Have borrowed Strong Poison and Have His Carcase from my sister.
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Have borrowed Strong Poison and Have His Carcase from my sister.

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An Archive of Our Own, a project of the Organization for Transformative Works
The English class system is complicated, even before one considers its hierarchical werewolf components.
Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man - there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as "The women, God help us!" or "The ladies, God bless them!"; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything "funny" about woman's nature.
-Dorothy L. Sayers
I feel like Lois McMaster Bujold read Dorothy Sayers’ Murder Must Advertise and immediately turned around and wrote Brothers in Arms.

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The demand for 'originality' - with the implication that the reminiscence of other writers is a sin against originality and a defect in the work - is a recent one and would have seemed quite ludicrous to poets of the Augustan Age, or of Shakespeare's time. The traditional view is that each new work should be a fresh focus of power through which former streams of beauty, emotion, and reflection are directed.
Dorothy L Sayers, The Mind of the Maker
FRIENDS OF FRIENDS // SAYERS