#ryuuhou

Well, this part of the essay is the one where I imply a possible sexual assault towards Koujaku when he was a teenager, but since I was hesitant at first of talking more about it because I didn't want to be insensitive I made it shorter than originally intended. I was encouraged to expand a little bit on it, so I edited it. Since the post is already kinda long, I thought of doing a separate post for those interested. Please don't hesitate to correct me if you deem it needed.

I’ve sometimes wondered if there was some sort of sexual abuse on Ryuuhou’s part towards Koujaku. Nothing is implied canonically, at least physically, but the erotic connotations of the story of the tattoo artist he’s based on, the sadism, the drugging in order to do something non-consensually, and his constant references to love make me think of it happening on a symbolic level. I think it’s obvious that Ryuuhou loves Koujaku, in his own way, as his creation, and he’s talking about love at first sight and the similarity of love and hate. Besides, the way Koujaku acts can be easily associated with it.

Even though he appears to be charming and flirty, he actually has a very low self-esteem, seeing himself as worthless, dirty, and constantly self-blaming for what happened. His tattoo being his shame and filth, something he doesn’t want to taint Aoba with, works just as an allegory of victims so commonly feeling guilty and dirty (causing them to shower more regularly than before in an attempt to wash it away). He shows unconformity when Aoba wants to touch him in bed (something that with time and the support of a loved one gets a little better), and when he tries to touch and wash away his dirt, his shame, his tattoo, Koujaku jumps at contact, which could also be interpreted as having a flashback as part of his ptsd.

All the anger he feels inside could also be part of the consequences. And he mostly shows his hatred towards Ryuuhou, even though his father is supposedly still alive and was the one who did the most damage to them, especially his mother, whom he cared about the most. At the end of the day Ryuuhou “just” did the tattoo and his father has been treating them like that for years. So why does he tunnel all his rage only to him? Budget and time limit reasons? Maybe, but in this essay we’re not taking that. Obviously Ryuuhou was the one that made him lose it, torturing him ever since the beginning only to anger him, ultimately causing the death of his mother. Maybe he was too used to see his father being aggressive with them, something to be expected, kind of like how it's established that men are more violence driven and women are emotion driven. But it can also be read as the response Koujaku had to a possible abuse. Physical punishment was to be expected, but sexual abuse?

Ryuuhou took advantage of his situation, to stop him from resisting he could always use his mother. We’ve already seen Ryuuhou being referenced as male and Koujaku as the female counterpart, being lovers and enemies at the same time, with the female being associated with the powerless, abused victim, submissive, and being controlled by the male, as disgusting as it sounds. Ever since he was tattooed his body did not belong to him anymore, Ryuuhou made sure to mark his body and mind so that he could never forget him. He could have found refuge in his religious practices as well.

There’s always stigma around these cases, and the stigma around male victims makes it especially harder for them to speak about what happened to them. That sense of powerlessness, of losing control, of being less of a man, causing them having trouble with their identity, all of it is wrapped in toxic masculinity. And all of this is seen in Koujaku. He keeps all his feelings for himself, feeling distant from other people and engaging in a lonely way of life.

There are people that report having trouble with their relationships with others not only because of the trauma that happened to them, but also out of fear of doing that very same thing to someone else.

This traumatic event usually makes victims apprehensive of any sexual activity, but there’s a considerable large number of victims that, opposite to this, develop hypersexuality. His sexual life is more important to Koujaku's character than it may seem at first (like it's just a quirk of him), he sees his body as a tool for the pleasure of others, meanwhile his own pleasure is not important. He developed an unhealthy way of interacting with others, therefore he developed unhealthy sexual practices. This view of him being sort of a prostitute isn’t so far away. Flame Willow, the part of Platinum Jail they end in, pretty much looks like a red light district. It’s introduced as a place for “passionate folks to get their thrills”, an euphemism. Not only it looks visually similar to a red light district, but the name of this area also directly references the red light district: Yoshiwara. This district had a willow tree at the entrance, which grew popular because clients would look back to it when they left. The "Flame" talks about the two great fires the district suffered, one in 1657, which made it change its location, and one in 1913, which almost destroyed it completely.

He also smokes and drinks, which are not talked about a lot as an addiction to cope with his pain. In the Drama CD though they do talk about it as a way to escape the stress he’s facing because of the Tamaokuri, so we can assume that he uses these two and possibly developed an addiction, wanting to drink until blacking out to forget for a moment.