Yeah, so A League of Their Own continues to live in my head rent free, and lately I’ve been really fascinated with what the show does with Sergeant Beverly. There’s one scene in particular in episode 7 which really strikes me as a moment that does some really great, subtle work towards helping us understand the ways in which she fits in the show’s larger goal of exploring queer and marginalized communities.
It’s right after Jo is escorted into the house by the police, the moment Beverly asks to speak to Carson privately. I feel like this is the scene where we get our first solid hint at the fact that Bev is queer, because she speaks as if she knows. Bev knows how this works. She understands that the names will be in the paper unless someone gets paid, and she clearly knows how to go about paying the right person. She understands the danger of keeping Jo in Rockford in a way that doesn’t even seem to occur to Carson until Bev explains it. Bev discourages trades all season in an attempt to keep the team together, but she pushes this trade through overnight, because she knows that getting Jo out of town ASAP is the best way to keep her safe. Bev is very matter of fact about the whole thing, like she knows these facts of queer life, and has known them for a long time.
This scene also takes place in the same archway where Bev all but comes out to Jess, an interesting parallel which suggests that Bev often exists in a sort of in-between space. On one side of the doorway, we have the kitchen, a more private personal space. It’s the only place inside the house where we see Greta try to kiss Carson, where Carson asks Greta on a date, and Greta asks Carson to move to New York with her. It’s also where Bev shares the most she ever has about her service in the Marines as she has a heart to heart with Carson about learning to stand up for herself and find her power (even if that advice is a bit misguided). The kitchen is very clearly a private space, though one vulnerable to intrusion, as we see right after Greta asks Carson to come to New York, and where we can still see people milling around behind Bev and Jess. On the other side of the archway is the much more public space of the staircase and main entrance, the place where Jo is very publicly escorted in by police, as if to indicate that this is what can happen when a person’s private queer life becomes part of a public space.
This is the in-between Bev works within for the entire time she is with the Peaches. On one hand, she’s an employee of the league, tasked with enforcing rules and maintaining their image for the public. On the other hand, she’s a queer woman doing her very best to protect these vulnerable women. Standing in that doorway as she has these conversations is symbolic of her straddling that line between her public and private self, brief moments where we can very clearly see one bleed into the other. One of the main difference in the shots is that she stands on the left as she talks to Carson, and the right as she talks to Jess. My theory is that this is symbolic of the fact that, in one case, she is taking something away from the team, even if it’s in Jo’s best interests, and in the other, she’s giving something back. It’s a literal give and take that Bev constantly has to balance as she tries to take care of her girls.
Bev may not be a main character, but this character arc acts as an important part of this broader portrait of the lives of queer and marginalized characters living out their own unique, often untold stories. Bev often hovers in the background, but the show treats her with thought and care,using small, subtle moments to create an interesting character, someone we grow to love and remember. By the end of the season, we learn that she’s an older, closeted, queer female Marine who doesn’t care about baseball, but is as devoted to protecting her baseball girls as she is to her fellow Marines, maybe even moreso. I can’t think of an occasion where I’ve ever seen a character quite like that, particularly one where we’re given the time to learn about her organically. I just really love that the show puts in the time and effort to allow a character like that to be seen and included as part of this larger portrait of the lives of marginalized people in 1940’s America. A League of Their Own is just so thoughtful and sneaky smart in how it does that, and I’m so grateful that it exists in this world.
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It's interesting that when we first meet Greta and Jo, Greta is overstepping and Jo is meaninglessly protesting. Greta always has needs that are too big, and Jo always has to live with it. It's kinda amazing that Jo put up with it for so long. Always being on call, Greta's feelings always trumping Jo's.
Jo would probably be better off without Greta, but Greta needs SOMEone and doesn't have anyone else. And Jo can't exactly trust Greta with herself, or anyone else with her. So Jo's just this... caretaker. And has been for, what, 20 years?
I'm glad that circumstances got significant enough to drive them apart, I don't know what Jo would've seen as a worthy excuse to begin living their own life otherwise. This show really has a lot of the people beginning to live their own life, really. Jo. Carson. Lupe. Max. Greta? Maybe Charlie, soon. And so many guides. Bev, Vi, Jess, Bert. And buddies figuring it out together.
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Thinking about how Bev had to have known about the raid pretty soon after it happened to have arranged for Jo to get released and traded so early in the morning.
Meaning that at some point in the night after she heard about it, however that was, she would have probably gone and looked to see if all of the girls were there, and she would have found Jo gone, Lupe gone, Jess gone, Esti gone, maybe Carson and Greta gone depending on when they made it back to the house
Like if Bev wasn’t called by the police and told that they had Jo and only Jo, and she instead went and investigated herself, then she might have legit thought she lost half the girls in one night when she realized what happened
