Ravi Coltrane – Mad 6
Mad 6 is an album by the American musician Ravi Coltrane, released in 2002. Bass – Darryl Hall , James Genus Drums – Steve Hass Piano – Andy Milne , George Colligan Tenor Saxophone, Soprano Saxophone – Ravi Coltrane
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Ravi Coltrane – Mad 6
Mad 6 is an album by the American musician Ravi Coltrane, released in 2002. Bass – Darryl Hall , James Genus Drums – Steve Hass Piano – Andy Milne , George Colligan Tenor Saxophone, Soprano Saxophone – Ravi Coltrane

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Eugene @mrsleep3 is playing a game of ping pong with @ravicoltrane 😁👍🏻💫 Later Oxbow is playing a show with Peter Brötzmann #musicians #heroes #pingpong #moersfestival2018 #ravicoltrane #eugenesrobinson #oxbow #game #ourway #music #favoritethings (at Moers)
Wallace Roney – Munchin’ (Full Album)
Munchin’ is an album by American jazz trumpeter Wallace Roney which was recorded in 1993 and released on the Muse label. "This is easily one of Wallace Roney’s best CDs.” – Ken Dryden/AllMusic.
Got to meet and experience Ravi Coltrane (John Coltrane’s son) for the first time. 😎👊🏽 #ravicoltrane #johncoltrane @johncoltrane @ravicoltrane @alicecoltraneofficial #alicecoltrane https://www.instagram.com/p/CQ1x6EVFRt6/?utm_medium=tumblr

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雖然大師紛紛凋零,但是年輕一代的好手也絡繹崛起,包括尼可拉斯·培頓(Nicholas Payton)等新人,以及「第二代」如約翰·柯川的兒子拉威·柯川(Ravi Coltrane)、杜威·瑞德曼(Dewey Redman)的兒子約書亞·瑞德曼(Joshua Redman)等。 「第二代」所面臨的挑戰在於,在第一代光環的罩頂下,如何超越、如何創新,讓自己能發出自己的光芒來。其中拉威·柯川所面臨的挑戰恐怕最高。他一直到三十三歲左右才推出第 一張個人專輯,我們可以聽出他如何努力躲開父親陰影的痕跡,或許 「最不像約翰·柯川的爵士樂手」 反而成為他的特色。 他的成長過程中,母親對他的教育方式,實在值得台灣父母們取法。 一般說來,如果有個像約翰·柯川這樣的音樂大師父親,在台灣,可能會有兩個下場,一個是在年輕時,因為要向老子看齊,壓力過大而 發瘋;另一個是因為不准步上老子後塵而不知音樂為何物。然而約翰·柯川的妻子艾莉絲· 柯川(Alice Coltrane)卻沒有讓這樣的情況發生。 約翰·柯川逝世時,拉威·柯川才三歲, 在拉威·柯川小時候,家中從不播放爵士樂的唱片,也不演奏爵士樂曲,他所學的是古典鋼琴,家中甚至沒有半張約翰·柯川的唱片,他也不知道自己的父親竟是爵士樂界神人級的人物。 拉威·柯川就在這樣的環境中長大,到了十五、 六歲,他參加了學校音樂社團,在選擇樂器時, 彷彿血脈的牽連,他就是選擇了薩克斯風,並且喜歡上爵士樂。直到某一天,他的同學問他: 「你姓柯川,約翰·柯川你認不認識?」他答: 「約翰·柯川是我父親呀!」他的同學一聽, 驚訝得簡直不知如何反應。稍後才告訴他:「你父親是個非常偉大的爵士樂手喲!」他第一次聽到父親的演出,還是這個朋友借給他的唱片。 事後,他回家求教母親,才陸續從母親口中得知父親的點滴。 艾莉絲·柯川就是以這樣完全中立的態度, 讓孩子自己抉擇,不干涉、不逼迫、也不攔阻。而拉威·柯川就在這樣的教育下,選擇了自己想走的道路。而在得知父親的豐功偉業之後,他還能勇敢面對挑戰,的確是需要莫大勇氣的。 這些「第二代」的出現,確實為爵士樂界注入一股生命力,讓人們對爵士樂重新燃起希望。 至於老去的一代,只要一息尚存,都有新的可能。許多七、八○年代逐漸被遺忘的樂手, 到九○年代都重新出發,如吉米,史密斯(Jimmy Smith)等人,所出的唱片都有不錯的成績。 《爵士樂的故事》, 黎時潮, 張清志 #jazz #RaviColtrane #johncoltrane https://www.instagram.com/p/CQFXxMwntck/?utm_medium=tumblr
Photographic Darkroom Paper experiments...long time ago...
The great Ravi Coltrane!! Need I say more? If you know music you know! #ravicoltrane #coltrane #summerstage2019 #charlieparkerjazzfestival #saxophone #jazz #realmusic #harlem #culture #ubcjams #ubctvnetwork #nyc #lasvegas https://www.instagram.com/p/B13uHV4htF6/?igshid=61bynag46ti5