Draka:
Also Draka, a few minutes later:
So basically:
seen from Türkiye

seen from United States
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seen from United States

seen from Ukraine
seen from United Kingdom

seen from Maldives
seen from Maldives

seen from United States

seen from Canada

seen from United States
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seen from United States

seen from Australia

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seen from Germany

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Draka:
Also Draka, a few minutes later:
So basically:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Essere ottimista è un combattimento.
Éric-Emmanuel Schmitt
Emergency comic update 1
Since @avaniacomic was nuked out of nowhere, and I'm still waiting on support to get to my ticket, I'm going to post the new pages I was planning to here instead, at least until I get the main comic back up again.
“Spesso la saggezza consiste nel seguire la propria follia, più che la propria ragione.”
Eric-Emmanuel Schmitt - Il visitatore

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Aaaand we're back! Again! Classic Avania Site has been restored, but at this point the new WorldofAvania.com will be the main site. I will still update the tumblr comic though, so stay tuned!
If you enjoy Avania, be sure to give it a vote on Top Webcomics and enjoy a special Easter thank you from Una and Charlotte!
| [ Printed Issues on IndyPlanet ] | [ Digital Issues on Amazon ] |
"Masque Empreinte" plâtre polychrome de Jean Cocteau pour "Le Sang d'un Poète" (circa 1930), "Affiche" lithographie de Jean Cocteau pour le "Testament d'Orphée" (1960), "Tête de Cheval" de Jean Cocteau pour le "Testament d'Orphée" (1960), "Maquette" d'Henri Schmitt pour "Le Grand Méliès" de Georges Franju (1952), "Ailes d'Oiseau" et "Masque en Forme de Tête d'Aigle" de Christian Courcelles pour le film "Judex" de Georges Franju (1964) présenté dans les collections du "Musée Méliès" de la Cinémathèque Française, juin 2025.
«El sentido primitivo del nomos, su procedencia de la toma de la tierra, aún es perceptible. La anulación del sentido primitivo es originada por una serie de distinciones y antítesis. Entre éstas, la más importante es la contraposición de nomos y fisis, en virtud de la cual el nomos se convierte en un Deber impuesto, que se separa del Ser y se afirma frente al mismo. Como mera norma y disposición, el nomos ya no podía distinguirse ahora de tesmos, psephisma o rhema y otras denominaciones, cuyo contenido concreto no era la medida interna de la ordenación concreta y del asentamiento, sino únicamente preceptos y disposiciones, hasta que finalmente —cuanto más centralistas, más intensivas— ya no significaban más que la implantación legal de disposiciones con posibilidad de imponer la obediencia.»
Carl Schmitt: El nomos de la Tierra. Centro de Estudios Constitucionales, págs. 50-51. Madrid, 1979.
TGO
@bocadosdefilosofia
@dias-de-la-ira-1