#robertjacks

NEW IN THE BOOKSHOP: THE FIELD NOW (1984) • Catalogue published in the occasion of the exhibition "THE FIELD NOW" held at Heide Park and Art Gallery, Bulleen, September 4 - October 21 1984, curated by Sue Cramer. • Features the work of Art & Language, Robert Hunter, Tim Johnson, David Aspden, Col Jordan, Sydney Ball, Michael Kitching, Tony Bishop, Allun Leach-Jones, Alan Oldfield, Peter Booth, Paul Partos, Gunter Christmann, John Peart, Tony Coleing, Dale Hickey, Ron Robertson-Swann, James Doolin, Robert Rooney, Udo Sellbach, Dick Watkins, Robert Jacks. • "Controversy inevitably surrounds large contemporary group exhibitions which demonstrate a curatorial bias. The Field, the inaugural exhibition at the National Gallery of Victoria in 1968 and shown afterwards at the Art Gallery of New South Wales, was no exception. Now, some sixteen years later, this exhibition The Field Now has been conceived in order to look again at the current work of artists who were selected for the earlier exhibition. [...] while this catalogue documents the current exhibition it also provides a forum for a contemporary discussion of The Field, the broader issues associated with the period of Australian art which that exhibition exemplified, and subsequent developments." - excerpt from foreword by Maudie Palmer • Texts by curator Sue Cramer, director Maudie Palmer, artists Ian Burn and Nigel Lendon, and writers John Stringer and Patrick McCaughey. Includes bibliographical references and full colour illustrations. • One copy via our website and in the bookshop. • #worldfoodbooks #thefieldnow #thefield #suecramer #heidemuseumofmodernart #maudiepalmer #ianburn #nigellendon #patrickmccaughey #johnstringer #roberhunter #dalehickey #robertrooney #gunterchristmann #robertjacks #peterbooth #sydneyball #alunleachjones #coljordon #dickwatkins #artandlanguage #paulpartos #johnpeart #tonybishop #ronrobertsonswann #jamesdoolin #udosellbach #tonycoleing #timjohnson #davidaspen #michaelkitching #alanoldfield (at WORLD FOOD BOOKS)

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NEW IN THE BOOKSHOP: ROBERT JACKS "On Paper 1958-1990" (1990) Published by the University of Melbourne in 1990, this catalogue celebrates Australian artist Robert Jacks’ commitment to abstraction as well as his works’ “authority and formal quality, suggestive colours and sensitivity”. Forward by Frances Lindsay, expansive text by Simeon Kronenberg, written in 1989. Illustrated throughout (in colour and b&w) with Jacks’ many works on paper using pencil, watercolour, gouache, collage, cut paper, stamps and ink. Includes biography and exhibition history. Robert Jacks (born 1943) is an Australian painter, sculptor and printmaker. In 1966 he had his first solo exhibition at Gallery A, Melbourne from which a work was purchased for the collection of the National Gallery of Victoria. In 1968, he participated in ‘The Field’ an extremely influential exhibition at the new National Gallery of Victoria, which effectively launched colour field abstraction in Australia. “I think my work has always been minimal and abstract because when I was being taught sculpture, it was expressed in abstract terms. Form in space, mass and volume – that sort of thing. Painting, for me, is an extension of sculptural ideas.” One copy via our website and in the bookshop tomorrow. #worldfoodbooks #robertjacks #australia (at WORLD FOOD BOOKS)

NEW IN THE BOOKSHOP: ROBERT JACKS "On Paper 1958-1990" (1990) Published by the University of Melbourne in 1990, this catalogue celebrates Australian artist Robert Jacks’ commitment to abstraction as well as his works’ “authority and formal quality, suggestive colours and sensitivity”. Forward by Frances Lindsay, expansive text by Simeon Kronenberg, written in 1989. Illustrated throughout (in colour and b&w) with Jacks’ many works on paper using pencil, watercolour, gouache, collage, cut paper, stamps and ink. Includes biography and exhibition history. Robert Jacks (born 1943) is an Australian painter, sculptor and printmaker. In 1966 he had his first solo exhibition at Gallery A, Melbourne from which a work was purchased for the collection of the National Gallery of Victoria. In 1968, he participated in ‘The Field’ an extremely influential exhibition at the new National Gallery of Victoria, which effectively launched colour field abstraction in Australia. “I think my work has always been minimal and abstract because when I was being taught sculpture, it was expressed in abstract terms. Form in space, mass and volume – that sort of thing. Painting, for me, is an extension of sculptural ideas.” One copy via our website and in the bookshop tomorrow. #worldfoodbooks #robertjacks #australia (at WORLD FOOD BOOKS)

NEW IN THE BOOKSHOP: ROBERT JACKS "On Paper 1958-1990" (1990) Published by the University of Melbourne in 1990, this catalogue celebrates Australian artist Robert Jacks’ commitment to abstraction as well as his works’ “authority and formal quality, suggestive colours and sensitivity”. Forward by Frances Lindsay, expansive text by Simeon Kronenberg, written in 1989. Illustrated throughout (in colour and b&w) with Jacks’ many works on paper using pencil, watercolour, gouache, collage, cut paper, stamps and ink. Includes biography and exhibition history. Robert Jacks (born 1943) is an Australian painter, sculptor and printmaker. In 1966 he had his first solo exhibition at Gallery A, Melbourne from which a work was purchased for the collection of the National Gallery of Victoria. In 1968, he participated in ‘The Field’ an extremely influential exhibition at the new National Gallery of Victoria, which effectively launched colour field abstraction in Australia. “I think my work has always been minimal and abstract because when I was being taught sculpture, it was expressed in abstract terms. Form in space, mass and volume – that sort of thing. Painting, for me, is an extension of sculptural ideas.” One copy via our website and in the bookshop tomorrow. #worldfoodbooks #robertjacks #australia (at WORLD FOOD BOOKS)