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Checking in on my OCs and other characters like a movie villain opening the basement cage where their prisoners are held, all huddling in the corner trying to make themselves seem less noticeable so as not to be the next one chosen to be subject to whatever evil experiment the villain has in mind
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you guys ever choose a medical explanation for something you did to a character and then later dig more into it and long term implications and realize:
if I'm realistic- which I should try to be- they won't ever be the same after this... there's no going back.
Me writing:
"you don't have much room to go in terms of topping yourself in cruelty to characters. cinnamon roll jr murder is about as high as it really goes." - taireupmyheart
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I've realised that when I write dialogue I put emphasis in really random places. Oops.
writing rant #5
so i have PLENTY of other things to finish
[and i WILL i swear im just the most undisciplined writer ever]
and i was gonna finish 'respect' today but then i was laying in bed thinking...
so if we're concocting a situation in which jarvis and seb could potentially hook up [and what else are sexy injury scenes for anyway?]... what would be the opposite situation in which seb does the WORST THING POSSIBLE TO HIM?
thats pretty much my favorite question in the world, "whats the worst-case scenario?" of course i have to write that.
what the hell is wrong with my brain that i think "whats the point of having these kinds of characters that live in a universe like this if you cant do absolutely AWFUL things to them??"
