#sa141fall

FINAL PROJECT -TIMELINE                 

Long Exposures and Studio

TIMELINE

A.     Studio

·        Leaning forward on knees

·        Leaning forward -hands on neck

·        Leaning forward- one hand on toes

·        Leaning backward (rough hair)

·        Looking forward straight- serious face

Thursday 16th November (2pm-4:40pm)

B.     Stairs

·        Seated leaning on the wall

·        Seated facing down

·        Seated straight -rough hair

·        Seated with a pet(cat) alongside

 C.      Study desk

D.     Swings

E.      Bench -next to the river

F.      By the window

G.     Walking along the road

H.     Stadium(Feuver)

I.       By the wall/street-with hoodie on

J.       By the wall-seated facing one side-with t-shirt and bare feet

K.      On the bed (sleeping, grabbing a pillow)

L.      Departing a place-drag a bag

 (Saturday 18th, 1pm-5pm) & (Sunday 19th, 2pm-5pm)

 M.    Coffee table- with a laptop and a coffee mug

N.     Under a tree

O.     By the table- with a photo album

P.      In the dining hall-seated all alone

Q.     By the tunnel

R.     The black benches outside

S.      At the sinks

T.      By the table-bottles of alcohol-holding one

U.     By the mirror (starring at the mirror, the other side of the mirror-shooting the reflection)

V.     By the bridge

W.   On the couch

X.      With the doctor (Lab coat, clipboard)

Y.      Library

Z.      On the table with a fruit

 23rd-26th November 2017

 Editing: December 2nd-3rd,  

                        Monday 4th December

Scanning: Thursday 7th December 9pm-11pm

 Critique: December 12th 2pm-4:40pm

                     AOB

 AA.  OBJECTS

                           i.          A ball on the playground-nothing else

                          ii.          Similar objects- one different (Ex: 5 similar water bottles, 1 different one)

                         iii.          Color- black in many white 

.          A single cup on the table in the dining hall

COLORS (DARKROOM)

a.      Black suit, red tie, no face

b.      Red under different exposures

·        One of the best ways to conquer light fright in photography is to mentally break down the subject, the set, and the scene into series of planes.

·        The type of natural or artificial source you choose depends on a delicate balance of the subject, mood, working space, level of light required and amperage available. But most often, it depends on what handy equipment is available and whether the sun is shining in the direction on the day you want to shoot.

·        To improve shadow quality in photography,

                                        i.          Move the light away from the person or object

                                      ii.          Set focusing lights at full flood

                                     iii.          Put a small glass diffuser close to the front of a lens-less focusing source

                                     iv.          Substitute a Fresnel for a senseless source

                                      v.          Use only the edge of a hard light

a. How do you deal with lighting, reflections, refractions when shooting objects outside during a rainy day?

b. How can you illuminate very fast moving objects?