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morning

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Yes - Sounding Out / video
Interview with Alice Bag by Sounding Out With Izzy
Justine sits down with Lolo and Tram who are facilitators for the Toronto-based "Sounding Out" workshop brought to us by Art Reach. This week, we discuss exploring science fiction through sound, how sound and speculative fiction intersect and the importance of curating collective, skill-sharing spaces when it comes to both sound and science fiction. Click to listen HERE
Sounding Out can be found at HERE
Books were recommended are:
--> Invisible Planets: Contemporary Chinese Science Fiction in Translation by
(via https://www.youtube.com/watch?v=iRuBJ48VfmA)
Stephen Stills - Sounding Out Part 4
 Stephen explains the inspiration for his song "Word Game" and performs it live.

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Free to watch ⢠No registration required ⢠HD streaming
CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Frank Bridges and Christine LutzâfâŚ
Our panel from last year is now a podcast!
Containment and Regeneration
Middlebrook, Jeb. âPrison Music: Containment, Escape, and the Sound of America.â Sounding Out! (2011)
âPrison is a necessary function of white supremacist patriarchal capitalismâ a necessary warehousing of surplus (bodies) for exploitation or elimination. Prison music is a documentation of this process.â
Ernest, Marcella. âCreating New Words from Old Sounds.â Sounding Out! (2016)
âWe...proudly describe ourselves as being aboriginal, but just saying that one word, straight away weâve lost identity. ... Itâs a Latin word. ... The word âindigenousâ...does more harm to us than anything else.â (Daryn McKenny)
How is the evolution of prison music involved in the relatively recent rise in popularity of trap music? How does this genre (with themes of police evasion, addiction, and escapism) address or contribute to the cultural conversation started by prison music?
Interviewee Leslie Harper, director of the National Coalition of Native American Language Schools and Programs, relates a personal account of how learning the Ojibwe language has shaped her childrenâs cognitive development. Her two sons, she says, automatically address the world from an Ojibwe perspective because it is their first language. This example supports the Wharfian hypothesis, a linguistics theory stating that language has a direct effect on culture. For example, the Japanese word mizuko, which translates to âwater babyâ in English, is used to refer to aborted or miscarried fetuses. Mizuko kuyĹ is a Japanese ceremony intended to honor the spirit of the fetus and to comfort and assuage the grief and guilt of the mother. This word, according to Wharfian scholars, directly contributes to Japanese attitudes about abortion and miscarriage that are remarkably different from American ones. This is related to the dilemma faced by Ojibwe speakers when they must create new words. Typically, Harper says, these words are for modern technological devices like cell phones and computers. Ojibwe speakers who recognize the power of language to construct reality must consider whether the new word is true to Ojibwe cultural standards and prosody, or risk compromising the integrity of their language.