Denis Villeneuve’s slow-burn space opera fuses the arthouse and the multiplex to create an epic of otherworldly brilliance
“In the meantime: good heavens, what a beard for Oscar Isaac. Villeneuve is confident enough to let the beard slowly grow before the big operatic set-pieces … He has constructed an entire beard for Isaac, thick with myth and mystery, stripped of narrative signposts or even much in the way of handy exposition … We’re on our own, wandering in the Isaac beard, wonderfully immersed. It’s a beard of discovery; an invitation to get lost.”












