May 27, 2021
PETIT2 ’s ABC
"Z" Zinnia
Flower language: Happiness to think of absent friends
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PETIT2 ’s ABC
"Z" Zinnia
Flower language: Happiness to think of absent friends
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Sean Scully, Raval 1, 1996, etching, aquatint, spit bite and sugarlift on paper, image: 11 1⁄4 × 22 7⁄8 in. (28.6 × 58.1 cm) sheet: 22 1⁄4 x 30 in. (56.5 x 76.0 cm), Smithsonian American Art Museum, Gift of the artist, 2001.79.56, © 1996, Sean Scully
Sean Scully, Wall of Light Blue Corner, 2010, hardground etching, aquatint, spit bite and sugarlift on paper, image: 17 7⁄8 × 22 in. (45.4 × 55.9 cm) sheet: 28 3⁄4 × 30 7⁄8 in. (73.0 × 78.4 cm), Smithsonian American Art Museum, Gift of the artist, 2012.2.3, © 2010, Sean Scully
The plates before (rhs) and after spit bite. The areas where the stop out was not fully cleaned off the plate are visible on rhs plate. Unexpectedly these areas affected the process & were visible on the subsequent prints (above).
My aim was to make the 'double arrows' logo less obvious by reversing the usual order in the application of aquatint and stop-out. Instead of applying aquatint on the plate first the logo was stopped-out & the aquatint applied afterwards.
The effects were subtle but visible. However in order to achieve more noticeable results in future I will apply the stop-out more thinly & coat with aquatint before it is fully dry.
The aim being for the stop-out to crack & craze slightly allowing the acid to act on the plate and create a random effect on the logo.
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Double plate print. The first plate is See It! BIG process #2 (see below) using a mix of red-black ink. The plate of See It! BIG process #1 in black ink was then printed over the top. Although not clear in this image, the resulting colour was appealing. Further work needs to be done on both plates in order to give the desired effect. I am interested in experimenting with other colour variations.
A print of See It! BIG process #1 after spit bite. I am very satisfied with the direction in which this image is going. The key figural elements stand out much better from the background but without all of the 'haziness', which gives a sense of emergence, being lost. Some further spit biting in key areas is required but I do not wish to make everything too clear and defined.
The plate of See It! BIG process #1 after spit biting for the purposes of comparison with the resulting print (above)