he actually cared for after their consummation, that would be alright. James hadnât had the heart to hate him after that, and Steve, who had enough love for the world, had only needed a little push before he was falling head-over-heels for Anthony.
And then Steve had been âkilledâ by the Red Skull and his bandits, and Tony had thrown himself after him in despair, and the Starks couldnât get weapons or guards to the village in time to deflect the legion of Hydra soldiers that came to take it in the wake of the Stark heirâs demise.
James wonders if Steve knows that Tony is alive. Doubts it. Wonders why Clint never told him. Hears Steve raging to the heavens over the people the Merchant of Death has sent after him to their own demise and promising retribution.
(Clint clenches his jaw. The Red Witch turns her head away, silent. A few other faces James recognizes look at Steve, emotionless, and when he asks them why they continue to protect the Merchant of Death after he sent them to die, they also turn away without a word.)
((Tony knew that Steve would take in anyone with a sob story, and what could possibly cause more tears than an assassin dropping to their knees in front of the man theyâve been sent to kill, knowing itâs impossible, and sobbing out, âI canât.â They look like the victim, and Steveâs always had a hero complex. It makes Tony look like an even bigger villain, but Tony had been resigned to that ever since he first saw Steveâs disgust for him.))
Steve cries when he opens the door to James. âI thought Iâd lost you forever,â he whispers, clutching at him. Like Tony, he doesnât say, but he doesnât need to. âWhen I finally got back to the village, you wereâI couldnâtââ He leans back, patting James to see if heâs injured. âHow did you find me?â
James looks at him for a very long time, thoughtful, before he finally says, âI was sent by the Merchant of Death to kill you.â
Steve is silent for several long seconds before he lets out a noise of rage and helplessness and endless agony. âYou must tell me where he is,â he insists immediately. âPlease, Bucky, you must tell me. If Iâm to stop himââ
âI must tell you nothing,â James whispers harshly, and Steveâs mouth closes with a click in surprise. âIf the people heâs sent here to kill you have died, thatâs no oneâs fault but their own. He gave them the chance to leave. Itâs not his fault they decided to try and kill someone god-touched instead.â
The Red Witch tilts her head, silently agreeing. Clint sets another plate at the table for him. James intends to only stay a few days, but then a nanny goat rejects her kid, and he takes care of it, and by the time he remembers he was going to leave, heâs settled.
âWas he okay?â Clint asks one night after Steve has fallen asleep.
James doesnât look up from the little dog heâs carving out of wood as he softly answers, âNo. But I think heâs been used to not being okay for a long time now.â He lifts his head just long enough to give Steve a long, contemplative look before returning his attention to his knife, the block of wood in his other hand. He knows that Tony hasnât truly been okay since he threw himself off a bridge after Steve.
Then one day Natalia arrives, but instead of going after Steve, she goes directly to Wanda. âSomething is wrong.â
Wanda considers this for a moment before tilting her head. âHeâs asking me back?â
Natalia is quiet, perhaps maybe hoping that if she stalls long enough, Wanda will ignore the question. Finally, though, she admits, âHe doesnât know Iâve come.â
Wanda knows, just from this admission, that something dire has happened. Tony would never be selfish enough to call her back, especially not since her brother was killed while under his protection. Sheâd blamed Tony for Pietroâs death, and sheâd left without speaking to him, but now, years later, she understands it wasnât really Tonyâs fault, even if Tony himself doesnât. She knows that something must be terribly wrong if Natalia is here to ask for her help against Tonyâs wishes. âI must finish my chores,â she finally answers.
Natalia nods once, sharply. âUnderstood,â she says, and then turns on her heel and walks away. She doesnât wait. Wanda knows the way to the citadel.
Clint and James know the way, too, and wait until after Steve has fallen asleep before creeping out and rushing back to Tonyâs side. They realize something is very wrong when they get back to Tonyâs citadel and thereâs no one there. No old men comparing scars from the war, or women gossiping, or children playing. There are no people tending to the fields, which have gone barren, plants dry and withered. Thereâs a figure skulking in the shadows every once in a while, but for the most part, the citadel is empty.
They rush to Tonyâs home, to his room, and then come to an abrupt stop when they find Wandaâs red hands hovering over Tonyâs chest, the only thing truly warm in the room. Tonyâs lips are pale, and his breath is coming out in little cloudy puffs as if itâs as cold as deep winter, even though itâs sweltering with the summer heat.
âWhatâs wrong?â Clint whispers, terrified, but Wanda doesnât turn.
Itâs Natalia, hunched on herself and shivering in the corner, who says, âHeâs lost his heart.â
They donât understand what it means, that Tonyâs âlost his heart.â Tonyâs always had enough heart for everyone, providing food during famine and blankets during winter and even rocking babies so tired mothers could catch a few winks. Tonyâs got more heart than anyone in the world.
âMagic comes in threes,â Wanda says, eyes glowing. âAnd the Old Magic doesnât care that he made his deal after one thing has already happened. Old Magic doesnât care that one of his losses happened before he made his deal, sold himself.â
They learn that the rumors are true, in a way. Tony didnât sell his soul to the devil, but he did go to one of the few practitioners of Old Magic still alive and promised his heart to become the Merchant of Death. Sheâd promised him that the spell would be broken after falling in love three times, and he would most certainly die if none of those loves stayed with him. And even knowing that, having those terms hanging over his head, Tony had loved them and let them leave him anyway.
âWhat do we do?â Clint asks helplessly. âWanda, what do we do?â
Wanda frowns. âMagic comes in threes,â she repeats unhappily.
No one says what they all know is trueâthey need Steve, but Steve would never lift a finger to help the Merchant of Death. Clint and James clutch at Tonyâs hands, helpless, angry. Even if Steve would deign to help them, they donât have time to go get him and bring him back. They understand, but that doesnât make it any easier. They just hope that Tony wakes up long enough for them to apologize for leaving him and tell him they love him one last time.
Tony is just beginning to stir, and everyone is holding their breaths waiting for him to wake, and they choose to let that be their excuse as to why they were all caught unawares when the door to the room is kicked in. Everyone throws themselves in front of Tonyâs bed protectively, and Clint and James flinch when they realize itâs Steve standing in the doorway, looking hurt and betrayed but, most of all, livid.
âMOVE,â he snarls, lifting his shield, and Natalia and Wanda hesitate before moving aside, because thereâs no helping Tony, not anymore, and heâd hate if they died on his account. Clint and James donât, and it just makes Steve angrier. âMove, or Iâll move you,â he says sternly.
Clint and James look at each other, wordlessly agreeing to be moved, and then look back at Steve. Steve looks stricken for a moment, but then he swallows it down, instead readying himself for a fight. Clint and James donât arm themselves, but they prepare to put up a struggle anyway. They know they wonât win against Steve in all of his god-touched glory, but theyâre already grieving Tony, and they will fight to have those last few precious minutes with him. They will never forgive Steve if he takes away their chance to say goodbye.
Then they hear a soft, mournful ânoâ and Tony is suddenly in front of them, struggling to stay on his feet, blue magic snapping and crackling weakly over his hands, because of course he would try to protect them with his dying breath. He looks at Steve and makes another mournful sound, knees giving out beneath him as he throws a few small sparks at him. He crumples to the floor. He doesnât have the strength to fight. He would never have had the strength to fight Steve anyway, though.
Steve lunges at him, brushing the magic off easily, and Clint and James leap forward as well, but theyâre not fast enough, watching in horror as Steve raises his shield over Tonyâs head, brings it down. It stops, just a hairâs width away from Tonyâs head. Steve makes a desperate, aggravated sound before dropping to his knees with a sob, shield clattering across the floor as he pulls Tony to his chest, clutching him hard enough to bruise. âWhy,â he sobs helplessly. âTony, Tony, why?â
âI wasnât what you wanted anymore,â Tony whispers into his throat.
âYou had no right to decide that for me. That was my decision and you took that from me. You took yourself from me,â Steve whispers, voice shaking.
âIâm not worth keeping,â Tony promises him. âNot anymore.â
âThatâs not true,â Clint says angrily, but Tony only makes a soft disagreeing noise, falling limp against Steveâs chest with a sigh that feels like ice against his skin.
âTony, no,â James croaks, and he and Clint kneel on either side of them, reaching out to clutch wherever they can reach.
Wanda seizes the moment and weaves her magic, smoothing broken edges and fitting them together again. Magic comes in threes, and Tony has always feared her powers, but heâs also always trusted her to use them properly. She owes him this, for saving her and her brother as children. She owes him this, because he was not greedy. And for once, sheâd like to use her magic to help someone live instead of sending them to their graves. She just hopes that sheâs not too late.
She isnât, but barely.
Steve gently hefts Tony into his arms, presses a kiss to his clammy brow. âIâve got you, beloved,â he murmurs, and Tony lets out a whimper so quiet it almost doesnât exist. âItâs time to come home.â
Tony canât even manage the strength to sob, but they all see the twin tears roll down his cheek when he finally allows his eyes to drift closed, still looking up at Steve, as if afraid heâll be gone when he opens them again.
Clint and Bucky reach out at the same time, brushing the tears away gently, and Clint tenderly cups Tonyâs cheek and whispers, âThis isnât the life for you anymore either, Tony.â
Tony lets out a shuddering sigh before his head tips back, passed out. Bucky gently eases his head up to lean against Steveâs shoulder.
Steve presses another kiss to Tonyâs forehead before turning to leave. âCome on,â he says, sounding endlessly tired. âLetâs go home.â
Clint and Wanda follow immediately, but Bucky begs off under the guise of packing what little Tony still owns; an amulet with his familyâs crest that heâd hidden away, a few books. Natalia helps him find the things that Tony had certainly intended to never look at againâa sketch of his parents, a handful of letters between he and Steve that hadnât been destroyed by the bandits, a single dried flower that Bucky recognizes with a lurch of his heart as the same kind that had made up Tonyâs bouquet when theyâd hand-fasted in their village.
âYou could come, you know,â Bucky says, and Natalia pauses, hands hovering over a lacy handkerchief with the initials M.C.S. on it. âYou donât have to live this life any longer, Natalia.â
Nataliaâs hands shake as she wraps the handkerchief around a smooth gemstone. âThis is all Iâve ever known,â she says, neither agreeing nor disagreeing.
Buckyâs gaze is kind as he points out, âYouâve known Tony and his tender heart longer than you knew the Red Room.â
Natalia goes silent, and Bucky doesnât push, instead folding everything safely into the blanket on Tonyâs bed. Better to keep it all in one place so he doesnât lose anything. Heâs certain that if he did, Tony would only feel guilty for making him carry it in the first place, though. He doesnât understand how Tony could believe he wasnât what Steve wanted anymore; he has the same bleeding heart heâd had when theyâd first hand-fasted, and that was what Steve had loved the most about him.
âI suppose,â Natalia says haltingly, and Bucky carefully doesnât stop moving, because he doesnât want to spook her. âI⊠I suppose I should make sure that you idiots donât hurt Tony.â
âWe are pretty stupid, leaving him like that,â Bucky agrees, nodding.
âWell, heâs pretty stupid too, not knowing his husband would take him back regardless of what heâs done,â Natalia offers.
Bucky tilts his head, conceding. âHe was always like that, though.â
Natalia turns to frown at him severely. âWere you trying to make me feel better? You failed.â
Bucky shrugs, unconcerned, and turns to finally follow the others. Heâs not worried when Natalia doesnât follow him. She needs time to think and, perhaps, time on her own to figure out what she really wants to do.
âWhy?â Steve gasps, clutching the quickly-healing stab wound in stomach.
âHmm,â Natalia replies. âYou really are god-touched.â She stabs him in the shoulder for good measure. âYou deserve this for hurting Tony.â
âOw! Just because I wonât die doesnât mean it doesnât hurt!â Steve exclaims, and moves to slap her away, but she moves before he can.
âOh my God stop!â Clint shouts, swatting her with a towel. âNow Iâve got to mend his shirt. If the blood doesnât come out Iâm stabbing you.â
Natalia ignores him, instead stepping around Bucky to approach Tony where heâs propped up on several pillows and smiling sleepily at her. âYouâre still weak?â
Tony manages the tiniest of shrugs, and the amount of effort it takes clearly makes him uncomfortable. âWhen youâre that close to death before youâre snatched back, your recovery is very slow.â
âHmm,â Natalia acknowledges, reaching out to cup his hollow cheeks to tip his head this way and that. âYou need to eat.â
Tony manages to hum an agreement, but even that seems to weigh on him.
Bucky comes up beside her and knocks shoulders with her companionably. âHe drinks a lot of broth, but weâre trying to get him back on solid food. Few bites every half hour. Seems to be working.â
âYou eat like a bird,â Natalia tells Tony, and he hums again. âYouâre frail like one too. Guess Iâll have to protect you until youâre back to normal.â
âWanda says it could take years for that,â Steve says, and then, âOw, that really hurt, thereâs a lot of muscles in shoulders, you knowââ
âSomeone can kiss it better for you,â Natalia replies, unsympathetic. She looks back down at Tony and decides that she will wait until Tony is all better as her excuse to stay close to him. âI donât care who kisses you, just donât do it in front of me.â
Steve tilts his head, considering this.
âIâm not kissing your bloody shoulder,â Clint says immediately. âGross.â
Bucky grimaces at the thought. âUgh, Iâve kissed enough of your cut lips after fights to last a lifetime, thanks.â
âIâll kiss it better, Steve,â Tony offers, and the other three turn to look at him with the softest eyes.
âAre they always like that?â Natalia asks Wanda later, as the other woman shows her how to carefully break apart and sort wool.
Wanda, having not seen or heard what happened, still answers with a firm and immediate, âYes.â Because they are always like that.
âGross,â Natalia says, but sheâs smiling a little. She works on the wool silently for a while, then says, âI think I will stop being Natalia.â
âChanging your name can be a kind of magic on its own,â Wanda says when she doesnât continue. âSome people grow out of their names. Itâs a great privilege to be able to rename yourself.â
Natalia thinks about it. Sheâs always been Natalia. Natalia has always been a killer, though, from the time sheâd been shoved into the Red Room as a child. Sheâd never really gotten to be a child. She thinks she might like to be one for a whileâgetting to fail and learn from it without the threat of her death hanging over her. Getting to be selfish without getting hurt. Getting to love a parental figure unconditionally. It doesnât have to be for long; she just wants to have those experiences at least once.
âI will be Natasha,â she declares, and it feels right. It feels as if something inside of her has settled.
Wanda smiles and nods. âNice to meet you, Natasha.â
Bucky, Clint, and Steve struggle to remember her name, but theyâre idiots, so sheâs patient with them.
When Tony wakes up from one of his many naps, he doesnât even need to be told, and calls her Natasha immediately. Natasha keeps an eye on Tony while Steve, Clint, and Bucky have to tend the fields, the animals, the workers. Tony only puts up a little fuss at first, but then heâs too tired to maintain it.
Itâs during one of these times, when itâs just the two of them, that Natasha quietly asks, âAre you happy, Tony?â
Tony looks up at her, and he manages a smile so wide that it makes the corners of his eyes crinkle. âI am loved, Natasha, and I thought I never would be again, not like this. Yes. I am very happy.â
Natasha reaches out to take one of his hands in both of hers and holds it until Tony drifts off to sleep again, smiling a little.
CAN YOU IMAGINE THEIR DEVASTATION THOUGH! stuckyhawk have to cancel plans (wooing plans too) with Tony and Tony just says "I am not upset, just kinda disappointed.." shoulders slumped as he goes back down to the lab looking miserable and they all feel like fucking crying cause THAT WAS SO MUCH WORSE. And Natasha and Rhodey are there second hand crying and they share their disappointing Tony war stories and its glorious. Your idea inspired me.
Bucky: âIâll give you my arm to snuggle just please donât be disappointed I am sorry.â Steve to Rhodey: âhow do we make it stop?â clint: âi feel like i killed his cat and he doesnât even have a cat tasha , what do I DO. IN unison: âHOW DO WE BRING BACK THE SUN?!â
Tony knows itâs not their fault that they all have to go on a mission (Bucky and Clintâs long-range specialties are required and Steve will keep them from getting too show-boaty because sure you are both able to shoot the cigarette out of a guyâs mouth half a mile a way, he believes you, but consider: Going home sooner and without injuries), so heâs not mad, heâs really not, but what they have is still so new, what if they lose interest in him while theyâre gone? What if they realize they donât need him and that theyâre fine all alone? He really is just a man in a can. They all have these great skills even without the weapons he makes for them.
âYou need your arm to shoot, Bucky, donât be silly,â Tony says, and manages to crack a smile. Itâs not one of his happier ones, but itâs something. âBesides, I want you to be safe.â
Bucky makes a sad sound but nods. They sooner they got the job down, the sooner they can get back.
âYou donât make it stop, man, sometimes you disappoint the people you love,â Rhodey says, clapping him on the shoulder. âAnd I know it sucks to disappoint Tony but like it or not, heâs used to it. And he knows that if you had a choice you wouldnât break your plans. Just gotta get used to it.â
âOkay,â Steve says morosely.
âFeeling better is simple,â Natasha says, and Clint leans in, desperate to know how. âYou just die, and then you donât feel anything anymore.â
âSeems doable,â Clint says.
âCLINT,â Steve and Bucky bark at him.
âWeâll take you out as soon as we get home,â Steve promises. âWe wonât even nap.â
Tony tilts his head, considering, before he smiles. âWell, maybe you could at least shower. You guys stink after a mission.â
Well, itâs not bright like the sun, more like itâs overcast, but they bet Tonyâs smile will be brighter when they get back.
Alright, here comes the first installment of StarkSpangledWinterHawk!
Tony and Clint are both harpy-like creatures, owned by a traveling circus and kept in the freak-show section. Tony has red and gold feathers; Clint has purple and silver. Or, Clint would, except that the circus keeps him chained for people to touch, so he has bald patches from having his feathers ripped out by the freak-show patrons for souvenirs. Tony has exactly zero chains and could have left at any time, except that Clint is his mate and he canât bring himself to leave him no matter how much Clint begs him to save himself. The circus master is okay with that, though, because when Tony flies up out of reach of the spectators in terror, his red and gold feathers shimmer in the light, and the spectators like seeing how beautiful he is as he flies. Tony wonât leave Clint, so thereâs no fear of him escaping.
It seems like theyâve been part of the circus forever when a werewolf is dragged in, chained at each joint, and stuffed in a cage nearby. Clint and Tony cower on the other side of their cage in terror because heâs skinny and snappy and looks like he might be open to eating them if only he has the chance. On the bright side, he scares away a lot of spectators that would otherwise tear Clintâs feathers out, so Tony is at least grateful for that. He throws tiny bites of his already meager portions of food to the werewolf, who scarfs them up immediately. He thinks they might be friends, sort of, especially when the werewolf manages a gruff, âNameâs Bucky.â
Tony decides theyâre at least allies even if theyâre not friends. âHeâll eat you as soon as he can, so you stay away from those bars,â Clint hisses, and Tony reluctantly obeys, because he doesnât want to make Clint worry anymore than he already is. Instead he grooms whatever feathers Clint has left, fussing over him and crying because his feathers are still beautiful and Clintâs are so ugly. He still loves Clint in spite of this. Their species is very vain, so still loving Clint when he looks like this is incredibly humbling. Clint loves him more for loving him when he looks so ugly.
The circus continues to travel, and Bucky starts looking more and more morose the further they travel away from where heâd been brought in. Tony offers him more of his rations to try and keep his morale up, because they canât afford to be too sad or theyâll be beaten, until Clint catches him at it and beats him soundly with one wing. They donât get much food anyway and he knows that Tony always gives him the bigger half when theyâre fed. He canât afford to feed anyone else too, especially something as big as Bucky. (Tony still manages the little nibbles from before, waiting until Clint is asleep before hobbling over and dropping a few meager berries and a single salamander tail that Bucky licks up with one swipe of a broad tongue.)
Finally thereâs a full moon thatâs so deep red in color that itâs almost black. On previous full moons, Bucky had been antsy to the point that some of the handlers had come in and beaten him to submission. Tonight, though, he just lies there, still, pupils as big and dark as the moon. He looks like heâs waiting for something. Somehow this is worse than when he was antsy and getting beaten for it. Tony, agitated, curls up against Clint. It feels like theyâre waiting for something, too, and itâs awful, not knowing what it is theyâre waiting for.
A roar rips apart the quiet night, and Tony screeches and starts flapping about the cage anxiously. Clint screeches and struggles at his chains, aborted flaps that would pain him later but was too terrified to take note of now. Bucky doesnât move except for the minuscule wag of his tail. Something tears through the canvas of the tent like it was made of simple paper, a hulking figure appearing in the hole itâs made. Tony and Clint stop screeching and struggling to huddle together in terror, silent, as the creature steps through the hole and approaches the cages, wet nose twitching as it sniffs. Luckily it reaches Bucky first, and tears the cage door off its hinges.
Tony screeches a frightened, âBucky!â but Clint shushes him, easing himself between his mate and the creature.
Bucky just wags his tail again, grinning, and manages to grind out a hopeful, happy, âSteve.â
âThat doesnât look like a Steve,â Clint mumbles, mostly to himself. âIt looks like it might have eaten a Steve at some point though.â
âClint heâs going to eat Bucky!â Tony wails, but thereâs really nothing they can do except watch, helpless, as the creature (Steve?) reaches into the cage for him.
But it doesnât eat Bucky. Instead it grabs the chains binding Bucky and yanks, ripping them free of the cage. Then it reaches out to break the shackles from Buckyâs body, leaving hairless, bloody circles where theyâd been. The creature growls, sounding livid. Bucky shoves his head up underâSteveâs?âchin, snuffling softly, bearing up his neck and belly submissively. The larger creature seems to relax a little at the show even though it still looks agitated.
Steve tries to drag Bucky out after that, but Bucky wonât go, planting his feet in front of the harpiesâ cage. Steve tugs at him, but Bucky wonât let himself be moved, letting out stubborn ânoâs and âI wonâtâs and âpleaseâs. Finally, Steve rolls his eyes and rips the door to their cage off of its hinges, too. Tony and Clint screech, beating their wings, and Tony actually squeezes past them out of the cage, taking to the air and getting up and away from them.
âClint! Clint!â he cries helplessly, knowing he canât help because heâs too weak, and knowing Clint wouldnât want him to try even if he could.
Clint squalls helplessly as Bucky reaches into their cage and rips his chains free too. Then he wails as he gets tucked under one thick arm. âTony!!!! Tony theyâre gonna eat me!â he exclaims, but doesnât have the strength to fight.
âClint!â Tony cries again, tears rolling down his face.
âI FUCKING TOLD YOU SO DIDNâT I,â Clint adds, because he may be about to die but he is also RIGHT. Their species is not only vain but also petty.
Tony shrieks after him angrily. âCLINT.â
Once theyâre out of the tent, Steve leads the way through the forest. Bucky follows him at a pretty steady limp, wincing every time Clint struggles, but only because it causes a chain to painfully thump his shoulder. They donât slow down for hours. Tony follows at a safe, careful distance, but then he realizes heâs lagging behind, and eventually he loses sight of them in the trees.
He realizes with a start that this is his first time heâs been out of the tent in⊠a very long time. And an even longer time since heâd been without Clint. Heâs alone, and it frightens him. He calls out for Clint, but the other harpy never answers. Tony hops from branch to branch nervously, takes to the air but canât see because of the thick foliage of the trees. Heâs lost. Heâs lost and alone and his mate is surely eaten. âClint,â he sobs helplessly, hiding beneath his wings for one weak moment. âClint! Clint, where are you!â
Tony eventually tries to hunt, but he hasnât been able to spread his wings like this for a very long time; he overshoots almost everything he lunges toward, and what he doesnât overshoot, he accidentally stops short of. Heâs hungry. And he knows that that rabbit was definitely laughing at him as it leaped away. Heâs (definitely not) pouting on the forest floor, talons curling into the dirt, when a shadow falls over him. He turns and lets out a shriek when he sees the bigger werewolf looming over him. He really does look like he might have eaten a Steve before. He wails as Steve grabs him and tucks him under one arm much like Bucky had done to Clint, struggling as best he can. âI hope Iâm stringy and get stuck in your teeth!â
But Steve simply carries him at a high lope for a few hours, and when he stops and drops Tony on the ground (feathers askew, because werewolves are apparently nothing but BEASTS), thereâs an angry squawk in the background, and Tony would know that squawk anywhere. âClint!â he calls out, heart squeezing with relief, and spreads his wings so he can try to hop over to the other harpy and wrap his wings around him. He only stops when Steve grabs him by the scruff and pulls him back. âYou let go of me!â Tony orders immediately, incensed, and beats him with one wing. Steve just rolls his eyes and bats his wing away as if itâs a fly. Tony is offended and turns to start beating him harder because he is a powerful, majestic, beautiful harpy and he wants Steve to know it. Steve is a stupid name for a werewolf anyway.
âCut it out,â Steve growls, and grabs his shoulders to shake him a little, so Tony has no choice but to still. Heâs petulant about it though. Very.
âTony,â Clint says plaintively, and Steve finally lets him go so he can carefully toddle over to the other harpy.
âClint,â Tony says mournfully when he sees the flesh that had been under the shackles all these years, skin rubbed raw, blistered and hot. He wraps his wings around Clint carefully and tucks his head under Clintâs chin. âI love you even though youâre ugly, Clint,â he declares. âI will be beautiful for the two of us.â He hears Steve and Bucky make choking noises behind him but ignores them in favor of listening to Clint murmur and coo about how beautiful he is and how much he loves him.
Steve leaves and Tony tries to usher Clint to escape with him. âBucky is literally right there,â Clint points out, unimpressed, as he motions at the other werewolf.
âWe have an understanding because I fed him when I could,â Tony insists. âIsnât that right, Bucky?â
Bucky frowns at him. âWe absolutely do not.â
âWhat!â Tony squawks, offended, and hops over to try and beat him with his wings, too, but Clint tugs him back. âIâLL REMEMBER THIS, BUCKY,â Tony screeches. âALSO YOUR NAME IS DUMB YOU TRAITOROUS SLIME.â
âDo I look like I ate a person named Bucky rather than actually being one, too?â Bucky asks, amused.
Tony turns his nose up at him and snaps, âNo itâs because Buckyâs a dumb name and youâre dumb too!â
Bucky squawks. âHey!â
Steve returns before Bucky can eat them both. Barely. (He wouldnât have, but apparently the harpies arenât so sure.) He throws down a stag and then presses his snout to Buckyâs throat, breathing in the scent of him, as if reassuring himself that Bucky is real. âEat,â he orders firmly, and Bucky doesnât even pretend to think about it, instead leaping on the carcass and biting through pelt and bone, eating as if he might never be able to eat again.
Tony and Clint dig their talons into the ground anxiously, but also seething with jealousy. Theyâre hungry, too. Clint knows that Tonyâs probably even hungrier than he is, with the way he was always giving Clint more food so he could afford to struggle more, getting by with scant amounts himself while still giving anything he felt he could spare to Bucky. Heâd been left behind so quickly, too. He must be weaker than heâd let on in the cage.
Bucky turns away from the deer carcass a few minutes later, lumbering about slowly, as if antsy to get on the move again but too full to do it.
âKeep eating,â Steve orders shortly.
âCanât,â Bucky grumbles, shaking himself. âStarved me too long. I canât eat anymore. I already feel sick.â
âIâll bulk you back up in no time,â Steve replies, all confidence, and then starts for the deer himself.
Bucky snarls at him, getting between him and the deer. âLet âem eat, Stevie. They took care oâ me. Tony even took an arrowhead out of my thigh.â
âYOU WHAT,â Clint bellows, but Tony is already hopping away, picking at the deer with a single talon. His mouth waters. Meat. Itâs been so long since heâs had some fresh, bloody meat. Heâd rather have fish, but this will do. Clint thumps him over the head before he can tear a piece of meat off to eat. âHOW MANY TIMES DO I HAVE TO TELL YOU NOT TO DO STUPID SHIT.â
âMean,â Tony complains, scowling at him petulantly.
Clint shakes him until he apologizes for being so reckless. Bucky sympathizes with Clint on a spiritual level in that moment.
Tony and Clint eat, ravenous, and only stop when Tony suddenly makes a gagging noise from eating too much, and then Clint drags him off because Tony has the self-control of a gnat. Steve waits a beat to see if theyâre really finished, then leaps on the carcass himself, eating whatever was left.
âWe should go,â Tony suggests when Steve and Bucky settle down to sleep their meal off. The werewolves canât chase them if theyâre asleep.
âTony,â Clint says sadly, and spreads his wings, chafed and raw and still bleeding slightly. He couldnât fly even if he wanted toâand heâs sleepy, too, so he doesnât really want to. Tony cuddles up against him, feeling helpless, and wondering if Clint will ever heal.
âCâmon,â Steve says gruffly when they wake. âThe humans will chase us for a while. I donât wanna kill any of âem because then theyâll just get angrier.â
Tony and Clint huddle together, terrified of all those large, sharp teeth. Then Clint wails as Bucky plucks him up like he had the day before. âDonât eat me!â
âLet go of him, you brute!â Tony shouts, trying to beat him with his wings, but Bucky looks more amused than bothered. Tony swipes at him with his talons but is brushed off again. âIâll have you know I once ate a werewolf!â
âIâm sure,â Steve says, reaching out to pick him up. âIâm sure it was a big, scary werewolf and you beat it all by yourself.â
âNo, it took the whole flock to bring it down,â Tony admits, squirming in his hold, as Steve starts going at a high lope. âBut! I did eat some of it!â
âIâm sure he deserved it,â Steve says, as if humoring a child.
Clint squawks, offended. âYouâd kill a werewolf if it was eating all of your eggs, too!â
âWe donât lay eggs,â Bucky points out genially.
Tony and Clint pause to take in this information. Finally, Tony scoffs. âLive birth. Gross.â
Steve lets out a burst of startled laughter and walks into a tree.
Steve and Bucky cover hundreds of miles in only a few days, stopping only to eat and sleep. Tony and Clint try to escape once, but Clint can only walk so far, unable to fly, and Tony is still unwilling to leave him. The werewolves have no problem tracking them down and picking them up again. Theyâre mostly just annoyed that they have to go out of their way to do it.
âHome at last,â Bucky sighs when they finally get to their home territory. Their den is only a few miles away. He canât wait to sleep in it.
âYou can stay in our territory until you can fly,â Steve offers as they set the two harpies down. âWeâre the only large predators here. Eat. Get your strength back. Weâll protect you.â
Clint is about to tell them HELL NO except then Tony sniffs and turns his back on them and scoffs, âOf course you will. We have an understanding.â
âTony, you need to stop saying that,â Clint insists tiredly. âOne of these days youâre going to say that and theyâre just going to eat you out of spite.â
Tony throws his wings up at the werewolves menacingly. âNOT IF I EAT THEM FIRST!â
âTony please.â
But Tony and Clint do stay, and they eat, and they rest, and Clint heals. They tease the werewolves whenever they cross paths, swooping and landing and then immediately taking off again with a cackle. Steve and Bucky always laugh and snap playfully at their tail feathers. Sometimes Tony will drop a fish for them, and sometimes Bucky will leave the tender innards of a deer for them.
Then the snows melt, and Tony and Clint screech and soar in wide circles, tapping feet together, lightly touching the tips of their wings. Steve and Bucky watch, awed, as the two harpies circle higher and higher before suddenly plummeting with exhilarated screeches, pulling out of their dives at the last moment. Their kind mate forever, but they like to renew courtship rituals, and they havenât been able to do it in years. They feel like fledglings again, shy and flirty in turn.
âPretty, pretty,â Bucky murmurs when they drop down to preen in front of them smugly. He leans in to shove his muzzle against Tonyâs belly, sniffing.
Tony screeches in surprise and tries to hobble away, but Bucky grabs his waist and turns his head to shove his nose in his musky feathers instead. âBucky!â
Clint scowls and hops over to remove the interloper, only to yelp when Steve pins him to the ground and snuffles him too, broad tongue licking the tiny, delicate feathers around the bases of his wings. âOh. Oh, this isnâtââ
âClint heâs gonna eat me!â Tony wails when Bucky nips at his wing. Bucky growls, tail wagging, and presses him down onto the ground beside Clint. âClint!â
ââŠI donât think theyâre going to eat us in a bad way,â Clint says after Steve lets out an amused chuff and rolls his eyes.
Tony squawks, offended. âThereâs no good way to eat someone, Clint,â he snaps immediately.
âAw, you guys donât lick each other?â Steve says, smirking.
Tony scowls at him. âWhy would we need to lick anyââ He stops, face going slack in shock. âOh.â
âYou were showinâ off for us, right? And playinâ like you wanted us to chase, right?â Bucky asks, tilting his head. âYou were courtinâ us, yeah?â
Clint and Tony have no idea how werewolves show interest in each other, but itâs all beginning to look clearâSteve and Bucky wrestle a lot, and chase each other around as if playing tag, and nip and smack each other playfully. They must have looked like they were doing the same thing, swooping at them and tugging on their fur and flying away with a laugh.
âBut why would you need to lick anything,â Tony asks after a moment.
Steve and Bucky pause, baffled. ââŠI mean⊠penetration isnât the only sex you canâŠâ
âWhatâs penetration,â Clint asks.
Steve and Bucky learn what cloacae are that day and theyâre not sure what to do with that information, but they donât tell Clint and Tony that.
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With less than two weeks left in August Stark Spangled Winter Hawk Month is just over a month away.
That still gives all of us plenty of time to cobble together our fanworks.Â
That idea that has been sitting in your head? Write it down. Doesnât matter if itâs just an idea or a story, write those sentences and post them in October.Â
Is that idea more of an image than a story? You can write it down as well. Talk about what you want to create, even if you never end up drawing it. Or even just get a sketch down.Â
Is it a mood board, but you canât quite decide on the aesthetic/ images you want to use? Or maybe you have an picture, but you canât quite get it to work the way you want it to. Talk about it/explain your process. You can even do it via video.
This month is less about completion and perfection and more about sharing and bonding over a shared love of this rare ship.Â
So if you have been struggling or just have been feeling down about your work, itâs okay. Perfection isnât needed. Just you. â€ïž
With so many days in October some of you may feel overwhelemed for Stark Spangled Winter Hawk month. As stated in the FAQ, you are not required to create something every single day; however, if youâre anything like the mod of this blog, you might have a hard time resisting this challenge. So here are some tips for spreading the SSWH love over October.
For Writers:
Multi chapter fics are your friend. If there is only one story you want to write featuring our four love birds, then write it. If the story is a few thousand words you can break it up into chapters. You can then post the chapters once a week or however you want throughout the month.Â
Share headcanons. Maybe you donât have a full-fledge story in mind, but you have this cute/angsty image in your head involving SSWH. Share it.Â
Give sneak peeks. Maybe your story isnât quite finished. Post a sneak peek of what you do have. It will entice readers and get everyone excited for your finished piece.Â
Artists:Â
Show your process. You can do this via video or screencaps. Have fun with it.
Make it a game. Draw your bodies without any details to give away who they are and have people guess who is who in the image, or create a poll and have people decide.Â
Slowly reveal what you have created. Post just an image of Clintâs face, or maybe two hands holding each other. Do this a few times and then reveal the full image.Â
Play with symbols. Drawing people is hard. You donât have to. Tony, Steve, Bucky, and Clint all of symbols/images associated with them. Feel free to combine those symbols together to make a work of art.Â
Fan Videos:
Share clips: You donât have to show your whole video all at once. Feel free to give us bits and pieces throughout the month.Â
Make a Poll: If you like to make music videos have people vote on which song to use in your video. If youâre someone who likes to make parody videos have people vote on which lines/quotes to use.Â
Length isnât everything: If itâs easier for you take make thirty second videos then make thirty second videos. Donât feel olbigated to make every video three or more minutes long.Â
Moodboards:
Talk about it: Talk about what is inspiring you. Is it a quote? A trope? A picture? Do that leading up to posting your moodboard. You can go really deep with it, or you can just say: âSomething about this picture/trope/quote makes me think about StarkSpangledWinterHawk.âÂ
Share the rejects: Share the pictures that you really liked but for one reason or another you ended up not including in your final product. Make it a collage.Â
Same theme different moodboard: Maybe you found fifty pictures that fit the theme of your moodboard, but you canât use them all in one moodboard. Make another moodboard. If you want to make five moodboards that feature space, go for it!Â