Floodwall is a local post-rock band (broad label, I know) headed by Sam Friedman, one of my favorite musicians in the Greater Richmond Area. Their beats are Radiohead-esque (think In Rainbows and King of Limbs) and the vocals, which are done by Friedman, fluctuate between an Edward Droste-like croon and a hair-raising Yorkeian falsetto.
âAn ambient odyssey through space and time,â is, perhaps, a fitting way to describe their music, if you want to take it that far.
âGreat,â you might say. âBut how does the music make you feel, man?â
Well, warm, for one. Friedmanâs vocals are comforting - like a lukewarm breeze on an early autumn evening - and they swim smoothly in and out of choppy drums beats and reverberated guitar arpeggios.  His voice is an anchor, a guide, a caretaker that strolls calmly beside you, hand and hand, and leads you safely through a swirling, expansive musical landscape.
Itâs a spiritual experience, one that will leave you feeling cleansedâŚif you let it.
As a side note of sorts, I saw Friedman perform at Alley Katz back in 2010 when he was still a member of the (mostly) instrumental psychedelic jam-band Schak, and it was apparent even then that he was in his own league, musically speaking. He assumed the role of lead guitarist, utilizing a multitude of spacy effects to capture a number of different emotions, but the formula at the heart of a good portion of their songs was very similar, and it went something like this: draw the audience in with an atmospheric, reverb-heavy movement (for lack of a better term), and then blast them into orbit with a sonic tidal wave of fiery, distorted free-form solos.Â
The end result of all this may have been a bit unfocused, lacking a clear objective, if you will, but Friedmanâs near-virtuosic talent was undeniable, and Schak was a jam band, after allâŚthe point was to make party music that you could flail your dreads to. Open endedness was more a virtue than a shortcoming.
But where Schak was essentially a vehicle for the whimsical musical energies of a talented early twenty-something musician, Floodwall is a serious and mature venture, a finely-tuned musical machine, comprised of musicians with enough self-awareness to know that filling every nook and cranny with guitar work isnât always necessary. Â The resulting music is much more subtle, but just as captivating and trance-inducing as anything Schak ever put out.Â
*And, by the way, Friedman can flat out own a fret board when he wants to.