You Have My Attention: The Harwood Spellbook First Lines
Stephanie Burgis's reimagined, magical, and gender role-swapped regency fantasy novella series is honestly one of my favorites. They're sweet and fluffy and a truly delight to read. But as with any author, Burgis has to catch her readers with those first few sentences. So let's see how she does it!
The evening of the Spring Equinox was cool and balmy, just as the weather wizards had--for once!--reliably predicted. The glittering guest list for the Harwoods' annual ball was exactly to Amy Standish's design.
As she prepared to descend into the lake that gently rippled, reflecting the full moon and stars, outside the grandeur of Harwood House, Amy knew she had organized the most important night of her life to absolute perfection. The only tiny, insignificant task left to do was to propose marriage to the right man by the end of this evening. Then she would finally win everything she had ever dreamed of, and it would be utterly perfect. She knew it.
It was bad enough to be deprived of my new husband before our wedding night. It was utterly unjust to be tormented by nightmares weeks afterward as I slept, still alone, in our marital bed.
For the ninth morning in a row, I woke up gasping and clawing at my throat, fighting to yank piercing thorns out from my skin...thorns that, of course, existed nowhere but in my dreams.
-- Thornbound
Dressing for a ball would always be a challenge for any lady who found it easier to analyze--from memory--an obscure spell from two centuries ago than to remember which sleeve lengths were currently fashionable across the nation. But dressing for a ball at Angland's first women's college of magic, where at least half the dancers were certain to add competitive spellwork to their costume and the enigmatic local fey were likely to make an appearance? That raised the standards--and the stakes--enormously.
-- Moontangled
There was this much to be said, Honoria supposed, for comprehensive public and personal ruin: once all that she'd ever cared about had been ripped from her grasp, she no longer had anything left to fear.
-- Spellcloaked
There was a fine line between ambition and foolishness, and I had spent most of my life walking it. Still, as looked around the crowded, fey-lit dining tables at Thornfell College of Magic for Young Women on the eve of our second Winter Solstice, I was forced to admit that--just this once--I might have aimed my goals a bit too high.
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Snowspelled (The Harwood Spellbook #1) by Stephanie Burgis
A delightful blend of fantasy and romance, set in an alternate 19th-century England.
Humans and elves (essentially the Sidhe) maintain an uneasy peace in Burgis’s Angland, which is also populated by fairies and trolls. Cassandra Harwood, the first young woman formally admitted to the study of magic, has recently lost her magic. She must rely on all her fierce determination and intelligence when she finds herself enmeshed in a promise to a hostile elf lord.
The relationship between Cassandra and her former fiance Wrexham is based on a typical romantic trope, but the way it plays out is influenced by the unique sociopolitical structure and mores of the alternate Britain, at once quite different and somewhat similar to the historical 19th-century England. Here, women rule the political sphere, men the magical one. With political power comes domestic power; women are the heads of their households. Yet men don’t appear to be subservient or second-class citizens, but partners. (However, it’s apparently men, or possibly both sexes, who can be socially “compromised” and forced into marriage.) It’s a refreshing change from typical Regency romances, much as I enjoy them. There’s also more diversity in Cassandra’s world than in the average Regency or Victorian romance.
As enjoyable as the romance is, however, the main focus of the novella is on Cassandra coming to terms with the loss of her magic…and, of course, on solving the mystery she promised to solve. The stakes are high, not just for Cassandra but for the future of human society.
If I have any complaint about this novella, it’s only that it isn’t long enough despite its 166 pages. I would cheerfully have stayed twice as long in Burgis’s world! Luckily for me (and other fans), Snowspelled is the first book in what promises to be a series worth reading. I can’t wait for the second.
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You are lost to your brethren and to your land. The soil will not shelter you. The air will not sing to you. You are broken, root and branch, from our tree.
Gender swapping is an I-don't-think-uncommon media trope at this point. However, this book doesn't swap genders, it swaps gender roles, which I actually think is even more interesting. Add that to a regency setting, magic, and the aftermath of a terrible, academically hunristic accident and you kind of tick several of my very specific boxes. Overall, I thoroughly enjoyed this novella. Let's talk Snowspelled.
So in honor of our protagonist, let's be a little bit academic and define our terms. Gender swapping is when a character is imagined in a different gender (most typically a make to female or vice versa swap in traditionally published literature but can and should be conceived to be a swap from one gender identity to another, inclusive of trans and nonbinary gender idenities) in a retelling, revival, adaptation, or even fanfic. This is about reimagining characters.
Gender role swapping, on the other hand, is about how society imagines gender roles. Gender roles are generally (and broadly) described as a series of traits and/or attitudes that a specific gender should ideally have or embody according to a specific culture's norms. Again, this is often imagined on a male/female binary, but can and should be imagined more broadly and inclusively for nonbinary, trans, and intersex gender identities. So to put it simply, while a gender swap is about individual characters on an individual level (and such a character may also take on the gender role of their new gender or not, as the author and story desire), a gender role swapped story is society focused. The characters are whatever genders they are, but the roles are what change. So for Snowspelled, this means that in a regency setting and culture, it's MEN who can be compromised, not women. Men are not expected to be involved in politics, women are. The society and societal expectations have changed from real-world standard, rather than a character being reimagined.
Wrexham is objectively not having that though. He is still head over heels for Cassandra, despite being pushed away HARD, and he is very much here to help her figure out how not to end up hunted to death. Also here to help Cassandra are Amy (her pregnant sister-in-law), Jonathan (her brother), and Misses Fennell and Banks (a couple who are working toward becoming the new political power couple but need training first). Admittedly, Misses Fennell and Banks are less explicitly there to help, but they are the route to Cassandra finding a new purpose in life.
Overall, I adored the gender role swap conceit of this book paired with the recovery from a catastrophic error. Cassandra was an immediately sympathetic protagonist to follow, and watching her pull herself out of the hole she dug without judgement and while letting go of her own self-loathing was really compelling. I felt like I only got a little bit of a taste of the world, but the worldbuilding was compelling enough that I very much wanted more, and will absolutely be reading the rest of the books in the series.
January Book Reviews: Snowspelled by Stephanie Burgis
This is a novella that I've been vaguely trying to get my hands on for a while (I loved Stephanie Burgis when I was a kid). So it was very fun to find it at my new library system (whee!). Cassandra Harwood was the first woman magician in Angland-- until she lost her magic three months ago. Now she's attending a houseparty infested with elves AND the fiance she just dumped for his own good. Trouble, of course, ensues.
I had mixed feelings about this one. Some of the worldbuilding wasn't well thought out. For instance, the book is set in a mostly gender-swapped England, where politics is women's work and only men can be magicians. But I don't think the implication that this would have were fully thought out. I think an England with these changes would be far, far more unfamiliar than the one Burgis depicts. I also didn't always find the protagonist Cassandra sympathetic. She flings herself into arguments with the absolute confidence of someone who's always been loved unconditionally.
Fun, but there are a fair number of books that have managed the regency-with-magic setting better.