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Preview of "Caught in the Storm" by Katharine McPhee

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Now you're wearing multiple hats because you're choreographing for Bombshell and HitList. If you're a choreographer for a Broadway show, you're focused on one thing, but you're choreographing Smash--what is that like wearing all these different hats and can you tell us a little bit about the genres?
Well, like I was saying before Bombshell is really classic Broadway, really based on those Jack Cole styles, jazz with Marilyn numbers and then HitList we are using parkour and hip hop and contemporary, and other styles of jazz and Broadway. And it's really kind of rock-y at time, sometimes [we use] dance music (like club music). So I've never been so forced to be creative so often. Every moment that I'm here or at home, I'm trying to figure out how am I going to make this different than the last episode or the last number in HitList? Or how do I separate this from Bombshell and make it completely different? And really, I've never used my brain quite so much as to try and figure out how to make everything new. And I thought I had to do it a lot last time, this time I feel like it's even more. But it's exhilarating because I don't spend a lot of time mulling over an idea or a number or a genre--I just keep moving forward, keep coming up with new stuff. And it's really exciting.
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