#screamsaga

Plot : A few months after the last killings, Tatum starts college, thinking she’s escaped the nightmare. But Sidney Prescott receives a horrifying video: the brutal murder of a figure from her past, sent as a personal message from Ghostface. This time, the killer isn’t after new victims… the survivors from the past are the targets.

TW : Contains violent and bloody scenes typical of horror/slasher films.

Note: This story is a fanfiction that builds on the events of the seven Scream films to imagine an eighth installment. These are only my ideas and do not imply that an actual Scream 8 will follow this storyline.

English is not my first language ♡

Chapter 1

The darkness in Sidney’s bedroom is pierced only by the cold, bluish glow of her phone resting on the nightstand. It is 2:17 a.m. The silence is so thick you could almost hear the blood circulating in her veins.

A new message arrives. No sender name. Just a video file. The title flashes in white letters on a black background: Gift for Sidney

Sidney stares at the screen for long seconds. Her heart is already beating a little faster, as if it knew before she did. She reaches out hesitantly and taps the video to play it.

The voice bursts out immediately, distorted, metallic, at once familiar and alien: “Hello Sidney… Happy to see me again?”

The image lurches abruptly. No masked face for now. Just the exterior of a modest house, typical of Woodsboro: white siding peeling from decades of sun and rain, a yellowed and patchy lawn, a municipal streetlamp flickering weakly like a tired heart. The camera slowly descends, almost reverently, toward the crooked mailbox planted in the frozen ground. The black plastic letters, half torn away by time and weather, still clearly spell: L O O M I S

A hoarse breath, almost a stifled laugh, accompanies the camera as it pushes the already ajar front door. The long, deliberate creak of wood sounds as though the killer is taking his time, savoring the moment, letting the dread settle in.

Inside, the air is heavy, stagnant: the smell of mustiness, accumulated dust, alcohol, stale tobacco, and a loneliness that clings to the skin. The living room is dimly lit by the television left on standby mode: an old black-and-white western loops at very low volume – you can barely make out the crack of revolvers, distant horse whinnies, wind whistling across an endless plain. A young John Wayne, solitary and stoic silhouette, walks toward a horizon that never arrives.

The walls are covered with framed photos, yellowed by time and smoke. Almost all show the same face: Billy Loomis as a child, then as a teenager. Billy at ten, beaming smile on a baseball field, cap on backwards, catcher’s mitt too big for his hand. Billy at fourteen, in football gear, helmet under his arm, proud and already hard gaze. Billy in pajamas, sitting on the front steps holding a basketball, looking distant. A smaller photo tucked in a corner: Billy and Hank together, clumsy fishermen by a lake, Hank still young, black hair, one arm around the son who looks at him with absolute trust. No other presence in these pictures. The frames are dusty, some slightly crooked, as though no one has dared touch them—or remove them—in thirty years.

Hank Loomis sits in his cracked leather recliner, the kind of furniture that hasn’t been moved in twenty years because it has become part of the walls. He is old, hunched, his body worn down by years and regrets. His grayish-yellow hair is plastered to his skull with sweat and neglect, strands stuck like spider webs. Several days’ worth of white, patchy beard gives him the look of a castaway stranded on his own couch. His once-clean navy-blue bathrobe is now speckled with brown stains: spilled whiskey, cold pizza sauce, dried vomit turned greenish. His sweatpants hang on bony hips, the fabric worn to transparency in places. His bare feet, veined, swollen, covered in purplish varicose veins, rest on a stained footrest marked with dark rings.

An almost-empty bottle of Jack Daniel’s sits on the right armrest, the neck still wet from his last sip. He brings it to his lips in a slow, mechanical, almost ritual gesture. The amber liquid runs down his wrinkled chin, drips onto his hairy chest, and trails down to his navel in glistening streaks. He coughs—a deep, wet rattle that vibrates his hollow ribcage, as though his lungs were filled with liquid.

Suddenly, the front door closes behind the killer. A soft, almost polite click, followed by the discreet snap of the lock turning.

Hank frowns without turning his head. He mutters to himself, voice thick and broken: “Those damn kids hanging around again…”

He sets the bottle down with exaggerated care, as if it were the last thing tethering him to the world. He straightens painfully. His vertebrae crack like dry wood snapping. He stands, swaying slightly, one hand braced on the back of the recliner to keep from falling. He fumbles for the light switch, grunts when his fingers slide on the greasy wall.

The camera plunges into absolute darkness.

All that can be heard now: Hank’s wheezing, irregular breathing, his worn slippers dragging across the scratched and sticky hardwood, the distant, uneven ticking of a wall clock that seems to be slowing down too.

Then, the shrill ring of an old landline phone slices through the silence like a scalpel.

Hank swears under his breath. He snatches the receiver roughly; the handset trembles in his hand.

“Hello Dad… What’s your favorite horror movie?”

The voice is calm, almost playful, with a childish mocking edge.

Hank freezes for a second. Then a bitter, broken laugh escapes him, hoarse and joyless. “Fuck… You’ve been pulling that same stupid joke on me for over thirty years. Got nothing better, you little shit? Go fuck yourself.”

He slams the receiver down so hard it bounces off the cradle and nearly falls. He collapses back into the recliner. The leather creaks under his dead weight. He grabs the bottle again, takes a long burning swallow that makes him grimace. His eyes lose themselves once more in the muted television screen, where the lone cowboy keeps riding aimlessly.

The black lasts. Ten seconds. Fifteen. Twenty.

Then a small metallic click. The unmistakable sound: a blade being slowly deployed, metal scraping lightly in the silence.

Hank turns his head. Very slowly. As though he already sensed death before seeing it, as though his worn-out body still retained one last survival instinct.

The silhouette is there. Right behind him. Black cape motionless, almost sculptural in the gloom. White mask gleaming under the television’s intermittent blue light. Empty eye sockets stare unblinking at the old man.

Hank opens his mouth. Not to scream. Just to breathe, to draw one last gulp of foul air.

The blade plunges.

A sharp, precise, almost surgical motion. It pierces the frontal bone with a wet, dull crack, like an eggshell shattering under a hammer. The metal sinks several centimeters into the soft brain, severing nerves and tissue with a muffled sucking sound. An arterial jet of blood arcs powerfully forward and slightly upward—toward the lit television screen directly in front of the chair. The blood hits the glass with a wet slap, splattering in red droplets that run down the black-and-white cowboys, distorting John Wayne’s face as he draws his gun. A wider, lower part of the jet falls back onto Hank’s body, his shoulders, his bathrobe, and when his body jerks violently backward then forward, a secondary spurt hits the framed photo on the small side table next to the recliner—the one of Billy in high school, now streaked with fresh red running slowly down the glass, blurring his frozen teenage smile.

His eyes widen enormously. The pupils dilate until they swallow the irises, then freeze. A thin stream of blood flows from his flared nostrils, from his hairy ears, drips onto his parted, tobacco-yellowed lips. His body jerks again—uncontrollable spasms, as though electricity is still trying to travel through severed nerves. His hands claw the armrests, broken yellowed nails raking the worn leather, leaving deep red furrows. A wet gurgle rises from his throat: not a scream, just bubbling blood and saliva vibrating his Adam’s apple.

The blade withdraws with an obscene sucking sound, pulling out a bit of pinkish-gray matter that clings to the steel like sticky jelly. The killer casually wipes the blade on Hank’s stained bathrobe, leaving a wide, glossy red-black streak across the fabric.

Hank’s body slumps forward like a sack of rags. His eyes remain wide open, glassy, staring at nothing. A pool of blood slowly spreads beneath the recliner, soaking the threadbare carpet to the backing, dripping onto the hardwood in small dark beads that spread like oil.

The video cuts off abruptly. Black screen.

Brutal return to Sidney.

She is sitting on the edge of the bed, phone still clenched between white, tense fingers. Her breathing is short, ragged, as though the air refuses to enter her lungs. Her dilated pupils reflect the glow of the now-dark screen.

A whisper escapes her mouth, barely audible, trembling: “No… not again…”

She lifts her eyes toward the bedroom door. The house is silent. Too silent.

And somewhere downstairs, a phone begins to ring.

Sidney descends the stairs in silence, barefoot on the cold wood. Each step creaks under her weight. She picks up the landline before the fifth ring.

“Sidney?”

The voice on the other end is hoarse, tense, familiar.

“Sam… Samantha Carpenter.”

A brief, heavy silence.

“I received a video,” Sam says in a rush. “It’s Hank Loomis. My… biological grandfather. Ghostface killed him.”

Sidney closes her eyes for a second, receiver pressed to her ear.

“Me too,” she answers calmly, though her voice trembles slightly. “I have the same video. It’s starting again, Sam.”

Sam exhales loudly.

“I know I’m being targeted. You too. I’m hitting the road. I’m coming to your place. We handle this together.”

“No,” Sidney cuts in. “Not here. Not yet. I’m going to get Tatum. She’s at college. Alone. I’m leaving to pick her up now. If Ghostface started with Hank, he won’t stop there. Stay moving. Don’t come alone. Call Gale if you can. And get a weapon.”

The sound of a drawer being opened on the other end.

“Already done,” Sam whispers. “I’m leaving in ten minutes. Be careful, Sidney.”

“You too.”

They hang up at the same time.

Sidney returns to the bedroom. Mark is sleeping deeply, back turned, breathing steady. She kneels beside the bed, places a firm hand on his shoulder and shakes him gently but urgently.

“Mark. Wake up.”

He groans, rolls over, eyes still half-closed.

“Sid? What’s wrong?”

“Ghostface is back. Ghostface killed Hank Loomis, Billy Loomis’s father. I received the murder video. It’s happening again.”

Mark bolts upright, sleep gone in an instant. He turns on the bedside lamp; the harsh light highlights the shadows under his eyes.

“Shit. The girls?”

“Tatum’s at college. I’m going to get her now. You take Rebecca and Emma somewhere safe. Go to the place we planned to go if it ever started again after the last attack. Call the police on the way—tell them a new psycho is restarting the killings and is almost certainly targeting survivors of the previous attacks.”

Mark grabs his phone from the nightstand, already in action mode.

“I’ve got it. I’ll wake them, we’re leaving. Be careful.”

He kisses her quickly, hard, then gets up to go to the younger girls’ room.

Sidney opens the wall safe. Inside: a loaded revolver, spare magazine, fixed-blade hunting knife. She slips the revolver into the waistband of her jeans, the knife into her right boot—the cold blade against her ankle. She puts on a dark jacket, grabs her car keys and phone. No bag. No time.

Outside, the night is freezing. She climbs into her car and peels out. The tires screech on the paved driveway of her isolated house, far from everything, hidden from view.

On the deserted road toward Tatum’s university—an hour and a half from her secure property—she dials her daughter’s number. It rings. Once. Twice. Three times.

“Mom?”

Tatum’s voice is sleepy, a little annoyed. It’s almost 3 a.m.

“Tatum, listen to me carefully. Don’t speak loudly. Don’t trust anyone. Not even your closest friends.”

“Mom, what’s going on?”

“It’s starting again. The killer is back.”

Silence on the other end. Then a short breath.

“Mom…”

“Take the knife I gave you. Lock your door. Don’t open for anyone except me. I’m on my way. I’ll be there soon. Don’t move.”

Tatum lowers her voice to nearly a whisper.

“Mom… if the killer comes here, he won’t just come for me. Stella is in the same dorm. Gale Weathers’s niece. She’s connected to Gale the way I’m connected to you. If this is about finishing the cycle… she’s in danger too.”

Sidney grips the wheel tighter. The headlights sweep the black road; trees flash by like ghosts.

“I know. I’ll handle everything when I get there.”

“Okay. Hurry, Mom.”

“I love you. Stay alive.”