Song: Should I Stay Or Should I Go? - The Clash

(they don't have a ship name, I HAD TO MAKE IT, save me rairpair 🥀)

This is for me and anyone else who sees the vision 🙏🙏

Nobody @ me on not knowing how to crop vid for tumblr 👑

Noah Smith, Ralph Earl, 1798, Art Institute of Chicago: American Art

Ralph Earl garnered portrait commissions primarily from wealthy rural landowners in Connecticut, New York, and Vermont. A loyalist, Earl fled America for England during the Revolutionary War, developing his portrait style, in turn, by studying with Benjamin West (an American painter in London) and through contact with English artists. Returning in 1785, Earl painted this portrait of Noah Smith late in his career, having melded his British training with a simpler, linear style that appealed to his clients of the rural gentry. In this work, Smith, chief justice of the Vermont Supreme Court, sits assuredly before the viewer; the map at hand, pastoral view at left, and volumes of books behind him signal the sitter’s prominent position as a man of affairs in the young nation. Goodman Fund Size: 163.2 × 107.3 cm (64 1/4 × 42 1/4 in.) Medium: Oil on canvas

Noah Smith, Ralph Earl, 1798, Art Institute of Chicago: American Art

Ralph Earl garnered portrait commissions primarily from wealthy rural landowners in Connecticut, New York, and Vermont. A loyalist, Earl fled America for England during the Revolutionary War, developing his portrait style, in turn, by studying with Benjamin West (an American painter in London) and through contact with English artists. Returning in 1785, Earl painted this portrait of Noah Smith late in his career, having melded his British training with a simpler, linear style that appealed to his clients of the rural gentry. In this work, Smith, chief justice of the Vermont Supreme Court, sits assuredly before the viewer; the map at hand, pastoral view at left, and volumes of books behind him signal the sitter’s prominent position as a man of affairs in the young nation. Goodman Fund Size: 163.2 × 107.3 cm (64 1/4 × 42 1/4 in.) Medium: Oil on canvas

Noah Smith, Ralph Earl, 1798, Art Institute of Chicago: American Art

Ralph Earl garnered portrait commissions primarily from wealthy rural landowners in Connecticut, New York, and Vermont. A loyalist, Earl fled America for England during the Revolutionary War, developing his portrait style, in turn, by studying with Benjamin West (an American painter in London) and through contact with English artists. Returning in 1785, Earl painted this portrait of Noah Smith late in his career, having melded his British training with a simpler, linear style that appealed to his clients of the rural gentry. In this work, Smith, chief justice of the Vermont Supreme Court, sits assuredly before the viewer; the map at hand, pastoral view at left, and volumes of books behind him signal the sitter’s prominent position as a man of affairs in the young nation. Goodman Fund Size: 163.2 × 107.3 cm (64 1/4 × 42 1/4 in.) Medium: Oil on canvas

Robert Boyd, Ralph Earl, 1788, Brooklyn Museum: American Art

Size: 33 1/2 x 26 15/16 in. (85.1 x 68.4 cm) Medium: Oil on canvas

Clarissa Seymour (later Mrs. Truman Marsh), Ralph Earl, 1789, Brooklyn Museum: American Art

Size: 47 9/16 x 35 15/16 in. (120.8 x 91.3 cm) frame: 49 13/16 x 38 3/16 x 2 3/8 in. (126.5 x 97 x 6 cm) Medium: Oil on canvas

Marinus Willett, Ralph Earl, ca. 1791, American Paintings and Sculpture

Bequest of George Willett Van Nest, 1916 Size: 91 1/4 x 56 in. (231.8 x 142.2 cm) Medium: Oil on canvas

Master Rees Goring Thomas, Ralph Earl, ca. 1783–84, American Paintings and Sculpture

Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914 Size: 66 x 47 5/8 in. (167.6 x 121 cm) Medium: Oil on canvas