Feb 5, 2018
"The Main Event (Nomadic Structures)", 2016 ○ Screen print and blind embossment on paper ○ Deconstructing compositions, and untaggled trails 🐜🐜🐜 🎨 @Ronny.q @elizabethdeehq *Selections* 💭 Cur. @youngglobal #RonnyQuevedo
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"The Main Event (Nomadic Structures)", 2016 ○ Screen print and blind embossment on paper ○ Deconstructing compositions, and untaggled trails 🐜🐜🐜 🎨 @Ronny.q @elizabethdeehq *Selections* 💭 Cur. @youngglobal #RonnyQuevedo
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Thank you 🙏🏿🙏🏿🙏🏿. See yall tonight! . . . Via @elmuseo - Thank you @elizabethdeehq for giving El Museo's #Contemporaneos a private preview of #LuciaHierroMercado and #Selections2018 #luciahierro #lesliejimenez #ronnyquevedo #anthonygiannini #irinimiga curated by @youngglobal #CNTMPRNS (at Elizabeth Dee Gallery)
Tune in around 1030am to @jpmorgan's IG stories. I'll be giving a sneak peak to the #jpmcartcollection of #Selections! . . . The exhibition opens tomorrow at 5pm-8pm at @elizabethdeehq featuring @akgenie, @lesliejimenezthatsacoolhat, @irini_miga & @ronny.q! #LarryOsseiMensah #anthonygianni #irinimiga #lesliejimenez #ronnyquevedo #elizabethdee (at Elizabeth Dee Gallery)
Pitching a double header on Jan 27th (5-8pm). Pull up to check out the second edition of #Selections. . . Via @elizabethdeehq - Save the Date | Selections opening January 27th, 5-8pm | Selections is in its second year, a program/exhibition designed to spotlight emerging talent reflecting the creative community of Harlem and the South Bronx. Founded by Larry Ossei-Menseh in collaboration with Elizabeth Dee. All welcome! #ronnyquevedo #anthonygianni #lesliejimenez #irinimiga #larryosseimensah #dee (at Elizabeth Dee Gallery)
On view now: Richard Pousette-Dart: 1930s, Rashid Johnson: Anxious Men, and Open Sessions 6. Open Sessions 6 continues with artist-directed group exhibitions and features the work of Amadeo Azar, Daniel Barroca,Youmna Chlala, Lea Cetera, Onyedika Chuke, Alexandra Lerman, Harold Mendez, Marcelo Moscheta, and Ronny Quevedo. Ronny Quevedo’s recent work is comprised of drawings and sculptures dedicated to charting migratory experiences and the crossing paths of displaced communities. These works present an account of the history of mobility, including his mother’s profession as a seamstress, his father’s career as a soccer player, and indoor soccer leagues organized by Central and South American migrant communities in city gymnasiums. #OpenSessions #RonnyQuevedo NOTE: This week we are open today + Sat and Sun. Happy HOliday! Image: Detail from Ronny Quevedo's "The History of the rules and measures #4", 2015. Oak tag stencils on oak tag pattern paper, 44 x 60 inches. (at The Drawing Center)
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Open Sessions 6 at the Drawing Center Organized by Nova Benway and Lisa Sigal Opening Thursday, November 12, 6-8pm
Open Sessions 6 features the work of Amadeo Azar, Daniel Barroca, Youmna Chlala, Lea Cetera, Onyedika Chuke, Alexandra Lerman, Harold Mendez, Marcelo Moscheta, and Ronny Quevedo. Organized by the artists and Nova Benway and Lisa Sigal, Curators of the Open Sessions program. Amadeo Azar explores the interrelation between the visual languages of modernism with political and social movements in Latin America, and the way those Utopian moments were disrupted as they encountered local circumstances. Daniel Barroca works with memory and history. His projects map forces anchored by images, objects, words, historical figures, and ideas. Lea Cetera produces temporal installations that examine the mediation of technology and the alienation of the human body. Through recent installations that include filmed performances, the artist attempts to create an alienating/disorienting illusory effect. Youmna Chlala investigates architecture and fate. Her work is situated in places or bodies that translate themselves against or through an external world that is constantly trying to name them. Onyedika Chuke has been assembling an archive termed “The Forever Museum”—a collection of objects and images based on Internet-sourced documents that redistribute images and theories pertaining to civilizations, political rebellions, riots, and warfare. Alexandra Lerman proposes clay as a discursive medium. Her ink circulation drawings and "memory negatives" use copyrighted and patented systems to explore the complexities of contemporary body language and refer to the body located within institutional and natural environments. Harold Mendez draws upon ideas of absence and displacement to reference reconstructions of place and identity in the United States and Latin America, with a focus on how the past manifests in the present, and thereby trigger new inquiry. Marcelo Moscheta excavates the memories inscribed in the stone paths left by the ancient civilizations and uses GPS coordinates to draw his displacement over the surface of the planet. Ronny Quevedo traces culture through history, language, and mapping. Using a variety of forms from personal anecdotes to colloquialisms, coats of arms to store signage, games to modules, his work addresses concepts of displacement. Organized by the artists and Nova Benway and Lisa Sigal, Curators of the Open Sessions program.
The Drawing Center 35 Wooster Street, New York, NY, 10013 http://www.drawingcenter.org/
Today, we are continuing to install works for Open Sessions 6, which is on view as of November 12. Open Sessions 6 continues with artist-directed group exhibitions and features the work of Amadeo Azar, Daniel Barroca, Youmna Chlala, Lea Cetera, Onyedika Chuke, Alexandra Lerman, Harold Mendez, Marcelo Moscheta, and Ronny Quevedo. Organized by the artists and Nova Benway and Lisa Sigal, Curators of the Open Sessions Program. More on Ronny Quevedo's work which is in today's photo: The landscapes and histories occupied by marginalized people provide the sites for Quevedo’s investigations. "The History of Rules and Measures" is an on-going project comprised of drawings and sculptures dedicated to charting migratory experiences and the crossing paths of displaced communities. The project presents an account of the history of mobility, including his mother’s profession as a seamstress, his father’s career as a soccer player, famed Ecuadorian athlete Alberto Spencer, and indoor soccer leagues organized by Central and South American migrant communities in city gymnasiums.The rules of sport represented by gymnasium floors and public playgrounds recall the insistence on survival and constant adaptation through a reconstitution of its logos and implied body movement. This transformation of architecture through changes in the game’s iconography and rules expands the cosmology of displacement. Image: Installation shot of Ronny Quevedo's works in the Lab. #TheDrawingCenter #OpenSessions #RonnyQuevedo (at The Drawing Center)
#regram from @rushartsgalleries "Thanks @derrickadamsny and #AcHudgins for coming by #RushArts to see #NewYorkStateofMind curated by @youngglobal checking out pieces by @ronny.q " YOU can stop by too! Gallery hours are Noon to Six, Wednesday -Sunday, 526 west 26th street, Suite 311, NYC #ronnyquevedo #art #arteverywhere #artexhibition