#spectrogram

chatting about the logos because there are so many

these are the main 5 types of logos that are shown and labled on twt + the logo for the genloss website (fun fact: the website logo was drawn with a brush made OF the logo) #1 and #4 being the most used currently with #4 being the pfp for the Genloss twt and the Genloss YT channel but #1 being well associated with TSE through TSE promo and media you can find the #1 logo if you dig a bit and if you want to know about hidden logos we got hidden logos here's the spectrograms

Track 1: Generation Loss title Card (long)

Track 2: Showfall media

Track 10: Hetch

Close up for track 10 ^

Track 16: Generation Loss title card (short)

Track 24: Live or Die

Track 25: The holding Portal

track 25 close up ^ All of these examples are from the official soundtrack, and is also part of the reason I don't make spectrograms for the Youtube videos since most of the time the logo is there due to it being part of the music. Huge thank you to Nathan Hanover who made the soundtrack for being so active on the genloss discord, for throwing bricks at the genlosers, answering our questions at 2am, and for confirming that he sampled the among us stinger for Track 23: The button.

yup anyway im posting a part two since there are so many more hidden logos

a landscape i painted digitally this morning, and a parallel view stereogram* of the painting

*(a 3D image. relax your eyes so the left eye aligns with the left image, right with the right. it may help to look at a distant object and bring your phone up into view.)

Drafted some possible inner sleeves for the signal // NOISE double LP today, in case the pressing route includes printed inners. The supplier artwork templates had the option, so it felt rude not to at least prototype what those might look like.

I’d been stuck on what to print here – everything I tried felt like a repeat of the gatefold or scroll – until I remembered the SRT→Image renderer inside the Between Lines app. So:

took four tracks: 1, 8, 9, 16

converted each mixdown to an SRT subtitle file

fed those SRTs back into Between Lines

rendered one image per side using four different engines: Base64, Radial, Bitmap Weave, Supershape

The result: four abstract “subtitle spectrograms” – sound rewritten as a visual-first language, which feels about right for APD and lip-reading as default I/O.

LP1 // SIGNAL gets black on white (caption-rows for Side A, radial rings for Side B). LP2 // NOISE stays white on black (rain-/static-weave for Side C, starburst interference for Side D).