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Filling a prompt from socks-lost about wanting to see Maura struggle with a panic attack after Killer in High Heels.
The tile feels cool on Mauraâs forehead.Â
Normally, she would shudder at the thought of the petri dish jungles that would grow as a result of a bacterial swab of this tile. But all that matters right now is that its coolness feels a little bit soothing.
Whatâs the event, even? Something for charity, but which? It doesnât matter. These functions are all the same. Polite small talk, pledge money, move on. Manageable. Sheâs been doing it all her life.
Then her eyes had settled on the glass in her hand, and she couldnât remember for certain who sheâd accepted it from, or what might be in it, or if sheâd already sipped any of it.Â
And then suddenly, there were too many unknowns. Too much sensory input to cope with. Too many strange faces, and the backs of heads were almost worse. Too many people, too close, too loud. Every conversation in the room blending into one overwhelming drone. A dozen different perfumes and colognes choking her. Even the seams of her dress seemed to shrink, digging into her skin and restricting her breathing.
She really hopes she hadnât made a scene on her way to the restroom. It wasnât empty, and holding herself together for the extra thirteen steps it took to reach the privacy of this end stall was almost more than she could bear. The tears had burst from her before she even turned around to lock the door, quickly ruining the makeup she promised herself she wouldnât have to reapply.
If only she could disappear without having to speak to anyone or be seen by anyone. Just blink and magically be at home. She feels pathetic and afraid and helpless in this little cell, which is as much like a cage as it is like temporary safety from the entire world. Though initially a relief, the solitude is now ringing in her ears as loudly as the cacophony of the crowd had.Â
Itâs only after a few breaths that she realizes part of that cacophony she had fled was Jane saying her name.
Jane is out there. Her plus one. Totally out of her element and only here to be supportive. She has every right to come bursting in here, complaining about being left stranded out there in a dress she hates, with a bunch of stuffy strangers, at a function she has no interest in.
Fresh tears spill at the realization that sheâll have no emotional energy to deal with that. Maura had run into this bathroom like a scared little animal looking for a crevice to crawl into, and if Jane reaches a hand in after her, she doesnât know what she might do except shut down, or maybe bite.
The hand dryer goes off, exposing the sharpness of her breathing to the echoing quiet. She covers her mouth, eyes stinging and lungs burning from trying to silence her sobs. Over by the sinks a couple of younger women laugh, and even though she knows itâs not about her, somehow it sounds like it is.Â
Door hinges. Maura recognizes the new set of footsteps even in the dialect of heel clicks instead of their native boot stomps. Then there they are in the little gap under the door: the sage almond pumps she picked out with Jane forty hours earlier, just to match a dress sheâll never wear a second time.
She braces.
âMaura?â
"Hm,â is all she can say without revealing her state.
âYou okay?â Jane sounds... gentle.
How nice lying must be. She could say yes and Jane would go away and this would be one step closer to being over.
âI jus-st need a minute.â
She squeezes her eyes shut, holding her breath, too close to having her little bubble breached.
âOkay.â
The shoes disappear. Somebody runs the dryer and she can breathe again.
A minute later, something wedges in the crack of the stall door. A piece of paper.
Unfolding reveals it as a torn off piece of the glossy program she was handed when she entered the event. Her tears slow as she tries to understand the words written on it.
If you want company but donât want to say a word, text me 1.
Company but I donât talk either - 2
Stand over here and keep the dryer running - 3
Immediate escort off the premises no questions asked - 4
You need to be alone - 5
Anything else - name it. I have your back.
She has to read it four times before absorbing it, but once she does, itâs like a light turns on.Â
Panic told her she was all alone. It had her lumping Jane in with people.
There is some whining and teasing, yes. But when something serious is happening, there could be no one more ferociously on her side than Jane Rizzoli. She has it all. Cop authority. Friend comforts. Big sister powers. Sheâs her go-to for anything and everything.
Jane isnât people. Jane is Jane.
She finds her phone in her purse.
1.  Send.
Feet reappear within fifteen seconds. There is no knock.
She unlatches the door, opening it to find a soft smile waiting. It makes her wonder how awful she must look.
Despite the premise of the text she just sent, the first thing she does is start rambling.
âI just donât kn-now wh-Â Â I donât know! I donât know.â
Giving up on expressing herself, she pushes into Janeâs arms instead, repeating herself uselessly.
Jane walks them a step into the stall and pushes the door shut with her elbow. âOkay,â she wraps her arms around Maura and leans a cheek on her head. âOkay.â
âI donât know.â
âOkay.â
âI donât know who an-nyone is. I donât-â
âYou know me.â
Maura goes quiet, breathing hard.Â
âNobodyâs here but you and me.âÂ
Jane's hand moves up and down her back.Â
âYouâre safe. I know it doesnât feel okay, but it will be. Weâll just hang out here as long as it takes to feel more okay. And then weâll go home. You donât have to talk to a single person. Okay?â
Maura nods with a hiccupy sigh.
âOkay. Now just breathe with me.â
It takes time to realize that this isnât a hug. Itâs shaped like a hug, but a hug wouldâve lasted just long enough to express sympathy, and this is not ending. This is a hold. And it makes her feel protected, and not alone. And it feels devastatingly good to just hide in and cry like thereâs no time limit. Janeâs hands hold her securely, rubbing soft circles on her back. It helps calm her enough that when she opens her eyes again itâs almost a surprise to remember where they still are. If only it could continue this way, but at home instead of in a public bathroom stall.
She canât tell how long theyâve been in there, but itâs probably been too long. Begrudgingly, she peels herself out of the embrace.
âEverything... Â just..â
âGot cranked up to 11 all of a sudden?â Jane finishes quietly. âAnd all you wanna do is teleport home and curl up in a dark room and shut off.â
Maura heaves a sigh. âYeah.â
"Letâs teleport.â
âOh... I havenât excused myself,â she realizes with a near-sob. âI didnât say goodbye to our hosts.â
âI took care of it,â Jane shakes her head.
âWhat did you say?â
âI said something came up that required our attention and that you sent your appreciation and regrets and blah blah blah, it was fine. They think you left already. No oneâs looking for you.â
Relief floods through her.
Thatâs why, come to think of it... Maura was in here for at least a few minutes on her own. It hadnât occurred to her to wonder why Jane hadnât followed her immediately. She was out there smoothing over the situation, keeping anyone from following, making it less like a scene.
âOkay. Hereâs the exit strategy: Iâm gonna lead you out the door in full hockey gear. Anybody tries to talk to you, I body check them into the ice sculpture. Itâll be ladies screaming, monocles falling into champagne flutes-â
A laugh jumps from her throat, small but unexpected enough to come out sounding as much like a cough. Jane sounds pleased to have earned at least that.
Her actual suggestion is to bring the car around to the service exit, and then come back to escort her out.
After making the best of her face, Maura follows Jane out, letting herself be led by the hand. She feels like a small child being helped to cross a street, but somehow in this context itâs reassuring instead of condescending.Â
She pushes through half a set of double doors, holding it open for her.Â
The voice is immediate, and male.Â
âExcuse me, ladies, but this area-â
âBoston police,â Jane barks without slowing or even altering their course, even though he is directly ahead of them. âClear the exit.â
In her peripheral vision Maura can see the man - kitchen staff maybe - stepping aside, showing his palms in disinterested surrender. Not paid enough to stand in the way and be bulldozed. She notices how Jane is angling herself to block her from view as much as is casually possible as they move past.
She focuses on Janeâs shoulder blades, visible thanks to her updo and the low-ish back of the dress sheâd talked her into. Imagining her instead in hockey gear almost brings a smile to Mauraâs face.
Something about the safety of the car makes her start crying again, and to her relief, Jane simply lets her.
- - -
The next time she looks at the clock, it reads 12:41.Â
She must have fallen asleep. She wants nothing more than to fall back asleep, but something is nagging at her... besides the fact that sheâs fallen asleep in her makeup.Â
Itâs Jane. Jane protected her and drove her home, but she doesnât recall saying a single word to her since they left that bathroom. No effort to be appreciative or even hospitable. Her only goal upon arriving home was tearing off that dress so she could finally breathe and crashing in bed just long enough to catch her breath.
Her eyes move across her bedroom, dimly lit by the light of her closet filtering through its slatted door.
Her dressing table. Her nightstand. Legs on the bed.Â
Legs on the bed?
Jane is lying on the bed next to her. Propped up halfway on pillows, and with hands folded neatly over her stomach, she looks more like sheâs waiting than sleeping.
âHey,â she says, and Maura jumps slightly even though her presence is not a surprise. Her nerves feel shredded.
âSorry,â Jane adds quickly. âItâs just me. I wasnât sure if you wanted to be alone.â
Maura rubs her eyes. âIâm sorry I fell asleep.â
âNah, thatâs exactly what you needed.â
She feels more settled now, though exhausted and embarrassed... however with Jane here to look out for her, itâs not so terrible. Being that vulnerable in front of someone she trusts feels nice, in a way.
âDo you? Want to be alone?â
Apologetically excusing Jane is her first instinct, but she pauses. Going back to sleep sounds nice, but having Jane there sounds even nicer. Her presence is so calming.
âNo.â
"âkay.â Jane sits up and pats a little folded pile on the foot of the bed. âI grabbed some pajamas for you.â
âIâm alread- oh,â glancing down, she realizes she was in such a hurry to get out of that dress that she never put anything else on, and is still just in underwear. Hopefully she was the one who pulled the bed sheet over herself.Â
Thatâs what makes her check to see what Jane is wearing, if not still her dress from the benefit. Sheâs found one of the old tees and sweats of her own that are always stashed in Mauraâs drawers.
"Let me go get you a glass of water,â Jane smirks.
Getting ready for bed gives Maura her second wind. That little crash helped recharge her at least to the point where she can think again - not necessarily a good thing - and now she doesnât feel like trying to go directly to sleep.
They end up in their go-to place for processing: the couch. Side by side, they just sit in silence for a little while.
Earlier it was all just a tornado of raw data, but now sheâs starting to be able to organize it and analyze what had happened.Â
âI feel so ridiculous.â Her voice still sounds congested.
âYou arenât.â
âBut there was no real threat at all. Am I that afraid of a dead man?â
âYou wouldnât be the first.â
Jane doesnât talk about Hoyt that much, but Maura knows thatâs what she means.
Neither of them really fear dead men. What they fear is that those men werenât unique. There are more of them in the world - itâs a statistical certainty. Thereâs just no way of knowing which they are.Â
Thatâs where sheâd lost it at the benefit tonight. All those smiling faces, each one SchrĂśdingerâs acquaintance. Simultaneously a pleasant conversationalist and potential catastrophic threat to her safety, her sanity, her life.Â
âI keep doing the math. The number of new people I tend to encounter in an average work week - the prevalence of violent crime and psychopathy and-â
âHey,â Jane says, shushing softly. âI know, but weâll talk about it tomorrow.âÂ
Maura allows herself to lean to the side when pulled, and Jane shifts enough to put her chin on top of Mauraâs head. It feels warm and safe and reassuring, like the way puppies must feel when they sleep all together in a pile.
âYouâre home. Youâre safe. You donât have to think about anything else.â
She closes her eyes, but something is keeping her from totally relaxing. Jane must think sheâs much worse off than she is, and to not correct her feels kind of deceptive.
âYou donât have to do this.â
âDo what?â
âI know you donât like hugging people. Iâm not in danger. Iâm not in distress anymore... I just like the company.â
She feels a little breath come out of Janeâs chest, like that had been amusing.
âYouâre not people.â
Well... in that case, maybe itâs okay to wrap her other arm around Janeâs waist and relax against her. She does, and Jane retaliates with what sheâs at least ninety-six percent sure was a kiss on the top of her head.
It gives her a thousand additional questions, but those can be answered later. Right now the important thing is that everything feels safe. And this hug - no, hold - is lasting so long that the only way she can even tell Janeâs awake is the little intermittent back-and-forth thumb near her shoulder.
socks-lost replied to your post: The USWNT can win sometimes in spite of their...
When will the USWNT get a new coach??? ugh so much of this game was a disaster and now I see all kinds of people going âsee Jill has strategies and they work!â NO THEY DONâT.
US Soccer seems REAL committed to her - so unless awful results continue she's going to make it to the World Cup and only then when she fails would they make the change - like results where we squeak out a damn 4-3 like this shouldn't help her position but it's going to ease up the pressure on her for sure.
my fave lyric is this entire verse bc i absolutely love sapphic love, i love how much brandi loves her wife, this song is literally everything
I'm gonna die the exact same day as youOn the Golden Gate Bridge I'll hold your handAnd howl at the moonScrape the sky with tired eyesAnd I will come find youAnd I ain't scared cuz I'm never gonna miss you
put a âââ in my ask box and Iâll shuffle my music player and give you my favorite lyric from the song that comes up.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
âSit still while I tape. How did you wreck your hand like this?â
âYou know Agneta, that amazon who plays roller derby? She asked me in the Robber if you were⌠ummm⌠having sex with Susie.â
âYou started a fight with someone who is six foot five over THAT?â
âYes. I kicked her in the groin so she folded, then I jumped up and punched her in the head coming down. And she was out! But so were my knuckles.â
âAnd you got this upset by that comment?â
âWell... by her racism too, but she knows youâre mine, Jane.â