The Moon over the Millet Fields
Chapter 4 Smoke
Content warnings: graphic violence, combat, emotional distress, mental breakdown, injuries, death
The order came the evening before from the local field commander, in an abandoned farmhouse that smelled of cold ash, the cheap fish oil used in farmersā lamps, and the damp of a building standing empty for weeks.
The brief was given quickly by a man with a great deal else to arrange: Hygonosukeās unit would go up the eastern road at first light, through the wooded slopes, and push the rebels off the high ground above the millet fields while the main force came in from the west and broke them. Hyogonosuke's forty would then hold the far side and take any of the rebels who were trying to run.
He understood his unitās part and found it a good one.
Nobody told him his forty men were the distraction, the noise the rebels would be looking at while the soldiers who were coming to kill them came from the other side.
Hyogonosuke carried the orders back to his own fire the way a man carries good news, and sat down with Daisaburo to think it through.
Daisaburo was his lead ashigaru, a tall, broad-shouldered man who had been fighting since he was fifteen and knew more than Hyogonosuke about nearly everything that mattered in the field, though he never said much about it. He listened, deep in thought, with a dried grass stem shifting between his teeth, a small fidget he had developed at some point. His eyes were on the dark in the direction of the fields and the hill, and when Hyogonosuke said they would go up on foot he nodded, because he had been thinking it already. The hill was steep and wooded, with dense undergrowth. A man on a horse there would not get far.
They went over the plan twice: the order of the men, the pace, what to do if the rebels gave ground, and Daisaburo said little, agreed with most, and let the small part he did not agree with pass, because it was not worth the breath to mention it when the commander had already made his decision.
Hyogonosuke found Tasuke afterward and told him to stay back in camp, taking care of his horse, and keeping the fire going for their return, which would likely come late in the day when the temperature had already dropped and when a stoked fire would be most welcome. Tasuke complained good-naturedly about being left behind to tend the fire like an old woman, and Hyogonosuke assured him an old woman who kept a good fire would be the most welcome thing in the valley, more welcome after battle than all the tea houses of the capital. Tasuke conceded the point and went to gather more firewood.
In the morning, Hyogonosuke put on his armor. It was a plain suit with dark blue lacing, simple and unadorned, well-made but new, without the age or ornament armor took on over the years. He had had it made in Kumamoto, choosing the kind of pattern his grandfather would have selected for himself, simple and meant for use, not appearances, like the rebuilt mansion in the valley, like the way Hyogonosuke had been taught to hold a sword.
He did not put on a helmet. He had thought about it and heād thought about the woods, the underbrush, and the way his kabuto narrowed what he could hear and see, and then he had decided against it, instead opting for a hachigane, an armored headband, which was what most of his men wore. So dressed he was nearly one of them, a plain man in plain armor among a unit of plain men, which was not a thing he thought about, but which would not have troubled him either way.
He marched out with his forty strung behind him in the thin autumn light. The valley was beautiful. The millet on the slopes had mostly been cut by this time of year, but the fields still smelled of it, dry and faintly sweet, and on the hillsides the maples had turned, their reds and yellows brilliant against the pale morning sky.
A pair of cranes lifted from a harvested rice paddy as the column passed, hanging white over the blue before vanishing behind the ridge.
"The cranes will come back," Hyogonosuke said, to say something.
"Mn," Daisaburo agreed, still watching the ridge.
The open ground ran out where the fields met the foot of the slope, and the road became a lane that climbed up into the trees between two wooded rises. It was already narrow, wide enough only for two men abreast and not three, and as it climbed it grew steep, so that the forty bunched on it, the men behind closing on the men in front where the ground slowed them, packing tight on the one strip of open ground between the brush.
Hyogonosuke felt something was wrong before he could have articulated the feeling and thought for a split second that he had spent much time studying swordsmanship and not much, by comparison, studying the military arts. Beside him, Daisaburo's grass stem had gone still in his teeth. They both knew, in the same moment, that men should not be stacked up like this on steep ground with cover to either side, and both of them knew it too late. There was no order to give that would unmake it. The column was already on the lane, the lane was already climbing, and you cannot pour forty men backward down a hill in good order on a word.
The attack came before they reached the high ground.
The first volley fired down out of the brush above them, and three men dropped before the sound had finished rolling across the hillside. The ashigaru to Hyogonosukeās left took a shot through the gap between the do of his armor and the shoulder. He did not so much fall as simply stop, upright one instant, sitting in the road the next, legs awkawardly underneath him, hands pressed flat to his chest in the reflexive gesture of a man trying to keep inside him what no longer wished to stay there.
His name is Matsuda. He has two sons in Higo. These were facts Hyogonosuke had carried for nine months without once giving them much thought, and now they arrived all at once with specific weight.
The man beside Matsuda took a shot through the lower jaw, which came away from the rest of his face, tearing the flesh and sending the bone into lane, and he neither sat nor fell but stood, producing a sound unlike anything Hyogonosuke had heard a human mouth make, high and wet and unbroken, until the second volley came and put him down. The sound stopped on its own.
Move, something said, very far back in Hyogonosukeās mind. Move, or you will sit down in the road and die where Matsuda is sitting.
He drew his sword and shouted the advance up the hill.
The men in front pressed back into the men behind as the next volley tore through them, and an elbow caught Hyogonosuke across the face hard enough to make his vision go white. A dead man fell against him with that particular slack and heaviness of something that had, until seconds ago, been a person. The weight brought him down, falling sideways, his knee striking the road, his shoulder catching something that drove the air out of him. He got a hand under the body to push it off and it would not move the way a thing should. It was only weight, dense and unhelpful, the arms swinging loose, and he had to brace and shove twice before it rolled.
Somewhere in that shoving against the dead weight, the day came loose from him.
He could not afterward have said when it happened, only that the world drew off to a small distance and stayed there. Everything in the gun smoke and the shadowy dark of the woods became unreal, far and slightly slow, the movement reaching him in pieces rather than a flow, as though he were blinking a beat too long and losing the middle of every movement, so that men came at him already halfway through their coming, jumping from one shape to another without crossing the space between.
His body went on without him. The sword knew the work. The part of him that should have chosen each cut stood behind his eyes and watched the cuts be made, watching and doing having come apart, and after that he was not entirely there.
He had made himself, across twenty years of training his muscle memory, into a very good sword, and a sword does not deliberate. It goes through what is in front of its edge and asks nothing.
The people stopped being people and became shapes. A shape with a spear held low, male, older than him. A smaller shape that swung something, cut across where its neck would be. He did not look at the faces, or rather, he didn't see the faces. Even his own men, when they came near him in the murk, reached him only as fragments that did not add to anything; a shape with a blade of grass at its teeth, working a long weapon in wide arcs off to his right, there one minute, and then, when the wide whistling of it stopped, not there the next. A shape going down with a lacquered comb spilling from the front of his clothing. None of it had names. The names were waiting for him further down the day, and he did not know it.
His injuries accumulated as he moved forward through the fight without his noting any of them. A bamboo spear-point scraped along his forearm; he did not feel it. A small blade laid a line across the back of his hand. A branch, or something like it, tore his cheek. None of them deep, none of them mattering on their own, but all of them adding up, a tax taken in small coins, so that he bled from a dozen places without knowing it as he went on.
Then the old man came at him from the left, low and fast, a long-handled kama held in both hands, the heavy rice sickle lashed to a pole; a farm tool, but a man who has swung one through thirty seasons of harvest has arms like braided rope and no waste in him at all. He came in under Hyogonosuke's guard, and the curved blade went into the outside of the thigh and pulled, raking down through the meat of it in a long deep stroke, and this one Hyogonosuke felt: a hot wide line that gaped when he moved and let the blood come fast and dark down his leg, the muscle of the thigh showing pale at the edges of it before the blood filled the wound and ran over. The sword answered the old man without Hyogonosuke's asking it to, and he went down among the leaves with the kama handle still in his hands, and disappeared in the blur. But the leg was wrong now, Hyogonosuke could feel it but not consciously understand why. It would still carry him, on the day's terror if nothing else, but it had gone uncertain, and every step was a step taken on something that might fold.
The fog had risen off the wet valley floor and come down off the high ground at midday, swallowing the gun-smoke, much thicker than the smoke had been, and the air had gone cold and close with it, the first word of weather. Then the sky opened and the rain came down hard and straight, bitterly cold, hissing in the leaves, and within minutes the ground was slick mud underfoot and the brush poured water and the world closed down further still.
Hyogonosukeās hair came loose and plastered itself across his face. The blood from a dozen small wounds thinned and ran pink, soaking down through the lacing of the do into the clothing beneath, so that he was wet to the skin with rain and blood, and the leg's long wound ran freely in the wet and would not clot.
He moved through the downpour and fog as through hanging curtains, one and the next and the next, the leg failing a little under him on the slick ground, and sometimes the curtain held a person, and sometimes the person held a weapon, and the sword answered and the curtain closed again.
The woman came from his right. He had a half-instant of seeing her: not old, a farmer's work kimono hitched up and her hair bound back, a matchlock gun braced low against her hip, and then she fired, and he threw himself left, but the bad leg betrayed him in the throwing. The bullet did not pass him. It caught him along the side of the face, a hot iron laid from the corner of his eye back across to the ear, the burn of the muzzle arriving with it, the powder so close it drove into the skin of his cheek. Then he was down, and the right side of the world had changed. The eye filled and streamed and would not clear, stinging, the lid fighting to shut and stay shut, the whole right of his sight gone to water and blur. A high ringing started deep in that ear, the ear itself gone strange and far, sounds reaching it as though he was at the bottom of a well. The right half of him had dropped away into water and noise.
She did not give him the ground. She came at him with the matchlock swung up like a club, brought it down across his shoulder and then the side of his head, and he went flat. His sword was gone from his hand, lost in the mud and the dark where he could not see for the streaming eye and the rain. Then she was on him with a short blade and he had nothing. He caught her wrists and they fought for it on the ground, her weight on him, the blade coming down by inches, held off by inches. She was strong in the particular inexhaustible way of someone who has stopped caring whether she will die. He was bleeding and half-blind and exhausted. He heard himself make a sound meant to be a word, low, almost a plea, torn and broken in his hoarse throat but shaped by home, by the speech of the valley above Nara: "Stop."
It did not stop her. In the struggle the blade turned, he never knew by whose strength, his or hers, or the two together, and went into her. The fight left her by degrees and then all at once, and she settled onto him heavy and still. He had to push her off the way he had pushed the dead man off, against the same unhelpful weight, and got up onto his knees in the mud, gasping, scrabbling with his broken-fingered right hand for the sword he had lost.
The boy came while he was still down. He came out of the brush small and fast, the sword he held too big for him, gripped in both hands wrong, the way a person holds a sword when he has never been shown how to do it correctly. Hyogonosuke, on his knees in the mud with one eye streaming and his broken hand painfully closing on the grip of his own found sword at last, knew only that the shape was small and did not know how to hold a blade. It was not a fight. It was the brutal short arithmetic of a trained man on the ground and an untrained child rushing him, and the arithmetic worked itself out the way it had to; the small shape went down. Only when it was down and still did the smallness of it finally reach him, the wrongness of how small, how light it had been against the sword. He knelt over the dead boy, breathing in great gasps he could not get the bottom of, then pushed himself up on the failing leg and stumbled forward away from it, because his legs would carry him forward and not back, out through a last curtain of fog into a thinning of the trees, a slight clearing, the ground opening a little to the sky.
The clouds broke, tearing open overhead, the rain falling off to nothing, and the moon came through full and sudden, drenching the world below in silver light and stark shadows that, for a minute, left him stunned in the brightness, as if the world had suddenly come into focus for the first time.
He turned, trying to get his bearings after hours of dark, wet, and fog, and the first thing the moon showed him was the face of the boy he had just killed, turned up out of the leaves a few feet behind where he had stumbled clear.
The face was his little brother's face. It could not be. His brother was four hundred ri away, whole and asleep in the valley, but Hyogonosuke's mind, breaking, handed him the first face it had available, and the face it had for a dead young boy was his brother's. Hyogonosuke made a sound and went backward from it, the sword falling out of his hand into the mud, his heels skidding, scrambling away on the ground from the small, upturned face the moon would not stop showing him.
He went downhill.
He did not decide to; his body turned from the clearing and the face and went down, away from the high ground, and he did not look back up the slope to where the worst of the late fighting had been, where the dead lay in the dark under the trees where he would never have to see them. He went down, and the moon came with him, riding clear in the sky the rain had emptied, laying its cold complete light over everything, and as he went it showed him the remnants of the day.
The woman was next. She lay a little down the slope on her back, her hair come loose, the short blade still in her chest, and the moon gave her the face of the woman who sold daikon and pickles at the market below the castle at Nara. She had the same square set to the jaw, so that he had killed the daikon-seller, who had surely never in her life held a blade meant for anything besides cutting vegetables.
Then the others, in whatever order the descent gave them.
The old man with the kama still in his hands, his thigh-stroke paid back to him in kind, his belly opened where the sword had gone in, and the yellow of the fat showing at the lips of the wound. The moon gave his deep-lined face to the man whose house stood by the bridge in Yagyu village, who mended his baskets in the doorway and waved to the children going past, so that Hyogonosuke went by him knowing he had killed the man by the bridge and knowing at the same time it was not the man by the bridge, but unable to hold the two apart.
And one of his own. A shape with a young face. Hyogonosuke knew this one, the knowing arriving all at once with the name and everything attached to it: this was a man of his forty, who had come at him in the fog as confused and blind as everyone else, and it had been Hyogonosuke's own sword that had answered the shape and put him down. The man had given him a persimmon once, in the practice yard in Kumamoto, held out in both hands with an embarrassed grin the way young men offer things to their commanders, because Hyogonosuke had let slip that he liked persimmons. He had been perhaps twenty. The persimmon had been very good.
Hyogonosuke stood over what he had done to him and could not breathe.
The sound came back, in a manner, and could hear them now in the tree line, some nearer some further, over the ringing and the bottom-of-the-well deadness of his right ear. Some of the forty were not yet finished. A voice somewhere up the slope screamed, high and steady, with no words. Another, lower, said something, over and over, that might have been a name or a prayer. Another only made a sound. They were dying up there in the dark the moon did not reach, where he could not have found them through the brush and the fog if he had tried, and he did not try.
He went down away from them, away from the sound, away from the faces, stumbling now on the ruined leg, half-fleeing, the faces flooding up at him out of the moonlit ground faster than he could pass them. Behind him the voices thinned, one going quiet and then another, the screaming dropping out and then the praying, until by the time the trees gave way and he came out onto the open, sloped, bare, millet field at the edge of the forest, there was no sound behind him. The last of the forty had finished while he walked.
He was in the field now, the open ground his men had crossed that morning in the frost with the cranes going up before them, and the field had its dead too, the ones who had dropped on the approach, lying out in the stubble in the moonlight in whatever shapes their deaths had left them. He came in among them, and that was where the weight came down on him.
He understood it dimly as his armor ā the weight of the do, the sode, the soaked clothing ā but it had become the weight of the whole day pressing him toward the ground, and worse than the weight was what came with it: the certainty that there were hands on him. The dead man from the lane. The woman he had pushed off himself. The shapes that had come at him in the grey curtains and sheeting rain. All of them had hold of him at once, gripping his arms, his shoulders, his legs, bearing him down, and he could not draw breath under them. He tried to tell them to let go. He tried to scream it, to turn and roar at them to get off, leave him be, and what came out of his throat was only sound, hoarse and shapeless, no words in it at all, and his good hand went tearing at the cords of his armor.
He got them loose and dragged the do off over his head and flung it into the mud and pulled at the rest, the sode, the ties, his broken fingers useless, the other hand clumsy with panic, and got most of it off him, and still the hands did not let go. The weight was gone; the grip was not. He could feel them on him exactly where the armor had been, holding him, drawing him down into the field, and there was no fighting it, because it was no longer on the outside of him.
The hoarse sound he was making broke apart and became sobbing, and he went down into the cold wet ground sobbing, with no words for any of it and no one left to hear them if there had been.
He drew his knees to his chest, wrapped both arms around them, pressed his forehead against them, and shut his eyes.
Be small. Be still. Be a stone in the bank, a clod of turned earth, anything that is not a man who has to be here.
He gave himself to the cold ground and let it have him, because the hands were drawing him into it anyway, and it was easier to go than to be pulled.
Something is wrong with me, he understood, from very far off, something past the bleeding leg and the streaming eye and the cold. The thigh had gone deep, he half-knew, a bad wound under the crust forming on it now, and only the day's terror had kept him upright and moving on it. He had not slept in two nights. He had not eaten since the sweet potatoes. His mind would not hold a thought; he reached for one and it slid out of his grip like a wet stone and left him holding nothing, and he could not keep hold even of his own alarm, that too slid away, and he let it, because there was nothing left in him to hold it.
The cold came down with the clear sky. By the deepest part of the night a thin frost had begun to form on the beaten millet, on the dead, on the bare back of his neck, and the wet in his clothes stiffened.
The moon crossed the whole sky.
Hyogonosuke was still folded there when it set, still there when the east began to go grey: the sword somewhere on the hill behind him, the thigh stiff in its crust, two fingers of his right hand bent wrong, the side of his face a black dried track from the eye-corner to the clotted ear, the powder driven dark into the skin of his cheek, the eye still weeping, the ringing a constant tide. He was cold all the way through, so cold his body had stopped shivering some hours before, which he knew, distantly, to be a bad sign, and could do nothing about.
It was beginning to drizzle again, soft on the frost, when Kato's soldiers came.
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