Post 1. Romanticizing the Robot in Cosmic Soundscapes
āHeaven is Realā:Ā https://www.youtube.com/watch?v=I0uBFMr_AKw
āØThe above link will take you to the first song on the 2007 album Love is Real [Lacan, anyone?]Ā by John Maus.Ā
āØāTenebraeā: also a good one set to some interesting imagery, aka nudity:Ā https://www.youtube.com/watch?v=l6UkzIN5hlQ
āThis deserted planet: it is so wonderfully, completely silentā. Watchmen (1986)
The title of this post refers to the similarly dreamy spaces in which we find these post-human beings, where each ācreatureā seems fixed on a type of earthly artifact. Both blue men (gendering) seem immersed in thought; perhaps they are capable of emotion, longingĀ for whatever it is they miss back home.Ā
āØThe first image serves as the cover art for Love is RealĀ (2007), an album by electronic musician John Maus. Further research of this image led me to discover its first appearance on the cover ofĀ The Metallic Muse (1972), a collection of short stories by science fiction author Lloyd Biggle, Jr.:Ā
https://www.google.com/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=0ahUKEwiJgcXMzdXKAhWJOiYKHfNsC2IQjRwIBw&url=http%3A%2F%2Fwww.mausspace.com%2FphpBB3%2Fviewtopic.php%3Ff%3D4%26t%3D18174&psig=AFQjCNHZZPJPK-zsSOaroKvN3znjjCqg_w&ust=1454372890688523Ā
The garishly pink cosmic imagery has at its center, a robot playing the violin. What appear to be the letters S-P-Y label its glistening armor. The juxtaposition of this futuristic bot and its classical instrument offers a surrealistic portrait of blended technologies. Is playing the violin a learned trait here? How long does it take to perfect this skill, if at all? What role does memory play for this post-human robot?Ā
š»Apparently, creepy violin-playing robots are a thing:Ā
https://www.youtube.com/watch?v=EzjkBwZtxp4
āØThe second and probably more recognizable image is of Dr. Manhattan, the emotionally and physically damaged superhuman in the graphic novel Watchmen (1986). His transition (through disintegration) from human to the Other renders him a type of post-human entity, one who contemplates the realities of time, and other encounters with the symbolic order. Sitting on Mars and holding theĀ āsands of timeā, he solemnly reflects on the nature of his doomed planet. Is there solace in a post-human reality? What does humanity look like outside the confines of material Earth?Ā
Both images also play with the idea of sound, particularly sound in the vacuum of space. Calling on the introductory chapters ofĀ The Acoustic City, we have learned that sound is possible, even where sound/noise is void or inaudible (such as in space).Ā
Also, this (obviously manipulated) recording of the Comet 67P is personally unnerving:Ā
https://soundcloud.com/esaops/a-singing-comet













