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Jackson technically owed CBS a performance so the aim was to create a hybrid that would satisfy the broadcaster and also work as a music video. An idea was hatched to give the video a live feeling by following Jackson seamlessly through the club rather than cutting from scene to scene in the typical music video style.

"We had five cameras rolling on him at all times. The idea was to try to capture Michael, as much as possible, doing one routine through the club, to give it kind of a live feeling. It would literally flow from one camera to the next. We also had kind of a limited time with Michael because he would set his own schedule, so we also decided to capture it that way to make sure we could get it all shot cohesively."

"I think they told us he wasn't going to be there because they wanted to see our responses on film when he started dancing," says Ken Yesh (extra for the short film), "because when he first came in, it wasn't five minutes and he jumped right into it. He started going into the sequences, walking through the tables at the nightclub, going up to the stage, singing, jumping onto the tables and onto the chairs - and I was looking at everyone else and their faces were like mine. It was just disbelief."

"We'd all been standing there for a long time. He'd say thing like, 'I hope you guys aren't too uncomfortable back there' because the lights would come up on us and we were standing really tight together and we couldn't move. Between takes we had to stay there. So he was just feeling for us a little bit. When he started to perform he was very focused but then he would go back to being just casual. He'd say things to us like, 'I hope you all liked that one'. He was being funny, witty."