Being Big Red
Rise Ramblings #312
In βWhat Was Meant To Beβ and βWhat They Became,β I discuss how the turtles were created by Draxum to be weapons and then how the boys were embraced by Splinter to be a part of the Hamato clan.
I also discussed how Splinter viewed television as a window into his former life. He used television as a means to drown himself in a never-ending cycle of reminiscing the past and mourning his former self.
Splinterβs crushing depression, though never voiced, impacted the turtlesβ emotional growth and development. As a result, all four brothers had to cope with their fatherβs lack of attention and his expectations for their lives in their own wayβ¦
However, I believe that no one had more pressure placed on them than Raphael Hamato.
Raphael is naturally easy-going, sweet, fun-loving, and supportive. But, as the oldest/biggest turtle, he became the impromptu leader of their little team by default. Consequently, he takes on several different roles for the sake and well-being of his family.
Their day-to-day training regimen is directed completely by him.
He is the boys' moral compass and who they go to for guidance.
He's the teamβs backbone, support, and backup, which often cumulates in him acting as a physical shield when things get rough.
And, most significantly, Raph is the leader even when he himself wants nothing more than to crumble to pieces.
Raph is so physically imposing, strong-willed, and devastatingly kind-hearted that itβs easy to expect these roles from him.
But, Raph is also just a child.
In reality, these roles should never have been Raphβs to bearβ¦
Parentification is a process in which a child or adolescent is forced to act as a parent to their siblings (or to their actual parent) through providing emotional support (Emotional Parentification) or physical support (Instrumental Parentification)Β in order to maintain the household.
I believe that Raphael was subjected to both, but was especially subjected to the former.
All of the roles described above are the roles of a supportive parent to their children (or Sensei to their students.) To verify this claim, you neednβt look further than the roles that Splinter encompassed in any other iteration.
With Raph, none of this responsibility comes naturally. He has to work hard to live up to the pressures and expectations placed onto him, resulting in a dissonance between his responsibilities and his true nature.
I believe that you can see the evidence of this dissonance in his chosen form of dress.
Have you noticed that when Raph casually dresses himself, he mostly wears white?
Even Donnie picked up on this trend when he chose outfits for his brother in "The Clothes Don't Make The Turtle." (See "The Fashionista" for a full breakdown on Donnie's impeccable fashion sense.β¨)
Yet, when Raphael is filling a role, or dressing to impress others, Red is his automatic go-to.
Itβs almost as if the title of βThe Red Oneβ was not one that he chose, but one that was merely placed onto him.
But I digress...
Raph is able to be a pseudo-parent to his brothers and serves to fill in the gaps that their actual father could not fill. However, with no outlet for his own insecurities, all of that pressure had no relief.
And, if you understand chemistry, pressure, with no release, creates an explosion.
βActing outβ is an unhealthy defense mechanism in which one expresses their unacceptable feelings through physical actions.
In this case, the "unacceptable feeling" is disappointment, not at his brothers, or with his father, or with any external force, but with himself. And with no outlet and with no one to turn to for support, that disappointment turns into red hot anger.
Heβs so disappointed with himself, in fact, that he reaches his breaking point.
Then finally, finally, he opens up.
And at long last, he gets the support he so desperately needed.
Thus, he is able to ultimately let it all go...
It's so lovely to see that his family does not disappoint.
ββββ
Next | Being Baby Blue β’ Being Purple β Part One β’ Being Purple β Part Two β’ Orange, Baby!
Finale | Being Hamato Yoshi
