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@siena-sevenwits

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the last song you listened to is your battle theme now how is it going
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"We need trilllions to replace all workers" is quite the ask for an industry that has no profits.
imo the really interesting story of the iliad is the fact that, because it’s a later telling of the story, all the characters are self-conscious abt their legendary status. like the first time we see helen, she’s weaving a tapestry of all the men who will die for her. the characters all have a tragic sense of foreboding & also a feeling of helpless submission to the power of the narrative. the greek nonbelief in human agency is always super weird but its esp weird in homer imo bc the cosmological force isn’t so much fate as it is the story: hektor and achilles know that they’re tragic heroes, helen knows she’s an evil seductress, cassandra knows she’s cursed, patroklos and andromache know that they can’t do anything 2 stop the men they love from dying. which makes the tone of the story very strange, almost as if the characters are going thru the motions of a story they’re told before
the characters know what they will do and what will be done to them before the story even begins, almost certainly the same way the people in the ancient audiences did. the characters are going through the motions of their own story, helplessly almost, because the audience is hearing a story they know like the back of their hand. it can’t be changed at this point, and they know it, so much so the knowledge of the audience has become imposed on the story itself
So when something happens like, when Achilles reflects on whether he should choose to die young and become a legend or live out the rest of his days in obscurity, we know what choice he’ll make because we’re reading his story. And now our own interaction with the story has actively directed the impact of the story. it’s hugely meta
I so dearly love James Warwick and Francesca Annis as Tommy and Tuppence. I don’t care a tinker’s curse that they were too old for the roles. They capture the characters’ souls so perfectly. Their performances burst with fun, love, and camaraderie, and that covers a multitude of sins in many a case.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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[pushing my glasses up with an air of unwarranted superiority and gesturing toward a painting without a minotaur] the Minotaur is implied.
in a wild move I opted to go with NONE of the blog options!! because this one sums me up!!
althought I wanted to finish these while it was winter , it’s still snowing here so here, some warmly dressed folks!
tell your friends you keep a ranked list of how well they‘d do on a polar voyage to keep them on their toes
our age of heroic polar exploration is collapsing

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Yet another liveblogging foray into @isfjmel-phleg's A Pleasant Talk. Now two thirds of the way through! On the menu for this course -
EGGPLANT GRATIN
Glad its "warring with the flesh" and "in Christ you are a new creation" and not "no, this is who you really are and always will be".
so like. "kill claudio" is the crux of the play but "i do love nothing in the world so well as you" is its catalyst. benedick's love (&, by extension, beatrice's love) is a transformative force- as soon as he declares it everything starts moving toward resolution. his previously insincere dialogue turns sincere. his distrust of women turns to trusting one woman above all else. a woman was publicly scorned by her betrothed & a prince & her father without hope or mercy. now there is a man who will fight to the death for her. all will be restored & there will be music & dancing before the curtain falls. because benedick loves & is loved.
The Archbishop of Canterbury is secretly messaging people on tumblr. Seems totally legit 🤔🤣
This is the funniest scam I’ve ever seen

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how manual wheelchair users move (explainer for non-users)
frequently when i’m out and about with someone walking, they can’t anticipate what path i will take and therefore they’re in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didn’t occur to me so that you don’t cut off your friend right as they’re building momentum to go up a ramp 😆
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. i’m starting super basic and getting more complicated as i go.
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1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if we’re on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if we’re taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me it’s the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i won’t have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if they’re moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so don’t walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i don’t tip. i can’t tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going “too fast.” in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i can’t go down this street, it’s way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if i’m not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isn’t insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because it’s easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if there’s a deep gap in the pavement lined up the way i’m going, and it’s, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. i’ll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, i’m gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. i’d rather not have to pull out an allen wrench and a level, so i’m gonna wheelie.
this happened when i hit about a 1.5” lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, i’d wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way 😆 but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
not to be dramatic but i would die for this cat
UNMUTE THIS, I BEG YOU
[Transcript:]
Cat: Arr-rar! (weird chirp noise)
Cat: [weird mechanical-sounding hiss]
Cat, while licking finger, in a very gravelly voice: Ah mlem-a-mlem-a-mlem-mlem-a-mlem-a-mlem… mrowr rowrrr…
Person holding camera: I love you.
Cat: [hisses]
This often happens with feral cats! Meowing into adulthood is something cats learn for interacting with humans. If they don’t know any humans until they’re already adults, they just make whatever noises spring to their throat and you get… *gestures*