Faust’s route begins as all of the ‘Act 2’ routes do - just as MC is attempting to return home after her month vacation in the past, the door to the Louvre appears to malfunction and she’s forced to remain in the 19th century until Comte can figure out what is going on.

Life carries on much as usual for her, as she tries to keep her spirits up, when one day in town she stumbles across a church on the edges, presided over by a kindly priest (Faust) who seems impressed by her generosity towards a poor woman he’s given medicine to whose son is suffering from a mysterious epidemic that’s begun circulating the city. One night she attends a party with Comte when a critter of some sort steals her hair ornament. Chasing after it, she winds up in a graveyard, where to her horror she sees a figure digging up a fresh grave. She tries to run, is caught by said figure (Faust), and bitten until she faints. (First CG)

She wakes up in the church from earlier and the kind priest who claims he was merely a Good Samaritan seems willing to help her get home. Soon though it comes to light that she is the woman staying with Comte, and Faust drops his ‘nice’ mask and reveals himself as a vampire - biting her once more to observe the effects and proclaiming he will abduct her to be his new guinea pig, curious about her as a person both from the future and who has been living with vampires.

Waking up in Vlad’s castle now, she meets the Terrible Trio and struggles to deal with her situation now - Faust feeds on her for the purposes of observation again, and she goes on a hunger strike briefly, defiant and unwilling to accept being captive. Only when Faust threatens the other residents of the mansion does she reluctantly settle down, and they butt heads over their wildly different philosophies on life - Faust’s mission to grant humans eternal life, her proclaiming God gives us only that which we can handle, and Faust’s disagreement.

To prove his point he begins bringing her to the church with him disguised as a nun, where she witnesses firsthand the cruelties of fate in ways her 21st century self had never encountered before - children orphaned senselessly, people coming for confession bearing the crushing weight of guilt over their own poverty and misfortune. She begins to realize how she may have been wrong, but she and Faust continue to disagree over their different viewpoints. MC still believes that hope is real and necessary, whereas Faust is a committed cynic.

She slowly comes to lose her fear of the other residents of the castle as well, as they are nothing but kind and welcoming to her, though she still is unsure of what to make of everything and remains defiant.

The arguments between her and Faust come to a head when the son of the woman MC met that very first day outside the church comes around, seeking Faust’s blessing to send him on to the next life and refusing the medicine and help offered him. Faust reacts harshly to the man’s willingness to quietly acquiesce to his fate, to MC’s horror, and when she asks him if he has nothing of hope left Faust assures her it’s long gone. When she spots Napoleon and Sebastian later, she dithers for a bit but eventually tries to call out to them, only to have Faust intercept. Still unsettled from their argument earlier, he reiterates to her that she belongs to him and bites her on the church altar, as if to prove that bad things happen to good people no matter what.

Things are strained between them after that, not helped by MC’s increasing suspicions that the strange rumors of ‘resurrections’ going on around the city in the wake of the disease are somehow Faust’s work - an accusation that clearly wounds Faust upon hearing. She meets a young university student, Alex, who desperately wants to be Faust’s assistant and is studying the epidemic. Days pass as they continue working at the church and the orphanage, until one day the disease strikes even there - and finding Faust’s medication is running out, over his protests and concerns MC volunteers to help him make more, the two of them working day and night together to develop and manufacture enough to save the children.

They’re successful, save for one girl Lina who is still very sick that they bring back to the castle to finish nursing to health. They succeed, but afterwards MC falls ill with the same sickness and collapses...only marginally coherent of a desperate Faust doing all he can to save her life. (2nd CG)

She has time and evidence to rethink some of her assumptions about Faust, realizing that despite his best efforts to crush whatever heart and kindness he has it remains. There’s more to him than just icy logic. And when she asks him about his past he finally tells her some of it - that he was abandoned as a baby, raised in an orphanage by a kindly nun, and that when she fell ill he sold himself into slavery to provide her with money for medicine. It made no difference in the long run though, the woman still died...and Faust remains the cynic when they discuss hope and happiness and how MC still clings to these things.

Rumors abound about Faust’s miraculous work stopping the epidemic at the orphanage, as things return mostly to ‘normal’ for them both, working at the church and such. They’re each grappling with changing feelings for each other, Faust suffering his first bout of bloodlust, when one morning Faust collapses in agony bleeding from his mouth horrifically, falling unconscious for days.

Everyone at the castle is fretting, Faust growing weaker and weaker, as Vlad explains his theory that Faust has altered the timeline too much by stopping the plague at the orphanage and the universe is attempting to set things to right again by erasing him from existence. He claims the same thing has happened to him before when he tries to change world events too drastically - the difference being that as a pureblood he can’t die. Faust, however, can. 

He proposes traveling back in time and attempting to nudge humans here and there, make tiny alterations to the timeline to achieve the same goal of saving the children without the backlash falling on Faust, and MC insists on going along - realizing now that she’s faced with his death, she can’t bear the thought of losing him.

Going through the door in the castle with Vlad, she ends up first back at the mansion shortly after her own disappearance (where she assures Comte she’s doing well, thereby explaining why the mansion wasn’t losing their minds this entire time) and recruiting Comte’s help fiddling with the timeline. Upon the next passage she’s ripped from Vlad and dumped far in the past - where she witnesses firsthand little Johann’s heart and faith breaking upon the death of his beloved mother-figure nun, and then the natural disaster that crushed a town he frequented as a young man. This was the moment that solidified for Faust his determination to fight against God and Fate with all he had, and kicked off his obsession with discovering eternal life. (3rd CG)

After one more timey-wimey meeting with the Past!Faust at the point when they were nursing little Lina, where she offers him some much-needed words of encouragement, MC finally finds herself in the recent-enough past to travel around Paris with Vlad and encourage people to be more aware of the spreading plague. She even urges Alex to be more wary, prompting him to start developing his own medication from notes he’d taken from Faust.

Back in the ‘proper’ time, their efforts seem to perhaps have paid off...they return to find Faust gone, and after searching frantically around the city they find the orphanage has been set aflame on the strength of rumors that the plague spread from there. (As if the universe has manufactured some new tragedy instead for it, she realizes) Faust had gone into the blaze to save the last child, but comes out horrifically burnt and near death.

They take him to the church, where things appear dire...but Faust admits to finally seeing hope and accepting this outcome, just glad that something good has come of it all. MC refuses to accept his death though, and after Faust nearly dies again she cuts herself and he eventually revives. After he recovers, Faust corners her into confessing her feelings for him and admitting his own in return, before they finally consummate their love.

MC returns to the mansion as she had promised Past!Comte she would, happy to see all her friends again. A few days pass before Faust and Charles come to collect her, setting off an amusing set of interactions between the Mansion Boys and the Dastardly Duo, but it culminates in a scene where Faust thanks Comte humbly for his assistance with the timelines and for his consideration of MC. The couple then has a late-night conversation at the church where they’re both working again about the future of their relationship.

In Faust’s dramatic end, he asks MC to accompany him as he returns back to the place of that town that was destroyed, Faust making peace with his feelings surrounding the situation and reiterating his love for MC and how she’s helped him to see hope - before he asks her to help him with a different sort of ‘eternal life’, AKA having babies with him.

In Faust’s romantic end, he explains a bit about what motivates him to take on the role of a priest, and then he takes MC back to the castle where he intends to make love to her - saying that he can’t ever lose her but can’t stomach the thought of anyone other than himself ever biting her so he will have to work all that much harder to achieve his dream of eternal life so that they can continue to thumb their noses at God and Fate for all time together.

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CHAPTER I:

A sandstorm drives MC up into the Western Hills. There she is captured by a tribe of wild djinn and presented to the tribe's chief, Amir, who takes great interest in her and decides, instead of killing her, to keep her as some sort of prisoner. MC cannot understand the djinn tongue and Amir cannot speak hers, and so their interactions are fraught with misunderstandings, frustration, and mistrust.

As her time with the tribe passes MC is treated with contempt by most of them, attempts an unsuccessful escape, and continues to butt heads with Amir – an arrogant man-child with no manners as far as she can tell. She also meets Hani – an older ex-slave who is also an outcast among the tribe. Hani speaks both the human and djinn tongue and, being a kind woman, starts translating for MC and Amir. As MC and Amir start trying by themselves to learn parts of each other's language, their relationship begins to slowly improve.

Every night after dinner Amir will tell animated, theatrical tales for the enjoyment of his tribe, while Hani translates them for MC. Hani also teaches her things about the tribe, such as the fact that Amir went from orphan to the youngest and strongest rahki (chief) in the Hills, and how MC should watch out for Amir's closest friend, the hateful and vicious Kherga.

CHAPTER II:

Amir decrees that MC is no longer a captive but a guest of the tribe, allowing her freedom to move about the camp. This is an unpopular decision among his people, especially with Kherga. As the days and weeks pass, MC spends time with many of the tribe, pitching in with chores, and finds that not only is she growing stronger and hardier but that some of the tribe members seem to be warming to her – and she to them.

One morning a hunting party, led by Kherga, is about to head out. Amir impulsively invites MC to join, to Kherga's disgust. MC fails rather spectacularly at hunting a wild boar and cuts her legs on an undergrowth of thorns – the hunters find this uproariously funny. Amir takes MC to a nearby river where she can wash her injury while he leaps into the water and splashes around like a child. He tries to coax her in as well and is dismayed to learn that she cannot swim. In turn, MC learns that Amir is picking up the human tongue much quicker than she the djinn tongue. He acts the immature fool, but he is very intelligent and an enthusiastic learner.

After bonding, the two return to camp. The atmosphere turns dark. Kherga holds court and has been whipping the tribe into an angry frenzy. MC doesn't need to speak the language to know that her continued presence here is the main cause of contention. Kherga challenges Amir's leadership and the two fight. But when some of the djinn grab MC in the chaos, Amir immediately abandons the challenge to force them to release her. As the tribe surrounds the two of them it is clear that Amir has lost his place as chief. He throws MC over his shoulder and runs, pursued by his former brothers and sisters, until he reaches the mountains known as the Knives – a place where the tribe will not follow.

CHAPTER III:

As soon as they are clear of the tribe Amir just stops and sits on the ground, shattered by disbelief and grief. MC believes the coup to be her fault but Amir is quietly firm that it is his. They have nowhere to go but forward, so they journey on. Amir is despondent and distracted; entirely unlike the djinn that MC had been getting to know.

Suddenly Amir goes entirely still, alert in a way he hasn't been for days now. He has sensed Hamza and his men approaching from behind. A battle ensues in which Amir brutally takes down any man who dares attack him – and MC does her own share of violence, shocking herself. But when Hamza is at his mercy Amir refuses to kill a helpless foe and instead takes MC's hand and starts running. Newly alive and euphoric from battle Amir pulls MC into a kiss – then, once the adrenaline fades, collapses from his wounds.

MC and Amir shelter in a cave while she tends to his injuries. He requests more lessons in the human tongue while he recovers and in return she asks for more traditional djinn stories. They are soon on the move again and make it to the other side of the Knives. As they continue on their journey they share more stories and lessons – and learn that there is a particular insult that both their cultures share. “Ki bo ki,” Amir teaches MC. “Fuck yourself,” she teaches him in turn.

CHAPTER IV:

Amir follows MC even past the Knives, into the farmland on the other side. He has nowhere else to go and neither seem to want to part just yet. He is also as excited as a child to see so many new sights. The two run into a blind woman on the road and help lift her cart out of a ditch. In thanks, she offers them lunch.

Once they reach the lady's farm she offers them both some of her produce and some clothes for Amir – at MC's request. Amir hates the shirt and he doubly hates the trousers, but MC insists that he keep them on while they are in human lands.

On the road again it isn't too long before they are waylaid by bandits who demand all their money, possessions, and Amir himself. Amir doesn't understand what is happening until MC explains the situation to him, after which he confidently tells the bandits to fuck themselves. After easily defeating the men, Amir and MC go through their ill-gotten belongings and find some broken slave bands. Amir agrees to wear them in order to fool any humans they may meet in the town ahead, but both he and MC feel disgusted by the performance.

CHAPTER V:

Now in the port town of Dijarah, Amir is amazed by the place but simply does not blend in. A man who takes offence to Amir spits at his feet, shocking the former rahki who has never been so affronted or so lost. He and MC stop at an inn for dinner, sharing a table despite the taboo, and learn that they have come to town on the right night – the Fish Festival is tonight.

Neither MC or Amir have ever attended a festival and let their excitement and curiosity overpower their common sense. When night falls they walk the now colourful streets, enjoying the food stalls, the games, and... the alcohol. Another first. They sit together at the water's edge and share another kiss, this one not fuelled by adrenaline but their shared sorrow at the thought of parting. MC shares the whole story of her escape from Ziya and journey to Umar. Amir vows to see MC safely onto a ship but then he must return home to the Hills, to seek justice and redemption with his tribe.

The fall asleep there by the water and wake wrapped around each other and facing the bemusement of the dock worker who finds them. MC finds a ship heading for Umar but is reluctant to book passage and say goodbye to Amir right then and there. Amir feels the same, casually suggesting breakfast in an attempt to distract her. But things are soon thrown into chaos as Hamza appears, spotting them and giving chase. Amir helps MC hide in a crate being loaded onto the ship from before, gives her knuckles a kiss, then leads Hamza away through the crowd. As the crate is loaded onto the ship, MC waits in the dark. A stowaway. Alone.

CHAPTER VI:

MC hides in the cargo hold, the ship having left port. She is alone, hopelessly worried about Amir, and heartbroken to know that she will never see him again. Then he pops out of the crate next to hers exclaiming, “MC!” and clapping his hand over her mouth to muffle her startled scream. Turns out he lost Hamza and doubled back to join her, unable to leave things as they were. Their days as stowaways begin. They pass time with stories and Amir finally tells MC about the expectation his tribe had for him to take a mate, and how it was part fascination and part rebellion that led him to claim MC as his when she was brought before him.

The confinement soon takes its toll on Amir who hates being unable to see the sky. MC makes him promise to stay hidden but he soon breaks it, discovered by sailors who take him before the ship's captain. MC follows in a panic and offers all the money she has – but the captain is surprisingly friendly, saying Amir has told him of her plight and that he is happy to give them passage to freedom in Umar. He gives them a cabin and asks in return only that MC remembers him and mentions him to all of her highborn friends and family as the gracious captain that saved her life.

One night there is a terrible storm. MC finds Amir up on deck, naked, arms outstretched, face raised to the rain. As the thunder and lightning crack around them, MC and Amir embrace passionately. They spend the night together in their cabin, primal desperation eventually turning to gentle intimacy, and fall asleep as close as two people can be.

CHAPTER VII:

Upon arrival in Umar the captain directs MC and Amir to a safe place to stay called Minerva's. It soon becomes apparent that Minerva's is a pleasure house. They stay the night anyway, though Amir barricades their door with heavy furniture just to be safe from everyone's... rapt attention. In the morning a free djinn called Royo appears to escort them to her employer, the merchant-turned-lord Yasir. It seems the good captain tried to sell them out but, fortunately for them, Yasir has no interest in cooperating with Ziya.

At Yasir's estate there is one more surprise waiting – Uncle Makram. He and MC share a tearful reunion and he vows that he will keep her safe from now on. MC also makes him promise to ensure Amir is returned safely to his homeland. Bemused, Makram agrees. The arrival of a righteous and unstoppable Hamza breaks the peace of Yasir's estate. He demands that MC be turned over to his custody immediately.

Makram is the one to stand up to Hamza. He calls in the Heartseer who long ago proclaimed MC guilty of murder and has him confess to lying about what he saw – though he will answer none of Hamza's questions as to why. Makram, Hamza and Yasir go to another room and, when they return, Hamza seems cowed and ground under Makram's heel. Though still clearly disturbed, he apologises to MC and declares her innocent.

CHAPTER VIII:

MC, Amir, Makram, and Hamza are journeying back to Ziya together. They are currently passing through the Shining Sands in a carriage manned by a driver generously gifted by Yasir. When they pass close by to the Hills, the carriage stops to allow Amir to disembark.

Amir and MC stand in the starlight, sand under their feet, and know that this time they must say goodbye. MC asks for one last story and Amir tells her the tale of two legendary djinn lovers and the reysoko (blood bond) they shared by marking each other's flesh and drinking each other's blood, making them inseparable by even death. Unable to embrace under the scrutiny of the others MC and Amir must then simply say farewell and part ways. Amir heads off, up towards the Hills. MC returns to the carriage.

As the journey to Ziya continues through the night, MC suddenly realises that Hamza is no longer sitting out beside the driver. She forces Makram to admit what he, Yasir and Hamza discussed in that private room back in Umar – a plan to blame the shah's murder on a djinn plot, claiming that Ran was an assassin from Amir's tribe. As they speak, Hamza has met with a squad of his best men and they are following Amir's tracks to lead them to his people. MC slaps her uncle and leaps from the carriage, unhitching a horse and riding as fast as she can back towards the Hills to warn Amir and the tribe.

CHAPTER IX:

But by the time MC makes it to the camp there are already signs of a razing. Some djinn lie dead. Hani is leading many of the survivors in an attempt to avoid the soldiers by moving about the forest – as she knows the human tongue she alone is able to eavesdrop on their plans and work around them. MC leads a squad of Hamza's men away from them and into the undergrowth of thorns that she once blundered into, back when she briefly lived here.

She finds Hamza and Kherga, surrounded by dead djinn and humans alike, circling each other and both badly wounded. Hamza lands the killing blow on Kherga just as Amir comes running onto the scene, howling in grief and fury. Amir faces Hamza and they fight once more. This time, when Hamza is at his mercy, Amir does not hesitate to kill him.

When the last of the soldiers limp away in defeat, the tribe comes back together. Silently they build a giant pyre and burn their dead upon it. Amir watches Kherga's body burn, clasping MC's hand tightly in his. They stand there until the fire burns out and Amir's brothers' and sisters' souls have flown to the sky.

BITTER END:

The tribe reinstate Amir as their chief. After the ceremony Amir escorts MC to the edge of the Hills. Though she will miss him, she simply cannot leave behind civilisation. Whether she will stay in Ziya or begin a new life in some other city, she is not sure. But she has a choice, which is more than she has ever had before.

They share one final embrace, then MC turns and walks away. She feels Amir's eyes on her back until he is so far away that he is no longer even a blur on the horizon.

SWEET END:

With newfound respect and gratitude for Hani, and with Amir's blessing, the tribe choose her as their new chief. After the ceremony Amir escorts MC to the edge of the Hills to say a final farewell. MC makes it ten steps before turning and running back to Amir. She asks if she can stay with him. He is kissing her before she finishes the question.

CHAPTER I:

The caravan stops so Barlow can take his dinner out under the stars. MC joins him and Jamal while the djinn guards keep watch. Barlow is very blatant about his sexual relationship with Jamal and Jamal for his part fawns over Barlow in return. MC has never seen anything like it. Left alone for a few moments, Jamal teases MC that she can't keep her eyes off him.

During the next day's travel the caravan is attacked by a raiding group of djinn come down from the Western Hills. The djinn guards rally around Barlow to protect him but change their minds when the leader of the wild djinn offers them a free life with the tribe. Barlow and MC are pushed onto their knees, faces in the sand, and Barlow is beheaded. MC hears Jamal's horrified gasp.

MC does not share Barlow's fate. She is restrained and brought back to the Hills with the tribe and their new recruits. She is not sure why, but feels in her heart that this is no salvation.

CHAPTER II:

While the new djinn are welcomed into the tribe, Jamal sneaks over to where MC has been tied. He probes her about her rich, important family and muses that she must have connections in Umar. Though he knew she was fleeing Ziya he doesn't seem to have the full story – he certainly doesn't know that MC is an accused murderer and therefore utterly without connections or power.

After a ritual in which each new djinn must eat a piece of a raw deer heart, the disgusted Jamal has had enough. In the dead of night he frees MC in return for her promise to take him to Umar. They catch their breath by the river but are soon discovered by one of the ex-guards whose disdain for Jamal the pleasure slave is obvious. He calls out for the rest of the tribe and MC and Jamal run.

The tribe pursues them far, all the way to the base of the mountainous Knives. With little other choice, MC and Jamal head up – away from the Hills but only into more danger.

CHAPTER III:

MC offers condolences for Barlow's death. Jamal is dismissive and MC realises that though he appeared to adore the man it was all just an act. He doesn't miss Barlow, just the security that being his personal slave offered. Jamal insists that MC is his master now, though MC insists that she is not. Jamal reveals his intention for MC to sell him to a famous pleasure house in Umar, and for that she has to be his master.

Jamal whines and gripes the whole way up the mountain path. In contrast, MC finds a fortitude within herself she never knew she had. In the night he attempts to seduce her though she rebuffs him, saying, “I told you, you don't need to do that.” The next day they stumble into the path of a mountain lion. Jamal hides behind MC while she scares it away.

They come across a hot spring and MC spends most of her time trying to avoid looking at Jamal's naked and shameless displays designed to get her attention. But when he asks her to wash his hair it is with genuine, vulnerable wanting so she does so. It is the most intimate moment MC has ever shared with anyone.

CHAPTER IV:

In the sprawling farmland on the other side of the mountains, MC and Jamal are caught in a sudden downpour. Sheltering in an old barn, they share a sweet, quiet moment that turns into an argument when she once again refuses to claim him as her slave. MC is secretly very drawn to Jamal, but fears that his affection is all a lie and that she will be taking advantage of their positions if she lets herself believe him. He accuses her of looking down on him and gives her the cold shoulder. This means that MC has missed another chance to confess that she is not the connected noblewoman he believes her to be.

As they continue on their journey in strained silence, a group of bandits appear and block their path. MC is afraid but not as afraid as Jamal. However, when one of the men grabs MC and makes lewd comments, Jamal exclaims, “Hey!” surprising no one more than himself. As the scene turns to violence, MC and Jamal learn that even a light slap from a djinn whose claws have been growing for weeks can be devastating to a human body. MC thanks Jamal for his protection while he desperately tries to get the blood out from under his nails.

They finally make it to Dijarah, a port town where MC intends to board a ship sailing for Umar. The one problem? She has no money.

CHAPTER V:

To earn money in Dijarah, an innkeeper agrees to hire MC and Jamal to work in the kitchen. Jamal is aghast at the prospect, especially when he meets the old battleaxe of a cook on whom his charms utterly fail. Jamal is terrible at every practical task put before him and, after only a few days, is utterly miserable.

MC is gentle and encouraging with Jamal, and he eventually is able to put aside his pride (a little) and improve. He finds it amusing to think of a world in which he worked here instead of as a pleasure slave. But when MC takes this question seriously he balks and insists that he would never want an unglamorous life like this. “I know what I am,” he says quietly.

As the two grow closer, Jamal tells MC the story of his life. Bred illegally and born sick, Jamal was passed under the table from master to master, role to role, failing at all of them. Finally dumped in a pleasure house as an insult, Jamal actually flourished there – able to put his natural charm and artistic talents to use. That is why he cannot even consider another life. MC asks if he would choose the same life if he were a free man. Jamal goes quiet and does not answer.

CHAPTER VI:

One day MC walks into the kitchen to see Jamal scrubbing pots with all his might then absent mindedly tidying up some things – not as part of his assigned task but just because it needs doing. MC announces herself and they compare their palm callouses and growing arm muscle. One night Jamal is asked to perform for the inn's patrons by playing the lute – he is giddy with excitement to be the centre of attention once more, though the audience is not his usual clientele. He plays and sings beautifully and MC sets off a standing ovation that nearly makes him cry.

An evening shift turns tense when a group of drunkards start causing trouble. Jamal shocks everyone by taking charge of the situation and intimidating them into leaving. Though, as soon as they are gone, his legs turn to liquid and he slides to the floor declaring how terrifying the whole thing was. The innkeeper draws him a hot bath in thanks. Jamal asks MC to wash his hair again. Though she won't join him in the tub – despite his persistence – Jamal does wash and style her hair for her in return.

Finally MC and Jamal have enough money to book passage on a ship. As they are boarding MC catches sight of Hamza in the crowded street. She drags Jamal away to avoid getting caught, though now she is less afraid of being arrested than she is being exposed to Jamal who still doesn't know that she is a fugitive. She resolves that she must tell him soon, even if it ruins the... friendship... that seems to finally be blossoming between them.

CHAPTER VII:

Hamza has also boarded so MC spends most of her time hiding in her cabin – and Jamal has no objections to passing the days relaxing on a soft bed. She tries many times to broach his misconceptions about her but is consistently thwarted by interruptions and her own cowardice. A rich passenger tries to buy some time with Jamal from MC but she staunchly refuses. Jamal is delighted by this, then confused as to why he is so delighted.

One night they lie side by side on the bed and MC asks Jamal why he is so set on being sold to this particular brothel. He explains that, not only is it a famous venue, but if they purchase him then by Umar’s laws he will no longer be a slave but an indentured servant. MC says that isn’t good enough – she wants to free him. Jamal is dismissive of such an impossible idea but MC insists that Lord Yasir, the most powerful man in Umar, could surely help them. Jamal asks why MC would be seeking Yasir’s help for herself and she prepares to finally tell him the truth when– the ship’s bell rings. They have arrived.

Hamza catches sight of MC at just the wrong moment. She drags Jamal off the ship, pushing past everyone else, and manages to lose Hamza in the moonlit streets of Umar. They come to Minerva’s Pleasure House. Inside is a whole new world to MC but Jamal is in his element. Then he goes quiet. “I don’t want you to leave me here. I want to stay with you. I want to be–”. The madam interrupts, realises exactly who MC is, and throws her and Jamal out of the place, calling MC a murderer and threatening to tell the authorities if either of them ever return.

CHAPTER VIII:

MC hurries to Yasir’s estate, a confused and suspicious Jamal with her, and fortunately finds the merchant-turned-lord to be very welcoming and willing to provide sanctuary. Jamal confronts MC and she finally admits everything. Jamal is devastated. He accuses her of using him, of dragging him through danger and hardship just for the amusement of it, of being just as rotten as Barlow and the others. “You think so little of me. You think nothing of me.” MC cannot explain her actions without admitting – to Jamal and to herself – that she has been falling in love with him. Jamal is stunned. Then he turns and leaves the manor.

He returns in the morning and apologises for leaving, kissing MC on the cheek and saying that he understands she was only doing what she had to do – she’s a survivor. He turns down MC’s attempts to make him a free man and instead asks Yasir to use his influence to place him in the pleasure house. “No more pretending,” he says in response to MC’s protestations. “I know what I am.” Yasir arranges for the madam to accept him as an indentured servant.

MC and Jamal say a fraught goodbye in the gaudy room that is to be Jamal’s from now on. Jamal kisses MC and, at his soft declaration that he has fallen in love with her too, she gives in to her passion and they come together in a tangle of flesh and emotion. After, as they lie in bed, the door is kicked down and in bursts Hamza to arrest MC. Jamal is remarkably unsurprised. “I should’ve known it was all a lie from the beginning. All those things you said about my potential. Trying to make me doubt who I am; what I am. But you know something, mistress?” There is nothing but cold resolve in his eyes. “I’m a survivor too.”

CHAPTER IX:

MC is transported back to Ziya to face her execution. She spends the journey thinking on Jamal. That night he left the manor he must have gone to Hamza to arrange the ambush. Anger and betrayal come in cycles but always give way to regret and the knowledge that she brought this on herself. MC’s execution is a public event on the steps of the shah’s palace, but the proceedings are suddenly interrupted by Jamal and Yasir’s right-hand-djinn Royo. Since MC was under Umar’s protection, Ziya’s actions in abducting her have been taken as a hostile act. Hamza takes justice into his own hands and attacks MC with his sword. Jamal tries to protect her but she pushes him away, taking the blade in her chest.

MC wakes in her old bedroom in her Aunt and Uncle’s villa. The blade missed her heart and, though badly wounded, she will live. Jamal is by her bedside. He asserts that he hasn’t forgiven her, and he’ll never forgive himself, but he wants her to know that Hamza was the one who caught and pressured him into the betrayal that night, and Jamal convinced himself that she deserved it. But he regretted it immediately and went running to Yasir for help. He confesses that he wasn’t lying when he said he’d fallen in love with her. He thinks that’s their shared fatal flaw – they’re dreamers.

When MC next wakes quite a lot of time has passed. This time it is Royo who comes to see her, informing her that the political pressure from Umar – and Yasir specifically – has worked. To avoid trouble between the two cities, Ziya has agreed not to execute MC but to exile her. Royo must return to Umar now but says that MC is welcome there once she is well enough to travel. MC asks after Jamal but Royo shakes her head. He is waiting by the carriage to leave and will not return to the villa. MC asks Royo to take something with her when she goes – a letter addressed to the madam of Minerva’s.

BITTER END:

Two years have passed since the almost-execution and MC has been travelling ever since, working tirelessly in whatever jobs she can in order to save money and send it periodically to Minerva’s to bit by bit pay off Jamal’s “debt” to the pleasure house. Finally with enough to complete the contract she returns to Umar.

When Jamal sees her in Minerva’s he covers his shock by asking if she is there to taste him once again. They go to his room and MC interrupts his cold, emotionless seduction with the last of the money he needs to truly be free. He insists at first to not want it then finally cracks open, tears spilling down his cheeks. “But where would I go?” MC says he can go with her if he likes. He doesn’t answer, conflicted, still so afraid to trust. MC backs off and says he can go wherever he wants to go; anywhere in the world. She leaves the pleasure house but lingers outside, hoping that when Jamal comes out a free man he will choose to go with her after all.

SWEET END:

Two years have passed since the almost-execution and MC has been travelling ever since, working tirelessly in whatever jobs she can in order to save money and send it periodically to Minerva’s to bit by bit pay off Jamal’s “debt” to the pleasure house. However when she journeys to Umar with the final payment she is informed by the madam that Jamal has already been freed from his contract and left months ago. MC turns to Royo for help, who informs her that Jamal had also been working hard to pay for his freedom – taking on extra chores and responsibilities at Minerva's – and that last she knew he was heading for Dijarah.

CHAPTER I:

Weeks pass and MC grows weak and despondent. Then one day an audaciously dressed djinn appears, knocks out the guards, and rescues MC from her cell. The djinn introduces herself as Royo and says that she has been sent here by an important man with a lot of coin. Royo smuggles MC out of the palace in an empty wine barrel, barely keeping her cover intact when one of the palace servants treats her like a lowly slave.

Outside and in the clear MC learns to her dismay that Royo was not sent by Uncle Makram to bring MC home, but by some mysterious other man to whom Royo intends to take her. Unable to overpower her or call out for help without being sent straight back to the dungeon, MC reluctantly goes along with Royo who has a horse waiting to carry both of them away into the desert.

In the Shining Sands Royo and MC cross paths with slavers returning to the city. One of the men recognises MC and Royo kills all of them before they can cause trouble. MC is horrified but Royo only shrugs. “Problem solved, princess.”

CHAPTER II:

Royo takes MC up into the Western Hills in an attempt to shake off any potential pursuers. She refuses to divulge the identity of her employer and will say only that he is a man who believes in MC's innocence. MC asks if Royo believes she is innocent, but Royo only replies that she doesn't care. Suddenly the two women are surrounded by a hunting party of wild djinn. Royo whispers to MC that they should bide their time for now and allows the djinn to escort them to their leader.

The tribe's chief is quickly charmed by Royo and agrees to let them stay there for the night, though he insists that MC is tied to a tree. During dinner two djinn children come to bring MC some food. Royo later takes MC – hands still tied – to a river to wash the grime away, claiming that her employer will be annoyed if MC is delivered to him looking so disheveled. MC notes that Royo seems to be enjoying MC's humiliation. Royo doesn't deny it. After all, she had to endure debasement at the hands of humans for years. “You will survive one night of indignity, princess.”

In the night a sudden storm rolls in. One of the children MC met before is swept into the river but is only noticed by MC, and no one will listen to her. Unable to swim but with no choice, MC leaps into the river to save the child. She manages to drag him to the bank before collapsing. As soon as the storm passes, Royo insists that she and MC move on.

CHAPTER III:

Royo and MC head up into the mountains known as the Knives. Feeling weaker and weaker, injuries from her clumsy rescue throbbing, MC finally passes out and falls to the ground. When she wakes it is in a cave, lit by firelight, resting in Royo's lap. Royo, unaware she is awake, is murmuring apologies for not realising MC had a fever and commendations for being brave enough to jump in the river and insults for being stupid enough to jump in the river.

When MC reveals that she is awake Royo nearly jumps out of her skin. She caught some rabbits earlier and has been cooking them on the fire. The two eat dinner together and Royo finally opens up a little more. She explains that her employer is Yasir, a member of the Guild that rules the city of Umar. He is famous as the human who emancipated the djinn of Umar and has taken great interest in MC, who killed the shah in the name of the slaves. MC protests that she didn't kill the shah, not for the slaves or anyone, but Royo already knows. It's simply a rumour that Yasir wants to capitalise on.

Once MC has recovered she and Royo continue their journey, though now they are more at ease with each other. Royo hits MC with her first snowball. They bathe together in a hot spring. Royo checks MC's still-healing wounds and tells her, “Next time, count on me.” She also muses that the tribe will probably remember MC's actions for a long time. It's not the kind of revolutionary action that will force change on a grand scale, but it wasn't bad. For a princess.

CHAPTER IV:

Past the Knives now, on the way to the port town of Dijarah, Royo finally tells MC the truth about Yasir's expectations. He wants MC to marry him. MC is appalled. Royo is sympathetic but firm, insisting that Yasir is a great man and her best option.

She tells the story of her young life as a criminal, slave to a gang of thieves. One day she tried to rob Yasir, just a simple merchant back then, only to have him declare that, if she helped him, he would free not just her but everyone like her. It was like being reborn, she says with a profound solemnity. MC starts to wonder if Royo is in love with Yasir.

Hamza and his men ambush them on the road. Hamza overpowers Royo but is unprepared for the headbutt she plants on him. Fleeing with MC on her back, Royo gives the soldiers the slip and comes to rest in an old barn. Royo tells MC to sleep while she keeps watch for the night but MC instead chooses to stay awake by her side.

CHAPTER V:

Once they arrive in Dijarah Royo buys dinner for them both at a local inn. A drunk man bumps into them and takes offence to Royo's lack of subservience. Royo brushes him off and suggests to MC that they take in the sights at the Fish Festival that is happening tonight, though that means delaying their journey by a day. MC is touched that Royo would do that for her, though Royo denies any sentimentality.

During the festival they walk through the lively streets and Royo seems to be on a mission to give MC as many new experiences as she can. “I wish we could see more things like this,” she says quietly, but they both know that she cannot be swayed from her duty to Yasir. The drunkard from earlier reappears with his friends, hurling insults at Royo and threatening violence. Royo handily disarms him – his friends are no help – and sends them all running.

This incident has upset Royo in a way MC has never seen before. Royo says that she is sick of people like him. She is a free woman but they'll never see her as anything but beneath them. The next day she and MC board a ship bound for Umar, Royo distant and closed off again.

CHAPTER VI:

MC is treated like nobility on the ship, at Royo's insistence. Royo says it is what Yasir would want but MC suspects this is another way for Royo to distance herself from her. Every night MC sleeps in a luxurious cabin while Royo sleeps outside.

One day, alone on deck, MC is grabbed from behind by a mysterious figure who whispers into her ear, “Justice for the shah,” before pushing her overboard. Royo arrives in time to save her but does not see the would-be assassin. She investigates the ship but cannot find any passenger without an alibi. That night she sleeps on the floor in MC's cabin and they fall asleep holding hands, a vow to protect MC on Royo's lips.

Days pass with no further attempts on MC's life. Royo is stuck to MC like glue, but their unresolved issues turn this into a volatile situation. During an argument Royo nearly kisses MC, then backs off – horrified at herself – and leaves the room. While MC waits for her to return and sorts through her own feelings, the assassin slips into the room.

CHAPTER VII:

Though MC is injured in the ensuing struggle Royo returns in time to thwart the assassin – a man hired by Hamza to shadow MC and wait for the right moment to enact “justice”. While tending to MC's new wounds Royo berates herself for being a terrible escort so far. She admits that it's because she's starting to want not to hand MC over to Yasir.

Giving in to their growing passion and feeling the looming threat of their time journeying together coming to an end, MC and Royo embrace each other and spend the rest of the voyage together in MC's cabin. Royo calls it “making the most of the time we still have”.

But eventually their stolen time together must end. The ship reaches Umar and they disembark. Though pained, Royo makes sure MC knows that they can never speak of this or do it again.

CHAPTER VIII:

When MC is brought before Yasir, it is not him alone waiting for her. Hamza stands beside him, intent on arresting MC and taking her back to Ziya for her execution. With no other way to protect herself, MC accepts Yasir's marriage proposal on the spot and Hamza leaves to avoid a diplomatic incident. Yasir introduces MC to the Guild, the seven most important people in Umar who rule the city as one. Though they should be equal, Yasir clearly leads them.

Yasir throws a ball to celebrate the engagement. MC ends up fleeing to a guest room and Royo follows. Both longing for each other, they give in to temptation but soon stop when the miserable reality of the situation becomes too heavy to ignore.

The night before the wedding MC cannot sleep and wanders Yasir's manor, wanting nothing more than to find Royo and beg her to run away with her. She finds Royo in furtive conversation with another djinn and eavesdrops on them. Through this MC learns three devastating things: 1. Royo and her co-conspirators arranged for the shah of Ziya's murder. 2. They plan to kill Yasir tomorrow before the wedding. And 3. They intend to frame MC as the culprit, and Yasir as the second husband she has had killed.

CHAPTER IX:

The manor is too abuzz with wedding preparations for MC to find anyone who will listen to her. Yasir is cloistered in his chambers and has no interest in seeing her until just before the ceremony. When it is just her, Yasir and Royo in the room, MC is surprised when nothing happens. No assassination. Things are not going according to the plan she heard last night at all.

The wedding goes ahead, vows are spoken, but everything is suddenly interrupted by a number of black-clad and masked djinn who storm the ceremony. While one stabs Yasir through the heart, killing him, another attacks MC. Royo cries out, “No!” and shields MC from the dagger, taking the wound herself. As chaos erupts throughout the crowd MC only has eyes for Royo, cradling her as she bleeds out on the ground. Through shuddering breaths Royo tells MC that she wasn't supposed to be hurt. MC confronts her about the plan but Royo says she changed the plan, not wanting MC to be a pawn in anyone's plots anymore – especially not hers. MC doesn't understand why this has happened. Royo's final words before she is dragged away by guards is, “His...coffer...”

While Royo is confined to the dungeon, MC searches Yasir's chambers. She unlocks the golden coffer by his bed and finds a mountain of evidence that he was far from the good-hearted revolutionary he pretended to be. His freeing of the slaves was a political stunt and the ultimate goal was to have them slide back into chains over time. Royo must have discovered this some time ago and has been plotting his downfall ever since. Not just his, but the downfall of all the tyrants who would keep her people enslaved. The documents also implicate the Guild in a lot of shady practices. MC takes what she knows to them and promises not to expose them; she just has one demand...

BITTER END:

MC demands that Royo is freed and pardoned. The Guild accepts and gifts MC her late husband's manor and wealth as further insurance that she will not be a problem for them.

Royo stays with MC for a while while she recovers but living in the manor in wilful ignorance of the injustice still present in Umar and beyond becomes suffocating for her. One night MC catches her trying to slip away from their bed leaving behind only a note. Royo says that she has to go, has to see the change she wants in the world be done, but promises to return if she can.

SWEET END:

MC demands her late husband's place in the Guild. With little choice, they accept. MC uses her new power to free and pardon Royo. The two of them return to Yasir's (now MC's) manor and spend most of their time working together to draw up proposals to bring before the Guild, forcing them to enact real and lasting change for the djinn. The one MC is most excited to put in place would be increasing the Guild's number by making Royo a member.

Theo’s route begins as I’ve mentioned before, with Theo convincing MC that her dream is just a dream and vampires aren’t real. She gets roped by Sebastian into taking food to Theo’s room the next day and catches a glimpse through his open door of a horrific scar on Theo’s back. When she tries to leave he catches her and tells her that since she’s seen his ‘secret’ (the scar nobody know about, not even Vincent) he’s going to make her work as his assistant for the month she’ll be staying so that he can keep tabs on her and make sure she isn’t going to blab.

The next chunk of his route is spent with her reluctantly tagging along as his helper as he goes about his business as an art dealer, drumming up interest for Vincent’s paintings and even sussing out a forgery (in a scene carefully crafted to make you go, ‘Wow I had no idea art dealers could be so badass’ - I appreciate the effort at least, Cybird) MC isn’t entirely excited about this arrangement or seeing the appeal of Theo’s work until he takes her to a studio of independent artists and talks a bit more about his mission to help them, and then he has her choose a painting from their works for him to sell, all on her own.

The thrill of doing so and seeing the artist’s situation definitely sparks her interest in his job and at the end of the day, he tells her to keep the painting and hang it in her room to remind her of this.

Things continue in this way, with her spending every day at Theo’s side and coming to understand a bit more of who he is and what he does, when one night he comes home late bloodied and beat up after an altercation with the Royal Academy’s art goons. As she presses him into letting her patch him up, he talks more about his dream for the future of the art world and how badly he wants to make it come true, and MC offers to help him with his vision however she can, clearly touching him.

They land a solo showing for Vincent and spend a lot of time preparing for that, picking out works and setting up the gallery, growing closer. At one point, they witness a robbery and hear a gunshot and Theo has a full-on anxiety attack, passing out, and when he comes to he finally admits some to MC how difficult of a time he’s had his whole life trying not to be envious of his brother having what he wanted - talent.

Eventually, Shakespeare comes around and manages to spill the beans to MC while Theo has stepped out that they actually are indeed vampires. She races home to test Shakespeare’s claims, finding that the rouge she thought was red wine is blood after all - and when Theo comes to find her she confronts him about his lie. He maintains that she didn’t need to know, and they argue, with MC eventually running out in near tears at her perceived lack of trust in the man she’s come to love.

Things are tense for a few days as he avoids her, but she keeps working towards their mutual goal of Vincent’s show. Then one morning, a few days before she’s set to go home, she finds the entire gallery on fire much to her horror. She runs in hoping to save at least something of their dream, and finds and rescues one of the paintings of a wheatfield that had seemed dear to Theo - but the building is engulfed in flames and she can’t get out. Then she sees Theo who has rushed into the fire, and he carries her out to safety and outside he crushes her in a hug and admits how terrified of losing her he was.

As he patches up her burns, they clear the air about their argument, and Theo drops a bombshell - he admits that he lied not just about the vampire thing (to keep her from being afraid) but also about the scar. He used it as a convenient excuse to keep her close and protect her while she was stuck there for a month, because he admits he feels responsible for her presence. He confesses that it was HIM, and not Napoleon, that saw her come through the door to the mansion first - and that he tried to get to her before it closed, so he could send her back home right away, but failed and has blamed himself for this ever since.

Some things about the gallery showing, the number of paintings, and other inconsistencies start to add up for MC though, and she eventually confronts Theo about them, leading to him confessing finally in a very emotional scene how he witnessed his brother’s death at the hands of Paul Gauguin and that he actually came back to life to seek revenge. The gallery showing, the places he disappears to on the weekends alone, all of it has been him trying to lure out the man he suspects is still alive (since this isn’t that long after their own ‘deaths’). They exchange a tearful kiss when MC confesses that she likes him and hopes he can move beyond his vengeance, and Theo admits he wants to as well.

MC and Theo begin dating, and Theo seems determined to try and forget his vendetta, but he can’t quite seem to - and when Shakespeare stirs the pot and tells Theo that Gauguin absolutely is alive and that he can’t have his revenge if he has any regrets, Theo decides to break things off with MC. He comes to her room and tells her she should go home when the door opens in the next couple of days, bluffing about how brief and shallow their relationship was, and she realizes she can’t make him want to be with her - but she asks him for one night together regardless and he sorrowfully agrees. They sleep together, and he tells her he hopes she’ll be happy, and after she’s asleep he leaves - but admits to her sleeping self that he does love her and can’t bring himself to involve her in his terrible plan.

The morning of Vincent’s show (which is now being held in a public park since the gallery was destroyed) MC and Vincent discover Theo is missing, and after seeing a lone painting of Gauguin’s set up, Vincent seems to understand everything. He and MC race to the cliffs where they find Theo murderously confronting a vampiric Gauguin, who gleefully admits to killing Vincent out of envy for his talent - and then accuses Theo of harboring the same horrible emotions. A distraught Theo finally admits to his brother that sometimes he hated him, and how lost he was when Vincent died. Vincent and MC try to talk Theo out of his revenge but it seems futile…and then Gauguin shoots Theo and he collapses, bleeding horrifically.

Vincent begs MC to give Theo some of her blood and she does, cutting her hand and feeding him enough for him to revive in a tearful scene as she berates him for breaking his promises to her. He confronts Gauguin again but this time admits that he doesn’t want to let hate rule his life anymore, and sends the man off. But he’s still grievously wounded, and as Theo tries to tell Vincent and MC how he really feels he collapses again, unconscious.

Shakespeare appears and as thanks for the ‘excellent show’ he helps Vincent carry Theo back to a doctor. As he’s being attended, SG and MC have a long conversation about what she wants to do when the door opens and her feelings for Theo, and after he wakes up Theo asks to see her and Vincent. He and Vincent clear the air after Theo’s heated admissions of envy, and then he sends his brother away to have a conversation with MC where he apologizes formally for breaking his word and lying to her, and begs her forgiveness.

We see Vincent’s show going off as planned with great success, the public setting accomplishing the van Gogh brother’s hopes of letting anyone see art, and Theo even drags himself there with a cane to see the results. Arthur reminds him to tell MC how he feels, before she leaves, and the next morning Theo comes to her room and takes her out to a place special to him (the wheatfields that remind him of where he and Vincent spent time as children) and admits how important she is to him and how he had always lived his life for someone else, never valuing himself until she came along, and that he knows he’s not the easiest person to love but he needs her. 

In his romantic ending, MC tells him she plans to stay, and Theo proclaims he can’t let her give up everything important in her life for him just like that. He insists that he will go to the future with her, for her sake and his own to see this brave new art world she lives in, and after an emotional parting between the brothers we see him adapting to the modern world no problem. He works as an art dealer still, and there is a cute smutty scene where MC asks him if he has any regrets about the choice he made and he assures her he doesn’t - he loves her and would always choose her.

14: starts off with Gray asking Alice out on a date. Its beautiful bc it’s evening!! er... yeah. They go out.... to a high place?? i...idk anyway-- Gray and Alice just talk about the evening and that Gray likes it-- it’s all very calm~ until Gray says something that makes Alice go ehhh... uh, they talk more about evenings and time zones I think.

as it turns out, Gray got Alice a gift!! she’s surprised. Gray says he doesn’t really know if she’d like it but he’d be happy if she did and wore it. its a ribbon btw

Alice is still surprised, and Gray worries about her not liking it. A choice pops up-- option 1 is correct. Alice describes/thinks a lot and Gray is relieved, I guess... Alice thinks even more (tfw no seiyuu) and she says something that confuses Gray?? she starts thinking again... she says something and Gray is relieved again?? idk I am awful at this aklsklalks she says something and thinks more, and the scene changes.

We’re now with Nightmare, who’s looking for a mirror. Alice and Nightmare get into a sort of argument with him about it and honestly I need to get an audio of the noises Nightmare makes during this it’s like a weird nununu sound...the scene changes.

We’re in a hallway with the employees. they’re talking about er, the party, work, and nightmare I think?? I kind of tuned out of their convo wwww

scene change to... SOMEONE’S room honestly they all look the same to me in the tower. Gray’s sprite is super close, and he’s talking about something. Alice thinks and a 3 choice pops up-- the 3rd choice is correct.

Gray tells Alice not to worry, Alice talks, he says something etc. etc. Alice’s earnest and happy smile is super cute and I live for it. Gray goes silent and the music changes anD CG OF GRAY PUSHING ALICE DOWN ON THE BED...

but it’s sort of ruined bc he just HAS to bring up Julius... he says something about him and Alice sort of says Julius’s name-- w-why does everytime Julius come up I feel anxious... maybe it’s a good thing Julius wasn’t in Clover bc god dang it would be awkward as heck

They talk about Julius and stuff and honestly I’m sort of tired of Julius being used for drama in this route so I kind of tuned out... the cg turns to Alice gripping Gray’s shoulder and Gray smiling

he says her name, they... talk, and after a little bit of thinking, the cg disappears and the bed creaks. They’re deFINTELY KISSING THAT NOISE IS ILLEGAL NAKAI!!!

Some talk, clothes shuffling, more bed creaking-- Alice thinks a lot, and it ends on her thinking and also having sex probably.

BEST END: Starts with Nightmare talking in front of the stairs. Apparently Alice confesses she likes Gray????? and Nightmare is like “I know that without reading your mind wwww” tho uh, I’m not sure why she thinks Nightmare would be surprised...

They talk more about Gray and er, Alice says something that makes Nightmare laugh SUPER EVILLY... Sugitan pls... anyway they talk more about... cuteness?? I have no clue... Anyway Nightmare is found by a loud employee and Gray appears. Nightmare attempts to make excuses about it being his break but Gray isn’t having it. After some talk, Nightmare is captured dragged away by the employees and Alice and Gray are alone.

Its silent between them and Alice asks Gray what’s up-- apparently its Gray’s break time and unlike Nightmare, he’s not just making up excuses. Gray asks Alice to spend time with him. she agrees and thinks about something.

scene change to Gray’s room?? I guess... He’s holding her in his arms on a bed. Alice says something and Gray’s like what? apparently it’s about Nightmare or something lkaskklsakl I wish I could tell you, but uh... I think I’m getting rustier everyday orz anyway Alice is SUPER flustered about something and Gray is calm. she says something and they keep talking about something... no good?? and eventually the cg changes to Alice being pushed down on the bed by Gray.

She starts talking about his smell, er, he smells like cigarettes?? they talk about their relationship and Gray says not to worry, and also that she smells like him?? which is to say she smells like smoke.... I... um... it’s definitely meant to be romantic but I hate the smell of smoke SO WWWW....

HE SAYS SOMETHING ABOUT MARKING... marking Alice??? god I have no clue... eventually the CG changes to make Gray closer to Alice but while her dialogue sprite is blushing her cg self looks SUPER UNCOMFORTABLE so it’s like... weird....

Um... they talk, about his smell... Gray says it’s a good smell and a little bit of talk later, says she’s his. This description sounds so bad I’m sorry but it is a romantic scene...

They talk more about the cigarette smell, about their relationship and stuff. THey.. .talk a lot about their relationship and stuff-- the cg changes to them smiling. (it’s actually changed a lot from close up, to non close up to the expressions and poses chaning...)

Scene change to Nightmare complaining in CG form. Alice and Gray are in one part, Nightmare in the other. They’re scolding him at the same time wwww

Nightmare is complaining about them being distracted and it’s their fault he can’t work and they’re strange?? oh, it’s that one scene where Nightmare is complaining about Alice being too happy and filled with thoughts of dates and Gray is thinking dirty on purpose that pops up from time to time in manga and stuff wwww

Gray picks on Nightmare and laughs pretty evilly wwww Alice is totally confused and Nightmare is just whining aklsklaksla

it ends with Alice going ?????, that is the end of... the best end...