althought I wanted to finish these while it was winter , itâs still snowing here so here, some warmly dressed folks!
2025 on Tumblr: Trends That Defined the Year
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PUT YOUR BEARD IN MY MOUTH
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@siena-sevenwits
althought I wanted to finish these while it was winter , itâs still snowing here so here, some warmly dressed folks!

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tell your friends you keep a ranked list of how well theyâd do on a polar voyage to keep them on their toes
our age of heroic polar exploration is collapsing
Yet another liveblogging foray into @isfjmel-phleg's A Pleasant Talk. Now two thirds of the way through! On the menu for this course -
EGGPLANT GRATIN

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Glad its "warring with the flesh" and "in Christ you are a new creation" and not "no, this is who you really are and always will be".
so like. "kill claudio" is the crux of the play but "i do love nothing in the world so well as you" is its catalyst. benedick's love (&, by extension, beatrice's love) is a transformative force- as soon as he declares it everything starts moving toward resolution. his previously insincere dialogue turns sincere. his distrust of women turns to trusting one woman above all else. a woman was publicly scorned by her betrothed & a prince & her father without hope or mercy. now there is a man who will fight to the death for her. all will be restored & there will be music & dancing before the curtain falls. because benedick loves & is loved.
The Archbishop of Canterbury is secretly messaging people on tumblr. Seems totally legit đ¤đ¤Ł
This is the funniest scam Iâve ever seen
how manual wheelchair users move (explainer for non-users)
frequently when iâm out and about with someone walking, they canât anticipate what path i will take and therefore theyâre in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didnât occur to me so that you donât cut off your friend right as theyâre building momentum to go up a ramp đ
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. iâm starting super basic and getting more complicated as i go.
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1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if weâre on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if weâre taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me itâs the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i wonât have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if theyâre moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so donât walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i donât tip. i canât tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going âtoo fast.â in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i canât go down this street, itâs way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if iâm not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isnât insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because itâs easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if thereâs a deep gap in the pavement lined up the way iâm going, and itâs, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. iâll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, iâm gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. iâd rather not have to pull out an allen wrench and a level, so iâm gonna wheelie.
this happened when i hit about a 1.5â lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, iâd wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way đ but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
not to be dramatic but i would die for this cat
UNMUTE THIS, I BEG YOU
[Transcript:]
Cat: Arr-rar! (weird chirp noise)
Cat: [weird mechanical-sounding hiss]
Cat, while licking finger, in a very gravelly voice: Ah mlem-a-mlem-a-mlem-mlem-a-mlem-a-mlem⌠mrowr rowrrrâŚ
Person holding camera: I love you.
Cat: [hisses]
This often happens with feral cats! Meowing into adulthood is something cats learn for interacting with humans. If they donât know any humans until theyâre already adults, they just make whatever noises spring to their throat and you get⌠*gestures*

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Let's see if I can post my instagram reel here ...
[Video ID: A pan up a shelving unit full of white cotton caps, plus a few shelves of quilted bonnets at the top. Then two shots across shelves of caps. Text over the footage reads "Finishing up my headwear inventory!"]
This was from yesterday. Does anyone want to hear me ramble on about what museum inventory is like, why it's important, the best way to do it, and, most importantly, what I think a lot of people do wrong?
"The human brain has yet to adapt to our world" "We have created a world that is incompatible with how the human brain functions and we are suffering because we are shoving square pegs into the round holes we've made (and we are doing our best to destroy the square holes)."
The author must have been eating woodland salad, candied acorns, turnip pie, plum-cakes, bilberry tarts, arrowroot shortbread, and glazed maple shoots, and drinking flagons of October ale and raspberry cordial when they wrote this
Publisher: So we wanted to know if youâd be willing to collaborate on the cover reveal for your book.
Me: You mean the thing they do in publishing where you only make the cover of your book public six months before the book actually comes out to build anticipation about the release? Do authorsâŚnot want to be involved in that?
Publisher: Youâd be surprised.
Me: Well, obviously yes. The biggest question is who weâre revealing it to.
Publisher: âŚInstagram?
Me: YOU MISUNDERSTAND ME.
THAT'S how you do a cover reveal.
do me a favor and reblog this and put in the tags what time it is for you and what you're currently doing/thinking about

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Mina and Jonathan thinking of one another.
1909 Carroll's Shop assistants, Quay, City
(National Library of Ireland)
I know I'm always like, "oh, I love this," about everything (I recently went out to a small historical society and they asked what I wanted to see and I said tbh you can show me anything, I always see something amazing in it), but I do love this! In 1909, the empire waistline and princess line were just starting to be seen in fashion, and here it's mostly not seen at all, except on the seated woman in the middle. Her skirt seems to have a raised waistline with much less blousing in the bodice. The woman next to the man to her right also seems to be more streamlined, as does the second woman from the right standing, but the rest really show the silhouette of 1908, a bloused bodice with very full upper sleeves.
Women's hairstyles were also changing. The stereotypical Edwardian pompadour, swept up at the front over the forehead, developed a central part and then came significantly back in to a more restrained volume. The same women I pointed out as more streamlined in dress also are the farthest along this timeline as well, plus several others (it can be easier to change your hairstyle than your wardrobe).
The woman kneeling farthest to the right, next to the boy, has these long sausage curls over her shoulders. These were never really part of fashion around the turn of the century, but were sort of symbolic of youth and beauty; you'll see them on Miss America contestants in the 1920s. I'm wondering if she works the skin creams counter and is projecting a "stepped out of the Pears soap ad" appearance.