Sep 12, 2017
Morning stupidity #amstaff #killerpitbullmyass #sharkmove
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Morning stupidity #amstaff #killerpitbullmyass #sharkmove
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Giant Step  "Giant on the Move!" 1976 Indonesian Psych Rock full album https://www.youtube.com/watch?v=mi7KSyR_HBA One of legendary Indonesian progressive rock acts of the 70's, their music showed influences of the greats of prog rock, but still managed to deliver originality. They started in early 70's, went through a series of line-up changes with the "keepers of the flame" being Benny Soebardja and Albert Warnerin, and managed to release several albums before finally breaking up in 1986. Their best prog albums (as recommended by Denny Sakrie of M97FM) are Giant On The Move (produced by Nova Record Bandung), Kukuh Nan Teguh (Nova Record Bandung), and Persada Tercinta (Irama Tara Record). • Benny Soebardja (vocals, guitar) • Adhy Sibolangit (bass) • Haddy Arief (drums) • Triawan (keyboards) • Albert Warnerin (guitar) 01. Farewell Today (6:52) 02. Giant On The Move (6:56) 03. Liar (5:52) 04. A Fortunate Paradise (4:45) 05. Allusion Way (5:09) 06. Decisions (7:16) 07. Waste Time (8:02) 08. So Long (4:53) 09. Air Pollution (8:04)
Shark Move "Chede Chokra's" 1971 Indonesian Psych Rock
Shark Move "Chede Chokra's"  1971 mega rare Indonesian Psych Rock classic top album with (Benny Soebardja) full https://www.youtube.com/watch?v=8JPunSp6PYY This might have been the greatest sin that I have ever made for the musicians of my beloved country, Indonesia, who named themselves under the banner of SHARKMOVE because I only got a chance to listen to their music decades after their debut and only album was released in 1970. My prog friend gave me a copy of "Ghede Chokra's" album by Sharkmove from his LP collection. Because it's just a CDR copy from LP, I could not get full information about the band. Only lately I knew that an international label company, Shadoks Music (Germany), was interested to remaster the album and release it in CD and LP format. The CD that I have on my hands is the one remastered by Shadoks Music, given to me by the band's original member and founder: Benny Soebardja. It's interesting to review this album on the basis of "time" in which this album was recorded on January 2, 1970 or the very beginning of the year. This is very important to mention because by analyzing when the album was made we all can see what sort of influences the band adopted. My initial (and natural) reaction when I saw the cover artwork it was very similar with Gentle Giant's "Octopus". But, looking back the time, it's impossible that Sharkmove copied the concept of Gentle Giant "Octopus" album because the latter was released two years later in 1972. Not only that, Sharkmove released an album before Gentle Giant debut album. To put things into perspective, there were practically not so many prog albums available in the market at that time. Yes, for sure King Crimson did release "In The Court of The Crimson King" couple months before "Ghede Chokra's" was released. But I barely identify any close similarity, musically, between Sharkmove and King Crimson. Prog masterpieces albums like Yes "Close to The Edge", Yes "Fragile", Genesis "Foxtrot" or "Nursery Cryme", Pink Floyd "Dark Side of The Moon" were not born yet. Couple of releases in 1969 were : Yes debut album, Pink Floyd "Ummagumma", and King Crimson. With this limited number of albums, we can simply conclude that there was practically not so much influence the band adopted from legendary prog bands. That's the theory. And . the reality proves it. The Music My Life (9:04) starts mellow in ambient mood with traditional texture through the sound of flute played by Janto Diablo. Benny's vocal line enters beautifully in catchy and memorable notes. The song moves beautifully with excellent melody through vocal line and it then flows in crescendo as drum work by Sammy Zakaria enters. Beny's vocal quality is crispy and powerful and it reminds me to the vocal of David Byron (whom later formed a band called Uriah Heep). This song is to me very emotional because the overall tagline melody is very catchy, memorable, and it touches my emotion - deeply. Composition-wise, this is a masterpiece symphonic progressive rock offering which successfully blends excellent melody with challenging arrangement, especially knowing that it was written those days in 1970 when music was not that complicated and challenging in nature. (This is not to undermine a great album by King Crimson "In the court of The Crimson King" which is really masterpiece with its "21st Century of Schizoid Man"). "My Life" also moves dynamically through its passages with changing styles and tempo from a mellow one at opening part and to heavy part with music riffs and vocal shouting (beautifully) by Benny Soebardja. One thing peculiar is the way Sammy played his drum (at approx. minute 2:01) which then being followed by Guruh Gipsy through its "Indonesia Mahardhikka" composition. Guitar work by Benny is stunning especially when it's augmented by Soman Loebis' hovering organ work that represents truly the 70s sound! The guitar solo during interlude that starts at 3:13 is really top notch! For sure, this is a masterpiece song that all of you, prog warriors, would definitely enjoy! AT the later part of the song, when the song in mellow passage, flute work makes its mark beautifully. Butterfly (4:28) cools down the music a bit through an ambient organ sound played by Soman Loebis. This song can be considered pop with some progressive touches like Procol Harum even though there is no such thing similar, musically, between the two. Throughout the song, Benny sings nicely, backed by organ sound that characterizes this song, augmented by acoustic guitar rhythm section. Again, this song is strong in melody-line and it's enjoyable for many ears, I believe. Harga (2:51) is a mellow track with acoustic guitar serves as main rhythm section followed by organ in jazzy mood, augmented beautifully by flutework. This song features Janto Diablo on vocal as well as maintaining his role as flute player. The interlude part offers nice flute passages with acoustic guitar as rhythm section. This song is simple but it has a nice composition that makes it enjoyable listening to it. Evil War (5:42) is another beautifully crafted song that features Bhagu Rhamchand on vocal. The unique characteristic of this song is its energy cast by Bhagu's vocal line combined with its composition that comprises classic rock style of music plus some musical jamming (well, at least it sounds like "jamming"). From the start of the song, Janto has demonstrated his virtuosity in playing bass guitar which serves as main rhythm section throughout the song. The most challenging part of this song is during the jam session part that starts at minute 1:43 where Janto gives his bass guitar solo augmented by Sammy's drum for approximately 1 minute, followed by Benny's stunning guitar solo. The remaining three songs are basically ballad with unique texture through flute work. "Bingung" starts with piano followed with guitar fills to accompany vocal by Soman Loebis. "Insan" features Sammy on vocal while Benny focuses on guitar and Janto provides nice flute work. "Madat" starts with nice piano work followed by vocal line performed by Janto Diablo. The lyrics contain social protest and the heroic spirit to fight against its enemies. Conclusion Overall, this is an excellent vintage progressive rock - classic rock music that successfully blended the elements of progressive music, traditional harmonies and nice melodies throughout the songs it offers. One thing I need to mention here is that this album is quite original in musical ideas as you can see from the music. It's not totally a prog album as some songs are just ballads but the prog elements are quite significant. This album was a landmark and foundation of Indonesian progressive rock scene. It's truly a gem. Highly recommended. Keep on proggin' ..! The Plan For Indonesian prog fans, it's a good news that Sharkmove will perform a Reunion Concert on May 8, 2008 at Mario's Place, Jakarta. Initiated and organized by i-Rock! - Indonesian Biggest Rock Community. Be there guys! It's like dream comes true .. it's like imagining Gentle Giant Reunion Concert! . sort of . Peace on earth and mercy mild - GW..... According to Shadoks' reissue this Indonesian band from the city of Bandung was formed in 1970, but its leader, singer and guitarist Benny Soebardja has stated they were found by him and keyboardist Soman Loebis in 1972.Both were previously playing with the Pop band The Peels, which they left in search for a more adventurous sound.Soebardja had registered at the Agriculture Faculty of the Bandung University at the time, while Loebis was a student at the local Institute of Technology.Recruting Bhagu Ramchand on vocals, Sammy Zakaria on drums/vocals and Janto Diablo on vocals/bass/flute they recorded one private-pressed album, ''Ghede chokra's'', which reputedly came out in only 100 copies, pretty reasonable, when you see these four-digit bucks spent by collectors on auctions. Of course the music on the album isn't worth its outlandish price, on the other hand Shark Move moved far away from the syrupy style of The Peels to offer a well-played Psych/Prog with Heavy Rock and light symphonic overtones, dominated by the electric guitars and organ and sung mostly in English, a standard value for 70's Indonesian Rock groups.The vocals though are an acquired taste, they are delivered in high-octanes and sound pretty irritating and melodramatic, often connecting nicely to the music, but sounding a bit pretentious at times.Regarding the instrumental parts, the album offers a semi-progressive, semi-heavy Psychedelic Rock with good keyboard parts and occasional bursting electric textures, complemented by acoustic flourishes and some tasteful, melancholic flutes.It lacks the true progressive spirit, but at least the material is quite enganging with ballads, rockin' fields, muddy instrumentals and some complicated themes characterizing the arrangements.The production sounds pretty cloudy, but the blistering guitar moves are pretty amazing plus Loebis' keyboard work is consistent and solid.The rhythm section is typical of such a band, confident and supportive from the first to the very last minute.There are even some light jamming sections in the process, but ''Evil war'' surfaces as a real winner here, featuring electroacoustic passages, an excellent rockin' atmosphere and great organ waves, despite the 60's Pop-sounding vocals. Shark Move disbanded the following year, after Loebis died unexpectedly in a car accident.Soebardja and Zakaria later formed the great Heavy Proggers Giant Step, the first album of which is a masterpiece of Indonesian Prog. Decent Psych Prog from the unknown islands of Eastern Asia.A bit dated as a whole, but played with energy, passion and love for the sport.Not a fan of the melodramatic vocals, but I find the instrumental work pretty great.Recommended, legit CD and LP reissues out by Shadoks....... This Indonesian group goes proggily for broke in their English language songs, of which on this album there are three, but when they sing in their native language the music becomes sweeter and you suddenly remember that Indonesia is also the home of dangdut pop and romantic singers like Elvy Sukaesih. Ghede Chokra’s is a reissue of an album that came out in 1970 and signs of the time are all over it. There are prog guitars and there are prog flutes and there are lyrics about sweetly goofy trippy hippie subjects (for example, butterflies) and the picture on the cover shows the whole thing taking place in an interplanetary void with angel-winged galactic space whales, which is undeniably awesome. Lead singer and founder Benny Soebardja sings falsetto at times when he really, truly, in all honesty, possibly shouldn’t. Yet you’re proud of him for doing it, for going to lengths that a less dedicated man would shrink from out of modesty or self-consciousness. Or is it only the poor quality of the old recording making his voice sound more strangled than it should? It’s hard to tell. Never mind. There’s something ineffably charming about this unabashed flower-child music with its whales and butterflies, and not even aged source vinyl can ruin it......... Line-up / Musicians - Benny Soebardja / vocals, lead guitar, sings on "My Life" and "Butterfly" - Soman Loebis / vocals, keyboards, piano, percussion, sings on "Bingung" - Janto Diablo / vocals, bass, flute, sings on "Harga", "Madat", "My Life", "Butterfly" - Sammy Zakaria / drums, sings on "Insan" - Bhagu Ramchand / promotion, sings on "Evil War" Songs / Tracks Listing1. My Life (9:04) 2. Butterfly (4:28) 3. Harga (2:51) 4. Evil War (5:42) 5. Bingung (4:22) 6. Insan (4:02) 7. Madat (4:05)
Benny Soebardja “The Lizard Years” 1975-78  Indonesian Psych Rock Part 4 full https://plus.google.com/u/0/photos/100487228077719247574/albums/6090259084760434481 https://vimeo.com/43226766 Benny Soebardja  "The Lizard Years" - 2012 (1975-78). Guitarist and songwriter Benny Soubardja’s first group where he was the guitarist was The Peels in 1967. Being tired of covering other bands (Cream, Beatles, Hendrix), he left to form Sharkmove. Occasionally he also joined God Bless and GPL (Group Pecinta Lagu) around 1972. When one band member of Sharkmove died, the group disbanded. Benny Soebardja then joined Giant Step, while his personal band was called Lizard. In the beginning the history of Giant Step and Lizard were a bit mixed. Two third of the first CD shows also a more electric grooving band just like Giant Step. Some members were similar (Giant Step was going to be reissued some while ago by Psychedelic records, but they didn’t have a good picture of the front cover so that it didn’t happen yet). During the Lizard years you hear how the English songs mattered more and more and the style went from a rockier side to a more ballad side, with use of acoustic guitars too. British poet Bob Dook guided the English lyrics, so that they got their own qualities. During the whole period Benny also distinguished himself as a good electric guitarist. On the first CD there is a good proportion of Cream. All other tracks have some form of interesting electric breaks. There has also been very much attention to the arrangements and production. The 24-track studio of SM recordings provided the best quality for musicians, and Benny also received all the time he needed to make each song work perfectly. Although there are the two mentioned general lines in the music, occasionally they try another sort of additional arrangement. A couple of tracks have a powerful female backing group, which was called the Philosophy Gang. There are organ arrangements, a few Tull-like flute improvisations (especially on the early tracks). Here and there are different vocal arrangements ; a few tracks in Uriah Heep style, one track, (track 4), has a slightly electrified harmony vocals like Beatles. A few of the ballad track have more worked out acoustic guitar, with the electric band always nearby and for some passages taking over. Just a few tracks have very good rhythmical changes and theme changes, with a very progressive vision. For two full CD’s it is odd that in fact there was no weak track, all sound as if done to perfection very well. After two hours of listening it only became just a slightly tiring near the last track until the conclusive track made a good surprise again with more experimental electric guitar solos mixed with some piano. A talented band in a universal style, perhaps this time it is a bit more English. Most tracks were only released on tape before. Original master tapes weren’t kept in the studio, but the label did their best to find first generation tape pressing copies, which were directly taken from the master tapes, so that the quality still is very good. The quality of the reissue is a better example of how reissues should look and sound like. This one comes with a 36-page booklet. PS. A few of the Lizard members later joined Harry Roesli.. DISCOGRAPHY Group : 01. The Peels, 1967 - The Peels By Public Demand in Singapore, Gamada Rec. 02. The Peels, 1968 - Selamat Tinggal Singapura (Mini Album), Gamada Rec. 03. Shark Move, 1970 - Shark Move, SM Rec. 04. Fantastique Group, 1976 – Hidup Seniman-Vol.2 (Purnama Record) 05. Giant Step, 1975 - Giant Step Mark I, Lucky Rec. 06. Giant Step, 1976 - Giant on The Move, SM Rec. 07. Giant Step, 1977 - Kukuh Nan Teguh, Nova Rec. 08. Giant Step, 1978 - Persada Tercinta, Irama Tara 09. Giant Step, 1979 - Tinombala, Irama Tara Solo : 01. Give Me A Piece of Gut Rock, 1977 - SM Rec. (Solo) 02. Nigh Train, 1978 - SM Rec. (Solo) 03. Setitik Harapan, 1979 - Duba Rec. (Solo) 4. Lestari, 1981 - Paragon Rec. (Solo) Project : 01. My Life, 1975 - BB Rec. (Project Bersama Bhagu Ramchand + Lizard) 02. Deddy Dores + Benny Soebardja, 1978 Watch in Psychedelic Baby  by Shark Move & Giant Step interview with Benny Soebardja http://psychedelicbaby.blogspot.gr/2013/05/shark-move-giant-step-interview-with.html Tracks: 1.1 18 Years Old 1.2 Come Closer 1.3 Crime 1.4 In 1965 1.5 Sunny Day 1.6 Junky & How to Live 1.7 Cynthia 1.8 Candle Light 1.9 Loosing Time 1.10 Same Sun 1.11 The Advantage of Music for Me 1.12 My Dear Suzanne 1.13 Circle of Love 1.14 The End of the World 1.15 Pensive 1.16 Some Day 2.1 I’m Still in Luv’ With Ya’ 2.2 Gut Rock 2.3 Young Widow 2.4 Wise World 2.5 Night Train 2.6 In 1973 2.7 Stroll On 2.8 18 Years Old II 2.9 Woman of Desire 2.10 Talked About My Girl 2.11 Struggle for Life 2.12 Calls Himself a Rider 2.13 Looking for Peace & Freedom 2.14 A Signal from Outer Space
watch  Benny Soebardja  Part l
http://johnkatsmc5.tumblr.com/post/147900618819/benny-soebardja-the-lizard-years-1975-78
watch Benny Soebardja  Part lll
http://johnkatsmc5.tumblr.com/post/147901236684/benny-soebardja-the-lizard-years-1975-78
watch Benny Soebardja Part ll
http://johnkatsmc5.tumblr.com/post/147900913124/benny-soebardja-the-lizard-years-1975-78
Benny Soebardja "The Lizard Years" 1975-78  Indonesian Psych Rock Part ll full https://plus.google.com/u/0/photos/100487228077719247574/albums/6090259084760434481 https://vimeo.com/43226766 Benny Soebardja  "The Lizard Years" - 2012 (1975-78). Guitarist and songwriter Benny Soubardja’s first group where he was the guitarist was The Peels in 1967. Being tired of covering other bands (Cream, Beatles, Hendrix), he left to form Sharkmove. Occasionally he also joined God Bless and GPL (Group Pecinta Lagu) around 1972. When one band member of Sharkmove died, the group disbanded. Benny Soebardja then joined Giant Step, while his personal band was called Lizard. In the beginning the history of Giant Step and Lizard were a bit mixed. Two third of the first CD shows also a more electric grooving band just like Giant Step. Some members were similar (Giant Step was going to be reissued some while ago by Psychedelic records, but they didn’t have a good picture of the front cover so that it didn’t happen yet). During the Lizard years you hear how the English songs mattered more and more and the style went from a rockier side to a more ballad side, with use of acoustic guitars too. British poet Bob Dook guided the English lyrics, so that they got their own qualities. During the whole period Benny also distinguished himself as a good electric guitarist. On the first CD there is a good proportion of Cream. All other tracks have some form of interesting electric breaks. There has also been very much attention to the arrangements and production. The 24-track studio of SM recordings provided the best quality for musicians, and Benny also received all the time he needed to make each song work perfectly. Although there are the two mentioned general lines in the music, occasionally they try another sort of additional arrangement. A couple of tracks have a powerful female backing group, which was called the Philosophy Gang. There are organ arrangements, a few Tull-like flute improvisations (especially on the early tracks). Here and there are different vocal arrangements ; a few tracks in Uriah Heep style, one track, (track 4), has a slightly electrified harmony vocals like Beatles. A few of the ballad track have more worked out acoustic guitar, with the electric band always nearby and for some passages taking over. Just a few tracks have very good rhythmical changes and theme changes, with a very progressive vision. For two full CD’s it is odd that in fact there was no weak track, all sound as if done to perfection very well. After two hours of listening it only became just a slightly tiring near the last track until the conclusive track made a good surprise again with more experimental electric guitar solos mixed with some piano. A talented band in a universal style, perhaps this time it is a bit more English. Most tracks were only released on tape before. Original master tapes weren’t kept in the studio, but the label did their best to find first generation tape pressing copies, which were directly taken from the master tapes, so that the quality still is very good. The quality of the reissue is a better example of how reissues should look and sound like. This one comes with a 36-page booklet. PS. A few of the Lizard members later joined Harry Roesli.. DISCOGRAPHY Group : 01. The Peels, 1967 - The Peels By Public Demand in Singapore, Gamada Rec. 02. The Peels, 1968 - Selamat Tinggal Singapura (Mini Album), Gamada Rec. 03. Shark Move, 1970 - Shark Move, SM Rec. 04. Fantastique Group, 1976 – Hidup Seniman-Vol.2 (Purnama Record) 05. Giant Step, 1975 - Giant Step Mark I, Lucky Rec. 06. Giant Step, 1976 - Giant on The Move, SM Rec. 07. Giant Step, 1977 - Kukuh Nan Teguh, Nova Rec. 08. Giant Step, 1978 - Persada Tercinta, Irama Tara 09. Giant Step, 1979 - Tinombala, Irama Tara Solo : 01. Give Me A Piece of Gut Rock, 1977 - SM Rec. (Solo) 02. Nigh Train, 1978 - SM Rec. (Solo) 03. Setitik Harapan, 1979 - Duba Rec. (Solo) 4. Lestari, 1981 - Paragon Rec. (Solo) Project : 01. My Life, 1975 - BB Rec. (Project Bersama Bhagu Ramchand + Lizard) 02. Deddy Dores + Benny Soebardja, 1978 Watch in Psychedelic Baby  by Shark Move & Giant Step interview with Benny Soebardja .http://psychedelicbaby.blogspot.gr/2013/05/shark-move-giant-step-interview-with.html Tracks: 1.1 18 Years Old 1.2 Come Closer 1.3 Crime 1.4 In 1965 1.5 Sunny Day 1.6 Junky & How to Live 1.7 Cynthia 1.8 Candle Light 1.9 Loosing Time 1.10 Same Sun 1.11 The Advantage of Music for Me 1.12 My Dear Suzanne 1.13 Circle of Love 1.14 The End of the World 1.15 Pensive 1.16 Some Day 2.1 I'm Still in Luv' With Ya' 2.2 Gut Rock 2.3 Young Widow 2.4 Wise World 2.5 Night Train 2.6 In 1973 2.7 Stroll On 2.8 18 Years Old II 2.9 Woman of Desire 2.10 Talked About My Girl 2.11 Struggle for Life 2.12 Calls Himself a Rider 2.13 Looking for Peace & Freedom 2.14 A Signal from Outer Space
watch Benny Soebardja  Part l
http://johnkatsmc5.tumblr.com/post/147900618819/benny-soebardja-the-lizard-years-1975-78
watch Benny Soebardja Part lll
http://johnkatsmc5.tumblr.com/post/147901236684/benny-soebardja-the-lizard-years-1975-78
watch Benny Soebardja Part 4
http://johnkatsmc5.tumblr.com/post/147901722484/benny-soebardja-the-lizard-years-1975-78
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Benny Soebardja "The Lizard Years" 1975-78  Indonesian Psych Rock Part l full  CD https://plus.google.com/u/0/photos/100487228077719247574/albums/6090259084760434481 https://vimeo.com/43226766 Benny Soebardja  "The Lizard Years" - 2012 (1975-78). Guitarist and songwriter Benny Soubardja’s first group where he was the guitarist was The Peels in 1967. Being tired of covering other bands (Cream, Beatles, Hendrix), he left to form Sharkmove. Occasionally he also joined God Bless and GPL (Group Pecinta Lagu) around 1972. When one band member of Sharkmove died, the group disbanded. Benny Soebardja then joined Giant Step, while his personal band was called Lizard. In the beginning the history of Giant Step and Lizard were a bit mixed. Two third of the first CD shows also a more electric grooving band just like Giant Step. Some members were similar (Giant Step was going to be reissued some while ago by Psychedelic records, but they didn’t have a good picture of the front cover so that it didn’t happen yet). During the Lizard years you hear how the English songs mattered more and more and the style went from a rockier side to a more ballad side, with use of acoustic guitars too. British poet Bob Dook guided the English lyrics, so that they got their own qualities. During the whole period Benny also distinguished himself as a good electric guitarist. On the first CD there is a good proportion of Cream. All other tracks have some form of interesting electric breaks. There has also been very much attention to the arrangements and production. The 24-track studio of SM recordings provided the best quality for musicians, and Benny also received all the time he needed to make each song work perfectly. Although there are the two mentioned general lines in the music, occasionally they try another sort of additional arrangement. A couple of tracks have a powerful female backing group, which was called the Philosophy Gang. There are organ arrangements, a few Tull-like flute improvisations (especially on the early tracks). Here and there are different vocal arrangements ; a few tracks in Uriah Heep style, one track, (track 4), has a slightly electrified harmony vocals like Beatles. A few of the ballad track have more worked out acoustic guitar, with the electric band always nearby and for some passages taking over. Just a few tracks have very good rhythmical changes and theme changes, with a very progressive vision. For two full CD’s it is odd that in fact there was no weak track, all sound as if done to perfection very well. After two hours of listening it only became just a slightly tiring near the last track until the conclusive track made a good surprise again with more experimental electric guitar solos mixed with some piano. A talented band in a universal style, perhaps this time it is a bit more English. Most tracks were only released on tape before. Original master tapes weren’t kept in the studio, but the label did their best to find first generation tape pressing copies, which were directly taken from the master tapes, so that the quality still is very good. The quality of the reissue is a better example of how reissues should look and sound like. This one comes with a 36-page booklet. PS. A few of the Lizard members later joined Harry Roesli.. DISCOGRAPHY Group : 01. The Peels, 1967 - The Peels By Public Demand in Singapore, Gamada Rec. 02. The Peels, 1968 - Selamat Tinggal Singapura (Mini Album), Gamada Rec. 03. Shark Move, 1970 - Shark Move, SM Rec. 04. Fantastique Group, 1976 – Hidup Seniman-Vol.2 (Purnama Record) 05. Giant Step, 1975 - Giant Step Mark I, Lucky Rec. 06. Giant Step, 1976 - Giant on The Move, SM Rec. 07. Giant Step, 1977 - Kukuh Nan Teguh, Nova Rec. 08. Giant Step, 1978 - Persada Tercinta, Irama Tara 09. Giant Step, 1979 - Tinombala, Irama Tara Solo : 01. Give Me A Piece of Gut Rock, 1977 - SM Rec. (Solo) 02. Nigh Train, 1978 - SM Rec. (Solo) 03. Setitik Harapan, 1979 - Duba Rec. (Solo) 4. Lestari, 1981 - Paragon Rec. (Solo) Project : 01. My Life, 1975 - BB Rec. (Project Bersama Bhagu Ramchand + Lizard) 02. Deddy Dores + Benny Soebardja, 1978 Watch in Psychedelic Baby  by Shark Move & Giant Step interview with Benny Soebardja http://psychedelicbaby.blogspot.gr/2013/05/shark-move-giant-step-interview-with.html Tracks: 1.1 18 Years Old 1.2 Come Closer 1.3 Crime 1.4 In 1965 1.5 Sunny Day 1.6 Junky & How to Live 1.7 Cynthia 1.8 Candle Light 1.9 Loosing Time 1.10 Same Sun 1.11 The Advantage of Music for Me 1.12 My Dear Suzanne 1.13 Circle of Love 1.14 The End of the World 1.15 Pensive 1.16 Some Day 2.1 I'm Still in Luv' With Ya' 2.2 Gut Rock 2.3 Young Widow 2.4 Wise World 2.5 Night Train 2.6 In 1973 2.7 Stroll On 2.8 18 Years Old II 2.9 Woman of Desire 2.10 Talked About My Girl 2.11 Struggle for Life 2.12 Calls Himself a Rider 2.13 Looking for Peace & Freedom 2.14 A Signal from Outer Space
watch Benny Soebardja Part ll
http://johnkatsmc5.tumblr.com/post/147900913124/benny-soebardja-the-lizard-years-1975-78
watch Benny Soebardja Part Part lll
http://johnkatsmc5.tumblr.com/post/147901236684/benny-soebardja-the-lizard-years-1975-78
This gem is originally recorded in 1970 where prog giants such as Dark Side of the Moon (Pink Floyd), Thick as a Brick (Jethro Tull), Selling England by the Pound (Genesis), Tarkus (ELP), Close to the Edge (Yes), etc. were not even released yet. Sharkmove's Ghede Chokras is claimed to be the first Indonesian indie album, where there no interference whatsoever from "labels", which makes it so artistic with local and prog touches all over. Recording, distribution and design were done all by themselves. This is 2014 version of it. It is released by Rockpod Records and limited to 150 copies worldwide. On one of the world's best online recordstore, this gem is sold over €75.00, which is over three times the money I spent here in a small recordstore in Jogja. I am so psyched about this record! #sharkmove #vinyligclub #rock #music
FUZZ WAVE FEST #1 OCT 25th 2014 Basement Café, Arion Swiss Bell-hotel Kemang, South Jakarta. SHARKMOVE SIGMUN MATIASU KIEF THUNDERSANCHEZ GAUNG For more info visit @fuzzwavefest on Twitter and Instagram. There will be prints of the poster available at the show. Spread the word! #artwork #illustration #drawing #ink #gig #rockmusic #bennysoebardja #sharkmove #sigmun #matiasu #thoseshockingshakingdays #psychedelicmusic #rockposter #gumilangdb