#rwake

Witch Vomit: Funeral Sanctum (2024)

After a lifetime of listening to this music, heavy metal bands don't trigger my interest for any specific reason, but rather a random combination of sonic attributes that happen to suit my highly selective, to not say outrageously demanding, personal tastes.

Witch Vomit recently fit that extremely narrow lane with their third long-player, Funeral Sanctum -- not because they try to reinvent the wheel, let alone take the anthropological path to the style's prehistoric days -- just ... because.

Don't worry, I'll be more specific in a moment ...

Formed in Portland, OR, just over a decade ago, by T.T. (a.k.a. Tempter: vocals, guitar real name Tony Thomas) and V.V. (a.k.a. Filth: drums, born Vincent Van Dell), they later recruited bassist J.G. (that's it, just J.G.) and, in '17, second guitarist C.S. (Casey Lynch).

By then, Witch Vomit had already produced a demo, a single, an EP, and an LP (2016's A Scream from the Tomb Below), which they followed with another EP and LP ('19's Buried Deep in a Bottomless Grave), that really got tongues wagging on their behalf.

Alas, a certain global pandemic and a half-decade came and went (notwithstanding yet another EP and single) before the quartet reemerged with '24's Funeral Sanctum, at which point their pernicious brand of death metal with melodic sensibilities and black metal accoutrements finally got its hooks in me.

The latter manifest in the demonic lyrics, blast-beats, and tremolo-picking spraying all over frenzied highlights like "Serpentine Shadows" and "Decaying Angelic Flesh," but even these numbers incorporate deliberate passages to offset that intensity.

Perhaps the most recurring word used to describe Witch Vomit's music is "filthy," and while I'm not one to disagree (I've certainly heard filthier), I think this sells short T.T.'s tastefully melodious guitar work on personal favorites like "Black Wings of Desolation" and "Dominion of a Darkened Realm."

And while the band is also frequently characterized as "old school," I myself prefer "timeless," because the title track, "Endless Fall," and "Blood of Abomination," don't necessarily recall the early '90s pioneers so much as reflect death metal's simpler origins, pre-experimental diaspora.

In fact, simpler and shorter is the order of the day here, as an instrumental intro ("Dying Embers"), an interlude ("Abject Silence"), and a minute-long sprint ("Endarkened Spirits") bring the album to an end in a lean and mean half-hour.

Now that right there REALLY appeals to both my ever-shortening patience and my current lifestyle, because dad can only spare so much time for his scary, cookie monster music, while trying to raise two humans.

... Says the parent listening to bands called Witch Vomit.

Best of Black Sabbath

by Various Artists

Earthless - Never Say Die                                                                                   

Caustic Casanova - Wicked World                                                  

Summoner - A National Acrobat                                                                           

Black Electric - Sweet Leaf                   

Rwake - The Rwrit                                                                                              Ginsburg/Margera/Reeder/Rota - N.I.B.

 Year of the Cobra - Planet Caravan  

Hippie Death Cult - Fairies Wear Boots                                                             Leather Lung - Hole in the Sky                                                                              Mooner - The Wizard                                                                                           

Howling Giant - Lord of this World                                                          

Elephant Tree - Paranoid                                                                                    Brume - Solitude                                                                                                  

20173