Giant - Cincinnati OH - 2000
seen from China
seen from United States
seen from United States

seen from Malaysia

seen from Maldives
seen from Sweden
seen from China

seen from Malaysia
seen from United States

seen from Switzerland
seen from United States
seen from Saudi Arabia

seen from Netherlands

seen from United States
seen from Malaysia

seen from Malaysia
seen from Saudi Arabia
seen from China

seen from Malaysia

seen from United States
Giant - Cincinnati OH - 2000

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Andres Salaff Interview
Earlier this year, I had the pleasure to e-interview Andres Salaff, and Iād like to share that interview with you today! Andres worked on Adventure Time as one of the supervising directors from seasons 6ā8, and he has also worked on shows like Regular Show, Big Mouth, Uncle Grandpa, and Close Enough! Read on for fascinating info about how Andres got his start in the biz, what his duties as director were, and what inspired Flame P and Neptrās rap in āThe Music Holeā:
What is your āartistic origin storyā? And how did you come to work onĀ Adventure Time?
Andres Salaff: I was living in Ohio and drawingĀ mini comics for fun. While visiting California, someone saw them and told me about Calarts Character Animation. I visited the school and looked at the student's work. I knew instantlyĀ that it was what I wanted to pursue. I love it because it encompasses a lot of my interests. Drawing, acting, writing and storytelling. After graduating from Calarts, I was hired as a storyboard artist on Regular Show and after three years of doing that, I was asked to direct on AT.
As a supervising director, what were your many duties? Was it largely coordination, or were you drawing/boarding alongside the board artists, too?
AS: [The job was mostly about] weigh[ing] in on storyboard pitches and voice records. But mainly, my job was at the storyboard animatic stage. To make sure that everything was working at that stage of the process and to make sure, along with the art director, timers and designers that all of the necessary information was there for the overseas animation studio. It was very collaborative in that I got to work with the different supervisors in seeing it through the pre production phase up until it got shipped overseas.
What was the energy of the crew like?
AS: [There were] a lot of thinkers on the crew. At times even reserved, but their wit would always come out and surprise me.
Did you do much coordinating with the South Korean studios with regard to the animation? Or was that someone elseās job?
AS: My work was to provide the information necessary to ship. Once it came back, I didn't have a hand in it. Once or twice I did, but that was when Adam Muto, the EP, was on a hiatus.
One thing I'm interested in is the production of the show's miniseries. How did production differ from the 'norm' when it cameĀ timeĀ to doĀ Stakes?
AS: Stakes wasĀ so fun to work on. There wasn't much of a difference on my end from the regular season other than helping to keep an eye on the overarching story and making sure things were tracking. It was so cool seeing the different parts being pitched and coming together. All of the boarders had such a unique voice and style, yet when assembled they somehow blended seamlessly.
One of my favorite episodes has to beĀ "The Music Hole.ā How did you come to work on that episode?
AS: Adam Muto had seen aĀ pilot thatĀ I had done at the studio called Ridin' With Burgess. There is a lot of rappingĀ in it. He must've liked it because he asked me to board on The Music Hole. The episodeĀ centered around a music festival and Flame Princess and Neptr had a rap group.
In a separate interview, Polly Guo waxed poetic about the rap you wrote, so I was wondering if you could speak about where those ideas came from?
AS: As a kid growing up in Ohio, I used to attend a yearly festival called Scribble Jam. I tried to make FP and Neptr's song/Ā performance as close to that as I could remember. It was really fun to work on that episode and to collaborate with Polly Guo!
A huge thanks to Andres for answering my questions! As always, here are some useful links:
Andresās personal website: https://andressalaff.com/
Andresās Instagram: https://www.instagram.com/mr_dres/
The Greatest Song Ever: https://www.youtube.com/watch?v=zIILKyCUbLA
Emit - Cincinnati OH - 2000
Scribble Jam Cincinnati 98'
DAILYSPICE - NOCANDO VS MAD ILLZ (Scribble Jam 2005)
originally from https://www.youtube.com/channel/UCXFMP7OFwGVwm3BM7NmdoN

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
DAILYSPICE - NOCANDO VS ILL SPOKEN (2005)
originally from https://www.youtube.com/channel/UCXFMP7OFwGVwm3BM7NmdoN
Eyedea & Abilities - Scribble Jam 2004
Eyedea vs. Dos One