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"Roberto Cavalli Spring 2003 - Bold and Exotic Fashion Statement"
"Step into the world of Roberto Cavalli's Spring 2003 collection, where bold animal prints meet luxurious fabrics, exuding sophistication and exotic charm. This stunning ensemble captures the essence of Cavalli’s signature style: daring, glamorous, and undeniably unforgettable."
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From December 4, 1906 to March 15, 2003 to today. Thank you, #MuLambda, for allowing me to enter the House of Alpha through your door. The memories are only just beginning. #AlphaPhiAlpha #Spring03 #Spring2003
Chanel Spring 2003 🌸
In 2003, stealing back gold with MINI Coopers was made cool again with the release of The Italian Job. 14 years ago. (05/30/17) #timehop #flashbacktuesday #throwbacktuesday #abe #charliecroker #paramountpictures #theitalianjob #american #heistfilm #may30 #14yearsago #spring2003 (at Weston, Toronto)
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Lee McQueen taking a bow after his SS 2003 show “Irere”
Models of Color: Alexander McQueen S/S 2003 “Irere”
Pictured: top left, Liya Kebede, top right, Unknown, bottom left and right, Yasmin Warsame
Earrings from Alexander McQueen’s S/S 2003 collection “Irere”, photographed for the V&A Savage Beauty exhibit.
“McQueen’s catwalk presentations often coalesced around elaborate narratives. Irere, meaning ‘transformation’ in one of the indigenous Amazonian languages, told the story of one girl’s metamorphosis from shipwreck survivor to Amazonian princess. The collection, which also drew on McQueen’s love of nature, incorporated references to Amazonian wildlife, including birds of paradise, which appeared as vibrant feather prints on chiffon dresses, and these earrings made from porcupine quills.
Their shape is unconventional for, rather than piecing through or being clipped to the lobe, the earrings sit over and around the ear. In nature, the quills defend the animal from predators. In these earrings the quills, which protrude from silver mounts, are attached to an inner silver circle and splay out in a fan-shape, mimicking the macaw feather earrings in the same collection. The effect of affixing the earrings closely to the head in this manner was to hint at the hybridisation between woman and animal – a theme that McQueen invoked in many of his other collections including La Dame Bleue (Spring/Summer 2008) and The Horn of Plenty (Autumn/Winter 2009).”
