#selfie from hell

Tony Giroux

Facts

French actor

Filmography

Billy [A Sugar & Spice Holiday: 2020]

Adil [Motherland: Fort Salem: 2020]

Trevor [Selfie from Hell: 2018]

Hu [The Romeo Section: 2016]

Spartan / Frederic [Halo 4: Forward Unto Dawn: 2012]

Appearance

black hair

brown eyes

Roleplay

Before we dig into my Worst of 2018 list, let’s make something clear. Making movies is hard. I may be criticizing people’s efforts but am fully aware that they’ve all accomplished far more than I have by making an actual movie. Even the worst film on this list is still a fully-functional production that someone somewhere might enjoy... theoretically at least. If you were somehow involved in anything made on this list, I know you can do better. With that said, I sat through all of these, some multiple times and suffered so it’s time for me to get my revenge. How many were on the list I made halfway through the year, and how many new entries have we got?

10. 2.0

I typically reserve my #10 spot for a movie so bad it’s good and 2.0 is just that. Part techno-horror, part supernatural thriller, part superhero adventure, part sci-fi action movie, it goes in all sorts of outrageous directions. This one’s a gem, a picture I’d like to bring home and show to my friends on our weekly movie nights to hear their screeches of disbelief. I had a blast with it but legitimately good? Nah.

9. Show Dogs

I have some affection for this film as well. It’s awful, even as low-grade children’s entertainment. The plot has no idea what it’s doing and can’t figure out its own rules. The special effects are dodgy, premise idiotic, and jokes bad. And yet, I treasure seeing it in theatres. Soon after its release, a specific scene stirred uproar within parents and critics alike. This prompted the studio to re-edit the film. The scene in question concerns Ludacris’ character, talking police dog Max getting ready for the dog show he needs to infiltrate in order to discover who has kidnapped a baby panda. His partner, FBI agent Frank Nicholas (Will Arnett) explains that part of the competition involves the dogs getting their genitals inspected by the judges. In real-life, it’s to ensure the animals are capable of breeding. Finding the idea of someone fondling his junk without his consent intolerable, Max is told to escape the situation by going to his “zen place”. I didn’t take offense to it but understand why others would. I doubt the scene is available in the home release’s deleted scenes menu so I count myself among the few who saw the original cut.

8. Selfie from Hell, Slenderman & Truth or Dare

I’m lumping these three together because they all suffer from the same problem. They were doomed from the start. “What if a game of Truth or Dare… was fatal?” What if you could only take 13 selfies before a supernatural entity came after you?”, “What if severe head trauma caused H.P. Lovecraft’s intelligence to plunge and he set “The Call of Cthulhu” in the 21st century?” seemed to have been the opening pitches for these would-be spookfests. None featured any scares or compelling characters. I doubt anyone will remember any of these by the time 2019 ends.

7. Robin Hood

Many of 2018's films ended by assuring us that more was yet to come. Robin Hood should've saved itself the embarrassment of being yet another aspiring franchise which failed to take off and been self-contained. It failed because it tried to be a superhero film when it should’ve simply been a movie about Robin Hood. This story by Ben Chandler steals so many ideas from Batman you almost forget to criticize the costumes, the impossible action sequences, and Jamie Foxx’s bad performance. It’s dripping with “tries too hard”.

6. Life of the Party

Boy does Melissa McCarthy need a new Agent. Her and Tiffany Haddish actually. Life of the Party is all-around lazy. It hardly has a plot. Instead, it throws one scene after another, praying something will stick. This film about a newly-divorced mother who goes back to college to reconnect with her daughter can’t even get its characters right. In some scenes, McCarthy’s Deanna is mousey and unable to give a speech to the class. In others, she’s such a partier she ends up wrecking everything for everyone around her. I hated the film’s conclusion worst of all, a deus-ex-machina of an ending which has nothing to do with anything and feels like it was hastily shot when director Ben Falcone and co-writer/spouse McCarthy realized the film they made wasn’t amounting to anything.

5. Fifty Shades Freed

Fifty Shades Darker was terrible. It began by immediately undoing the ending of the previous film but at least it was building up to something while introducing us its equivalent of the Legion of Doom, a trio of villains all of which would converge and attempt to ruin the relationship between Anastasia Steele, and Christian Grey… or not. This third and final chapter struggles to find something to do for the first three quarters and then suddenly introduces a thriller element before rapidly concluding it and showing us the end credits. The unrated version released on home video filled in a couple of holes (such as Kim Basinger’s disappearing character) but those holes shouldn’t have been there in the first place. Between the un-erotic sex scenes, we’re treated to lame melodrama and further proof this trilogy is completely oblivious to matters of love and relationship. Even if it had been well acted and gave fans some satisfaction by adequately tackling some of the bigger questions the series posed, it would’ve still been bad.

4. Venom

I didn’t want to listen to people who proclaimed Venom would never work. The character has appeared in solo adventures before. There’s nothing to say a talented writer couldn’t make one of Spider-Man’s most well-known archenemies work on his own. Or maybe not. This is an appallingly written film full of plot holes, vaguely defined powers, bad humor, and illogical actions. In many ways, it reminds you of films like Ghost Rider and Catwoman. In a way, it’s worse than either because everyone involved should’ve known better. Making its flaws doubly apparent is the film Upgrade, released earlier during the year. It essentially did what this film wanted to but better, funnier and more inventively. It’s extra funny that Upgrade features Logan Marshall-Green, who looks a lot like Tom Hardy, making the pair a perfect double feature if you like to compare bad movies with good ones and discuss them with friends.

3. A Wrinkle in Time and The Nutcracker and the Four Realms

These Disney films, the first directed by Ava DuVernay and the second by a combined effort by Lasse Hallström and Joe Johnston, wanted to be empowering female-led fantasy adventures. A Wrinkle in Time is historic in that it’s the first $100 million+ film directed by a woman of color. This makes it extra disappointing because it’s awful. Both tales are filled with developments who inspire you to say “but I don’t care”. Overrelying on visual razzle-dazzle, neither of these had any substance whatsoever. I blame the writers, who took the original stories and tried to make them into something they weren’t. Much of AWiT could’ve worked if the story had kept some of its novels' Christian themes. Then the evil black cloud who does evil for evil’s sake would’ve simply been Satan and wouldn't have seemed nearly as lazy and underwhelming. By attempting to force The Nutcracker and the Mouse King into the same mould as Tim Burton’s Alice in Wonderland (another bad film), you robbed the ballet of any potential charm. In many ways, these are worse than most of the others on my list because you keep hoping something would turn around and because they’re not obviously bad, at least not at first. They fill you with false hope.

2. Life Itself

I should’ve known this Dan Fogelman creation was trouble from the advertisements, which built it up as this epic tale containing all of the universes’ deepest truths. I sat there aghast as one corny development followed another. This tries to be poetry in motion, this grandiose tale about the bonds which connect us and not one second works. It’s utterly ridiculous, so bad it might be funny except you’ll be bored by its nearly 2-hour running time. 

The Runner ups:

Nobody’s Fool & Night School

Both featured Tiffany Haddish who is rapidly burning through any goodwill she might’ve earned with her breakout role in Girls Trip.

Holmes & Watson

Bad movie but it made me laugh more than the other films on this list

Book Club

A film I’m kicking myself for not being harder on when I first reviewed it but take comfort in the fact it seems to have dropped off the earth completely.

1. The 15:17 to Paris

Agonizingly dull, The 15:17 to Paris was well-intentioned. That doesn’t translate to “entertaining”. Most of this film’s 94 minutes are spent watching the real life Spencer Stone, Anthony Sadler and Alek Skarlatos vacationing through Europe, periodically flashing back to the time when they met and were the real-life non-actors were played by equally bad child performers. I hated this flat slab of propaganda masquerading as entertainment so much after it was over I had to turn to the other people around me and ask them what we just saw.

The employee that came in to clean the theatre once Selfie From Hell was done overheard me complain about how bad it was. He asked why I bother with these low-budget, largely unknown horror films. I always hope to find the next Blair Witch Project, Babadook or Paranormal Activity, little-budget bone-chillers that some would consider game-changers. Unfortunately what I got is a picture as bad as its title makes it sound.

When vlogger Julia (Meelah Adams) falls into an inexplicable coma, her cousin Hannah (Alyson Walker) begins receiving ominous messages from Julia’s phone. They tie back to a strange website on the dark web.

I’ve got to expand on this plot to properly convey its idiocy. While researching "the dark side" of selfies (people have accidentally died while taking them, I guess), Julia stumbled upon this freaky website in that forbidden corner of the Internet, the deep web (a real thing). 7h3blackr00m.onion houses a supernatural entity that… wants to kill her? Steal her soul? Shove her into a coma? It's unclear.

I don’t know if Hannah is supposed to be inhumanely courageous, but I’m leaning towards her surviving being born with only half a brain. When her tech-savvy buddy Trevor (Tony Giroux) INSISTS that when talking to strangers on the deep web, she never, EVER give them personal information like her name, phone number or email, what does she do? She gives F34R3473R (Fear Eater, played by Ian Butcher) her web address… which is (basically) [email protected]! This woman refuses to turn on lights even when she suspects someone's broken into her home, never second-guesses freaky messages sent from phones sent from her comatose cousin (who isn't in the hospital for some reason) and even when objects move unnaturally around her, hardly suspects something is up.

This is a confused mess of a picture that never realizes how ludicrous and non-frightening its premise is, particularly not when the “rules” of the Black Room website are explained to us. In Selfie From Hell, the thing that’ll doom you… is taking selfies! 13 to be precise. This should be a laughably easy, even if the film knew what a selfie is (HINT: if someone else is taking the picture, it’s not a selfie) but apparently Julia valued her life so little she wound up in a demon-induced coma. The whole thing feels like a parody.

Selfie From Hell implodes spectacularly with a terrible, obvious, cliched conclusion which features terrible special effects and overflows with nonsense. This is the kind of garbage that’s made by people who have no idea what "frightening" means and don’t understand normal human behavior. If Selfie from Hell doesn’t find itself on my “Worst of 2018” list, it’s because I deemed it too obscure, too pathetic for a second round of punishment. (Theatrical version on the big screen, May 6, 2018)

"I was hoping this film would be enough to curb my vain ass from Instagram. Nope. " Selfie From Hell #MovieReview from @vlatinalondon

After her cousin comes to visit and falls ill, a woman starts to receive strange cell phone messages.

Release Year: 2018 | Runtime: 1 hr 13 min | Genre: Horror, Mystery Starring: Alyson Walker, Tony Giroux, Meelah Adams Source: Amazon

Selfie From Hell

I was hoping this film would be enough to curb my vain ass from Instagram. Nope. Not even close because this was a confused and not…