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Ron Carter and Richard Galliano – Panamanhattan
Panamanhattanis a live album by bassist Ron Carter and accordionist Richard Galliano recorded in Paris in 1990 and released on the Dreyfus Jazz label.
Reception
The Allmusic site awarded the album 5 stars, stating: “A live performance – a concert. Lots of space, and a slow pace. Music to listen to, perhaps a tad too intellectual. Still… lovely.”
Personnel: Ron Carter – bass Richard Galliano – accordion
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May 4: Jazz Giants & Virtuosos
A powerful day in jazz history featuring a legendary bassist, a high-note trumpet icon, and a refined pianist.
Ron Carter – Uptown Conversation
Uptown Conversation is the second album led by the jazz double bass player Ron Carter, recorded in 1969 and first released on the Embryo label. Reception. The Allmusic review by Michael G. Nastos awarded the album 4½ stars and stated:”Considering the music Ron Carter played preceding and following this effort, you’d be hard-pressed to find a more diverse, intellectually stimulating, enlivened, and especially unrestricted musical statement in his long and enduring career.” Personnel: Ron Carter — electric bass, double bass Hubert Laws — flute Herbie Hancock — piano, electric piano Sam Brown — guitar Grady Tate, Billy Cobham — drums
Happy birthday to Maestro Ron Carter!
Photo by Raph PH, CC BY-SA 2.0 via Wikimedia Commons
Ron Carter / Herbie Hancock / Tony Williams – Third Plane (Album)
Third Plane is an album by jazz bassist Ron Carter, released on the Milestone label in 1977. It features performances by Carter, Herbie Hancock and Tony Williams.
A second selection of five tracks recorded by the trio during the same day’s sessions was released under Herbie Hancock’s name as Herbie Hancock Trio.
Personnel: Ron Carter – bass Herbie Hancock – piano Tony Williams – drums
Critical reception
Jazz writer Thomas Owens highlighted aspects of Carter’s playing that are noticeable on the album: “It is a treasure trove of pizzicato techniques: portamento effects, vibrato, double stops (including parallel octaves), harmonics, the most legato pizzicato lines in jazz, and those beautiful long notes on the lowest (E) string – notes whose overtone mix evolves continuously as the notes ring.”
Photo by Marek Lazarski via Wikimedia Commons, licensed under CC BY-SA 4.0
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Miles Davis ‎- Nefertiti
Nefertiti is a highly acclaimed 1968 album by American jazz musician Miles Davis, notable as his last entirely acoustic recording before transitioning into jazz fusion. It features his "second great quintet" at the peak of their collaborative powers, known for their innovative interplay.
Nefertiti is a seminal work in post-bop jazz, celebrated for its experimental nature and intricate dynamic between the musicians. • Innovative Structure: The title track is particularly famous for its unusual arrangement, where the horn section (Davis and Shorter) repeatedly plays the melody, while the rhythm section (Hancock, Carter, and Williams) provides the dynamic, free-flowing improvisational core, effectively reversing traditional jazz roles. • Interplay: Reviewers consistently praise the "inquisitive interplay" and "subconscious impressionism" of the quintet, highlighting how the musicians listen and respond to each other, creating a rich, evolving soundscape. • Transitional Album: It is widely considered a "last necessary step" or a "thematic bookend" to the all-acoustic era, signaling the avant-garde and rhythmic explorations that would lead to Davis' groundbreaking jazz fusion albums like Miles in the Sky and In a Silent Way. • Drumming Showcase: Tony Williams' drumming is frequently singled out as one of the album's most dynamic elements, with critics describing his performance as "on fire throughout" and a "masterclass".
Happy 88th Birthday to Maestro Ron Carter.
Ron Carter / Jim Hall – Telepathy
Bass – Ron Carter Guitar – Jim Hall
