Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
ā Live Streamingā Interactive Chatā Private Showsā HD Qualityā Free Actions
Free to watch ⢠No registration required ⢠HD streaming
homecoming (the long way around) - masterpost
on the edge of oblivion (1/?)
New guy! This is set several decades before the āmain era.ā
Introducing Nolopoldo, whoās having a great time.
TW: Forced nudity, humiliation, implied threats of noncon, slave auction.
Nolopoldo can barely breathe as heās led onto the stage. He has to force himself to take small gasps of air, because the last thing he wants to do is pass out. Be anymore vulnerable here than he already is.
His strawberry hair hangs long, down to his hips, and itās the only protection he has against the air and the prying eyes of the humans in the audience. Itās colder in here than the warm late summer air outside, but at least he doesnāt feel it too much. Heād pull his hands around his chest to cover up, if they werenāt held behind his back, chained to the metal collar around his neck.
Heās the last item of the day and just as Sarah had promised, most of the crowdās gone by now. Heād heard the hundreds of different voices, bidding obscene amounts of human coin on the various slaves, but he counts only five humans now. He was far from the only elf heād seen in the cells bellow, but the others are all āleftoversā from the fall of Ausnia. Second hand goods, already broken inā apparently. All sold now. Theyād fetched good price, if what heād heard could be trusted, but heās the only one worth leaving for this more special audience.
The ones with a more refined palette. He feels his hairs standing on end.
He glances towards the center of the stage, where Sarah stands, about to start speaking again.
Sarah, the auctioneer, is a human woman, with dusty blonde hair thatās braided in a simple style and a smile thatās sharp enough to cut. Itās been hours since she came through the hallway of cells downstairs, passing by everyone to stop by Nolopoldoās cell in particular, but he canāt help feeling a fresh wave of terror to see her.
Only hours ago, sheād come into his cellā the first heād seen of anyone that worked for the auction house that wasnāt a guard since one of their āacquisition specialistsā had purchased him from the bandits. Heād been able to muster up the courage to ask if there was anything he could do to increase the chances of going to a good home, to maybe work in some human forge, and sheād just laughed. Sheād put a cold hand on his cheek, and heād felt frozen, unable to shy away from the intrusive touch.
āBorn free? Even with the brand, youāre a liability. Youāll go last, for when everyone who doesnāt want troubleās already gone,ā sheād said, her voice honey sweet. āFeel free to fight your chains when you get there, if you want. Some of them like to break the feisty ones. Others just like the virgin fear. Either way, someone here is going to pay well for the opportunity to take you to pieces.ā
Heād swallowed, the horror rising in him all over again, but sheād continued. āYouāll be lucky if your master lets you out of the bedroom, let alone anywhere near a forge.ā
Now, one of those guards gently pushes him forward, and he doesnāt take the hint. His throat is dry, and he canāt breathe.
āDo you need me to drag you?ā the guard says, and Nolopoldo looks at him blankly. Sarah is saying something, introducing Nolopoldo, but he doesnāt hear anything other than the blood in his ears. The guard shrugs, then grabs Nolopoldo by his shoulder.
Nolopoldo lets out a slight noise, almost a shriek, as the guard pulls him forward, completely heedless of his bad leg. The human isnāt strong enough to drag him if he really fights but heās not present enough to do that, and besides, does he really want whoever here is going to like a fighter?
Does he really want someone that just likes to see him scared either? Thereās no good options here. He half lets it happen, only offering token resistance, as heās pulled into the spotlight. He scans the crowd, seeing mostly men, with two women. He sees a pack of wolves, all with equally hungry smiles, and heās too caught up trying to study faces to realize heās been shoved.
He lets out another noise as he crashes to the ground, completely unable to brace himself with his hands pulled behind him. Sarahās hands are on him again, this time in his hair pulling his head back so heās unable to just stare at the ground.
āHeās one hundred and twenty years of age and unwed,ā Sarah says. āSix feet, two inches tall, so on the shorter end, about one hundred and eighty pounds. Seven inch cock, and he freezes up like a charm. Hasnāt shown any signs of being a fighter, but the Shodehim told us he killed three of their men and wounded more, even injured. Already branded, untouched.ā
Untouched? he thinks, confused for a moment considering how much manhandling heās experienced over the past weeks, before he realizes what she means. He canāt keep himself from flushing, and he clenches his fists tight behind his back.
Sarah had been cruel, overly personal earlier, but now sheās all business. He wonders which one is closer to her true self, if either are anywhere near it.
One of the woman has fiery hair, so bright it makes him think of a fire or a fox. Her lazy gaze had gone right to between his legs, as if verifying Sarahās telling the truth about his length. Sheās on her own. Nolopoldo pointedly doesnāt look at her.
The other woman is a dusty blonde like Sarah and she sits with a man that Nolopoldo can only assume is her husband, though he canāt see an engagement necklace. The manās hair is similar, but slightly darker and curlier. They sit a few rows behind the red headed women and to the left. The wife whispers to her husband, and Nolopoldo doesnāt know whether to be glad he canāt tell what theyāre saying. Theyāre both dressed on the simple side, but he can tell that the materials their outfits are made of are as first class as they come.
āHow about we start the bidding at one hundred?ā Sarah asks, and Nolopoldo notes thatās definitely on the high end in comparison to what she was starting at earlier in the day with something like horror, though heās not sure whether lower wouldāve been better.
A man sitting on the far left of the auditorium with medium brown hair and paler skin leans back in his seat and raises a hand. His gaze isnāt on Nolopoldo at all, heās looking more at the other bidders. Studious.
āWeāve got one hundred, how about one twenty five?ā Sarah asks.
The woman with the orange hair practically shoots her hand up, before the man on the left can, and Nolopoldo glances between them. He feels like he should have some preference, like he should at least have something to hope for here, but he has no idea. He canāt tell anything about the bidders from this. Sarah asks for one fifty and two hands shoot up at the same time, the woman with the orange hair and the husband.
Nolopoldo finds the last man in one of the furthest back seats as the bids start going up. He catches Nolopoldo looking and smiles coldly, no warmth in his eyes. He ignores the number going up faster and faster, ignores the other bidders, and doesnāt explore Nolopoldoās body with his eyes like the woman with orange hair.
Heās relaxed in his position like the man on the left, but thereās an intensity in his gaze thatās absent in that one. The look isnāt hungry like the woman with the orange hair, and maybe that should be reassuring, but itās not. The longer the eye contact goes on, the more Nolopoldo feels dread buildingā like heās looking at death itself.
Everyone here, especially Sarah, is a predator but himā thereās something special about him.
He realizes heās breathing again only as it becomes hyperventilation. He twists his eyes away from the man in the back, and he knows in that moment who he doesnāt want. Heād take the woman with the orange hair over him. The man in the back doesnāt bet, even as the numbers raise higher and higher, but he doesnāt seem remotely concerned.
The husband and the woman with the orange hair are quick to raise their paddles, while the pale man seems more content to take it slow but he still gets a few bids in here and there as they hit three hundred, three hundred and twenty five, five hundred, six hundredā
The woman with the orange hair goes fast, but sheās out of steam at the six hundred. Maybe trying to intimidate the others. She sits back in her chair dramatically, practically pouting as she crosses her arms. The husband keeps sticking his paddle up as fast as he can, but the pale man responds with a more relaxed approach.
Theyāre at eight hundred when the pale man adjusts his position, seeming to get more serious. The bids are coming in closer together increments now, and Nolopoldo looks between the couple and the pale man. None of the three are remotely studying him, unlike the man in back, and that somehow makes them ā not safe, but something.
āCan I get eight hundred and twenty?ā
The husband doesnāt stick his paddle up this time, and at first, Nolopoldo thinks heāll be going with the pale man, but the wife raises hers this time, and the pale man raises an eyebrow. They know each other, Nolopoldo decides. Maybe all of them do. He wishes he couldāve heard what the wife said before.
Sarah says their names at some point, but they donāt stick in Nolopoldoās head. All he can keep track of is their faces, their varying levels of carelessness and cruelty. He glances back towards the man in back, as if to make sure heās still there, still looking at Nolopoldo. The man gives him a faint smile, and Nolopoldo swallows.
āEight hundred and twenty, Iām looking for an eight hundred and twenty?ā
The pale man takes a turn, and the woman looks to her husband. Sarah asks for eight hundred and thirty, and they discuss. Nolopoldo looks to the pale man, trying to keep hope from entering his eyes because he knows this one wonāt be any less of a monster. He still feels almost relieved at the manās seeming disinterest in him.
āEight hundred and thirty from Avishai,ā Sarah says, and Nolopoldo tries to look up at her. Her handās still on his hair, but itās looser, more a formality than anything else. āEight hundred and forty, anyone?ā
The husband shakes his head and the wife nods. They sit back, an unspoken surrender. Nolopoldo twists his head free of the grip, and Sarah lets him go. He thinks about her freeing him from the previous order to not fight, thinks about trying to make a break for it, butā run where? He swallows.
āGoing once,ā she starts, leaving a solid pause, and a smirk starts to spread across Avishaiās face. āGoing twice.ā
Nolopoldo takes a deep breath. Thereās no good options here butā anyone other than the man in the back. Anyone but that. He canāt put into words why, he just knows. Maybe itās whatever instinct let his grandparents know to flee Minyas, even when it seemed like the war was going in their favor. Maybe itās something more animal. Not that one, he thinks like a prayer.
āGoing three times,ā Sarah says, and Nolopoldo feels something shift before breaking entirely as the man in back tilts his head, raising his hand. āEight hundred and forty from Zeāev. Can we get eight hundred and fifty?ā
Avishaiās face turns dark as he looks back, as if heās surprised to realize the man ā Zeāev ā is there. Nolopoldoās heart sinks, and he instinctively does his best to shuffle back, only to find himself looking up into the face of the guard. Avishaiās hand is back up in an instant, and the two are bidding back and forth before Nolopoldo can catch his breath.
āCan I get a thousand?ā Sarah asks, and Avishaiās glare at Zeāev is murderous. Zeāev doesnāt even acknowledge the other man, just studying Nolopoldo.
āN-no,ā Nolopoldo says. The audience is far enough away that none of them can possibly hear his wordā but at the same time, heās sure Zeāev can. āNoāā
āGoing once,ā Sarah says, and Nolopoldo looks to her, his eyes wide. She doesnāt even look down to him as she hits the gavel. āTwice. Three times.ā
She gives it a good long final second, or maybe Nolopoldoās heart is just racing so fast that it feels like an eternity. No, please. Anyone but him.
āSold,ā Sarah says, and Nolopoldo feels the floor fall out from beneath him. He looks at all the other would be owners, trying to catch their eyes, as if itās not already too late. As if the guard isnāt grabbing him, pulling him to his feet.
He tries to resist, tearing his shoulder out of the grip without much strength, but the guard leans over and whispers, āStop fighting,ā in his ears. The shock of pain that rolls through him leaves him limp, easy to maneuver.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
ā Live Streamingā Interactive Chatā Private Showsā HD Qualityā Free Actions
Free to watch ⢠No registration required ⢠HD streaming
That painting in the back is 'Slave Auction' by Jean-Michel Basquiat.
And even if it's symbolic of episode 6's theme (abuse/slave-type entanglement) and it serves as a background to Louis's story... this painting is there for another reason.
Armand is a specialist at interior decoration and this apartment screams Armand more than it does Louis. And you know what else screams Armand? That painting. Because it is his story in color and lines.
And in case you're wondering, yes, I am crying. Thank you so much for asking.
ooo!! Slave Auction by Basquiat was also in IWTV, what do you think of that!
I just got this one today and I'm pulling it ahead of the queue to talk about it.
Jean Michel Basquiat was a brilliant artist. Much of his work centered on his experiences as a black man in America.
His pieces are heavy, they are deeply cultural. He covered subjects like segregation (Jim Crow), and the relationship between black Americans and the police (The Irony of Negro Policemen and La Hara).
Genuinely and honestly, I'd like you to look inside yourself and ask, why do you want me to review the eroticism of a piece about slavery? I try to keep any personal details on here sparse, but I will say, it isn't my place to do that.
Instead, I'm giving some discussion questions. You don't have to answer these, but I'd like you to consider them in your head, maybe do some looking into this piece and others by Basquiat.
What is Basquiat saying about slavery here?
What do you think the style of this piece says about the artist's view of the history of slavery? How does it enhance the themes of this piece?
Pick a single element of this piece and consider: what does it mean? What is it representing?
Since you brought up the show: What do you think the significance of this painting is for Louis de Pointe du Lac? What do you think the importance is narratively and for the character?
I'd also like to genuinely recommend some work by black artists and about black artists. I encourage my followers to add anything they recommend in the replies or reblogs.
The works of Nick Cave (Forothermore is a good starting point for looking at his work)
Black Art: In the Absence of Light, a 2021 documentary on black artists in America
The work of Kenhinde Wiley (who you can see more about in the documentary An Economy of Grace)
Instead of constantly being abandoned the old fashion way- I wish my āownersā would realize they can make a quick buck off my pretty face and just sell me off.
Iād be so used to the process by now⦠Getting auctioned off, I notice my price drastically dwindling every time⦠My owner joking about how they might need to pay someone to take me off their hands. Afterwards- getting packaged up and shipped out. Knowing the process will keep continuing. Maybe I donāt deserve a forever home.