One thing about „Long Face” I haven’t seen discussed yet is its “perfectly premeditated flaw”. While it’s obviously primarily meant to bait Louis, it does so in a very smart way.
The writers have gone out of their way to make us understand that Louis has built himself up to be this super posh art dealer. He’s a connoisseur, he has “ze eye”, he is extremely distinguished in his tastes. Or, as Lestat probably sees it: He’s super pretentious, “like every pompous art student” he’s ever eaten. (I think he gets it from his mum, but that would be a whole essay.) And a part of this is: He does not like camp. This is quite evident from the way he talks about “Lestat’s tastelessness on the float” in episode 1x7, but also reflects in his reaction to the “weirdness” of the Paris theatre.
Except - I think he secretly does like it, because otherwise he would not love Lestat. Him being in denial of his love for Lestat and of his enjoyment of “camp” art almost seem to stem from the same place within him - he is still denying parts of himself.
So, Lestat writing a song for him, that is this camp? That literally says “Come appraise me” to his art dealer husband? That says “see me for what I am and stop lying to yourself and pretending that you don’t love me and that you don’t enjoy having fuuuuuuun”? The lack of metaphor has never been more striking. I’m so here for this.
