#quinnwrites

Shaun’s parents often address him in the same breath as talking about Michael, as if the two are immutably connected, their meaning solely defined by virtue of each not being the other. But the parental Andersens could not always retain this facade of equality in front of their youngest child. No, Shaun found the documents when he was ten, long after Michael’s departure.

At the time, the words he found staggered him with polysyllabic ambiguity:

Monochorionic.

Parasitic.

Anemic.

But one phrase unfurled its roots and lodged itself into the squishy whorls of his brain.

The night of the discovery, little Shaun Andersen ran screaming into his parents’ bedroom, tears and terror marring his face the way fresh understanding of horror always does. When his mother hushed Shaun, held him close and begged him to explain what was wrong, the boy’s answer made the colour flood from her face.

All too soon, Shaun found himself confronted with yet more walls: walls so staggeringly bleached that, to Shaun, the paint served not as a reminder of cleanliness, but of spores and fungi and bacteria, swelling into turgid contaminants ready to burrow through his skin and pick his bones clean.

“Twin-to-twin transfusion syndrome,” the therapist reads from her notes. She smiles at Shaun, with too many teeth. “Where did we hear such big words, hm?”

Shaun keeps quiet. In the time since Michael left, the value of silence impressed its qualities upon him. The art of disquiet is something everyone knows about, but few possess the gall to produce. Shaun maintains fixed eye contact with the therapist, while revelling in the security offered by his glasses. There’s a plastic quality to her dimples: an artificial construction of pleasantry that only a child could see through.

She doesn’t care about you.

Shaun believes there’s relief for both of them when the light goes out of her eyes.

“It’s okay, Shaun,” the therapist says. Her voice quavers noticeably. “I think you’re a very smart boy. You’d like me to tell you the truth, wouldn’t you?”

I think you want to tell me the truth and not have to deal with me, Shaun thinks. The therapist continues on regardless:

“Sometimes, when people have babies, things can go wrong. The baby might come out sick, or a bit different.”

The therapist watches him for a response. Shaun tries his best not to blink. Her mouth twitches.

“When a mom has a baby inside, the baby gets their food from an organ called the placenta. It’s kind of like a phone charger — it gets plugged in to the wall of the mommy’s tummy, and when she eats, nutrients from the food are transferred to the baby. These nutrients are transferred by blood. Do you understand?”

You’re talking to me like I’m an idiot. This doesn’t feel professional at all, is what Shaun  Andersen understands. How old does she think I am?

“With twins, sometimes they share one placenta, instead of having one each. And sometimes, blood gets passed between the twins.” Her face creases, like she’s recalling something unpleasant. “This can mean that one twin doesn’t get enough blood — they’re called the ‘donor’ twin — and the other gets too much blood, making them the ‘recipient’ twin.”

The therapist actually looks away before going on, and Shaun is sure it has more to do with practiced decency than genuine upset.

“Michael received the blood your other brother didn’t get.”

It sounds like she’s reading from a script. Maybe she prepared this. Wanted to scare me and  take me off guard so she can get into my head. I’m not going to say a damn thing. Fuck her.

“I’m sorry you had to find out the way you did, Shaun.” The therapist’s mouth twists in a grim approximation of sympathy. “But it’s just a fact of life.”

A fact of life that Michael devoured his twin in the womb.

It’s only now that he’s in some lightless attic, face-down on the floor with his skin prickled against the cold, that this wash of memories coats Shaun with their accusatory foam. There’s a peculiar, pickling scent prodding at his gag reflex; this room reeks of mold and misery. It’s as if the air itself is frothing from an unseen mouth. For Shaun, this triggers a memory encased in nausea. A taste identical to the sour pills the therapist gave him that day spills onto his palate: anti-anxiety medication.

Shaun vomited the first batch he took, so he ceased taking them all together. Instead, he replaced each pill in his medication box with chalky, pastel candy, and made a big show of swallowing one in the morning and one in the evening.

He’s just like Michael, really. As long as there are witnesses, he’ll put on a show.

Splinters impale the meat of Shaun’s mouth, and sawdust cakes his tongue. He hacks and coughs, and writhes on the floor. His knees manage to find purchase in the gloom, but his muscles tremble and quiver with the effort of kneeling. He’s been bashed and bruised, dragged carelessly and tossed aside like a used rag. Tenderised meat before the slaughter.

And Michael’s going to be the same.

Shaun’s breath pulses out in panicked bursts. He can just about see his exhalations curling away in the freezing cold. No, he can’t be this weak — he must shove it back, quash the feeling. He’s worth more than this. If he goes back on the things he said to Michael now — horrible, hateful things — then he’ll never be able to live with himself.

So Shaun breathes steadily, working his way around the anxiety attack the way his therapist never showed him. As his heart rate steadies and adrenaline drops, all that energy and fear circumvents his guts, and heads a frontal assault on his brain. This leads to a conclusion burning through his mind with perfect clarity

This is all Michael’s fault.

Shaun never knew the name for whatever disease ravaged his brother’s mind. Not that he ever asked. The less he knew about Michael’s... abnormalities, the better. He remembers phrasing it that way to his parents, when he finally said no to another trip to see the remains of their estranged son.

Each week flowed the same way: stilted conversation between siblings, and pained platitudes from their parents. All meaningless little words of encouragement deliberately skipping over the elephant in the room — or, rather, the room containing the elephant, with its queasy walls and claustrophobic bars on the windows. No one in there ever used words like crazy or sick — in fact, they gave you a sheet of words to refrain from using when in the presence of the patients. All the relatives and guests of the inmates were expected to behave in this fashion.

This nauseated Shaun. He knew his brother was still in there. And he knew better than anyone how Michael liked to play his little games.

Regardless, Shaun tried his best to make Michael talk, and find something recognisable in the muddy depths of his eyes. But every visit, the dark deepened. No matter how many toys he tried to share, no matter how many stories he’d try to tell, and no matter how many times he affirmed to Michael that they were best friends and one day he’d get out of the hospital so they could play again... he stayed the same.

The final straw comes one dismal, rainy Friday afternoon. Shaun and his dad sit next to each other, opposite Michael with a table acting as barrier between them, saying nothing.

An aide took them both aside before they entered the main facility, and explained that Michael is being trialed on another type of medication. The visit is going as miserably as the weather foretold.

Michael looks barely human. Something is altered in the familiar shape of his body, like a bent coat hanger hastily reformed into an approximation of its original structure. The older Andersen brother slumps back in his chair, his skin several shades whiter than the wall behind him. His mouth is cracked with dehydration, and his hair is tangled with sleeplessness and grease. But worst of all are his eyes. They sit listless and devoid of comprehension, with blank pupils gazing aimlessly at his family, through them, and beyond them. A candle snuffed out before shrinkage of the wick.

Shaun remembers the emptiness of his therapist’s eyes. The glee in outwitting her. The pleasure of looking into those sad, brown depths.

There is no joy in peering into Michael’s skull.

Without warning, Shaun’s temper seizes him with all the ferocity a young boy’s hormones could. He slams his clenched fist down on the table, rattling metal. All conversation in the room ceases, a veil of corpselike silence.

Michael, however, doesn’t react. He doesn’t even acknowledge the sound.

The words jump from Shaun’s mouth like oil from a sizzling pan, murderous in their venom.

“You’re such a freak.”

Before the aides can reach him, Shaun’s dad grabs him by the shoulder and yanks him out of the room, into the hallway. Shaun can tell he’s furious, but there’s so much anger pumping through his blood that he just doesn’t care. He needs to do something, anything, to puncture the film over Michael’s eyes. Anything to make him so much as flinch.

But Michael remains unaffected.

As expected, the facility removes them both immediately, and Shaun is given a one-month visitation ban. This doesn’t bother Shaun in the slightest — in fact, he feels victorious, and righteous in his fury. There’s no way he’s coming back. Not this time. Michael squandered his last chance.

Even so, he’ll never forget his last view of that room, before his father pulls him away.

Tears spilling freely down Michael’s stony face.

From then on, the pre-trip talk with his parents is a minefield to navigate. They try so hard to make everything light and cheery, to speak about Michael like he’s still a part of their family, but Shaun overhears them speaking about their visits when they think he’s not listening. Now, more often than not, Michael’s arms are bound throughout their visits. Other times, they’re only able to converse with their son from behind a pane of tough glass.

Sometimes, they came home early.

‘Oh, Mikey’s feeling a touch under the weather today,’ their mother chirps. ‘But he says he misses you lots and lots!’

Her happy tone belies the true quality of their visit. It doesn’t matter. Shaun never asks for further details. Eventually, Shaun is old enough that his moods are ascribed to the terrors of puberty, and he is left to his own devices.

In retrospect, the seven years between Shaun’s Michael-detox and their first meeting as adults seems superfluous. The difference the years wrought upon Michael shocked Shaun.

Where once there existed a timid, chubby little kid with the brightest of smiles, now stood a gangly, hollow-looking man, with eyes like pits of coal. Though the corners of Michael’s mouth upturn upon seeing him, Shaun doesn’t register any warmth.

Somehow, this infuriates Shaun more than his brother’s tears ever could. He’d always assumed that even though his brother is older, Michael would remain the same size — adulthood somehow being barred for the mentally ill. Resentment boils away in Shaun’s stomach seeing how much taller his brother is, how clean-cut his features are. But this isn’t the thing which incenses Shaun the most.

It’s that, in those eyes, those chasmic clefts gouged out in his pale flesh, Shaun saw quiet patience.

Intelligence.

Forgiveness.

Just the mere hint of any kind of pity from his brother makes Shaun’s thoughts curdle with rage. How dare he be okay? He’s supposed to be sick! Isn’t that the whole reason why he got  locked up in the first place?

Shaun knows these are irrational and angry thoughts, but would rather cut out his own tongue than internalise them as ‘unfair’. He slaved away the better part of his life playing second fiddle to his parents’ worry and concern, always visiting Michael, paying more attention to Michael... all while their favourite son plays the part of a theatre dummy.

So Shaun makes the decision there and then. He is under no obligation to take care of this man forced upon him by blood — but he will. He will be the most selfless, compassionate human being his brother has ever seen.

Then they’ll see who has the right to forgive.

The walls of the attic Shaun can’t see feel like they’re closing in on his aching body, dragging themselves closer with hidden, noiseless claws. If you hadn’t lied about seeing the  Tall Man, he wouldn’t be as sick as he is, his thoughts hiss, and he thinks that the walls are growing mouths and speaking to him, indicting him, readying to pluck his head from his shoulders and smack it on a pike.

Yet, as his fear increases, tiny increments of light make themselves known in Shaun’s vision. Eventually, he’s able to zero in on a shape just out of each — something large and mostly crimson, with a long curved blade extending from its middle. Sickly, distended panic courses through Shaun like a white-hot fever when he recognises the shape.

It’s a fucking chainsaw.

The enormity of the situation crashes into his nervous system. He’s being laid out, prepped and ready for consumption. Oh God, he drugged me to tie me down and cut me open, and then he’s gonna go find Michael and do the same thing-

Keep it together! Express some reticence, for fuck’s sake. You’re not going to break down. You’re not going to give in. Michael’s the one who hurt you, kept hurting you, all this time. Without him, you would have a real family. A home. A future. Not biting the dust spilled on some dank  basement.

The attic betrays nothing but the acrid stench of death. People have died here. People have been tied up and carved open like autopsy specimens, all for the gain of their sadistic owner. Shaun, despite his terror, continues to squint at the weapon.

You’re about to bite the dust anyway...

When Shaun sees the blood staining the steel, he screams.

Another flashbulb memory comes searing into his head: his brother’s wafer-thin form keeling over in the snow. That chokehold of panic throws Shaun into immediate action, forcing him to run and cradle the body of his brother. He’s so desperate and terrified, not knowing if this is really Michael, what this body could be capable of...

And yet Shaun grabs hold anyway, all grudges suddenly forgotten, and oh fuck it must be Patrick, because his nose is bleeding and his limbs are as heavy and wet as the white beneath their boots. Shaun hauls him the best he can, inwardly cursing his lack of strength, and as he drags Patrick over to the frozen table he can only pray his mental fortitude is made of stronger stuff.

“I came here to apologise.”

“Really.”

The sarcasm pours out of Shaun without a second thought, so heated it almost scorches the icy air. But there’s no way he could ever dam this wave of fury.

‘There’s still a lot you don’t know...’

It takes everything Shaun has to not to let his poker face flicker, but the rage beneath makes him want to seize Patrick by his lapels and bash him against a wall. How dare he. This freakshow of a bodysnatcher can’t even keep his brother’s body alive and well long enough to stand up while having a conversation, and yet has the nerve to patronise him?

Shaun hears, ‘I’m sorry for Stormy,’ as if from the other end of a tunnel. All that’s brewing in his head is the conundrum sitting in front of him. Two personalities, one body. They’re interchangeable now, one and the same. Twice the twin, half the skeleton. Michael, playing patient zero to a contagion which wrecks and wrings until bloodied flesh is all that’s left behind. Patrick, a disease forged in the womb and soaked into the being of a boy who could have been something different.

Should have been.

Never will be.

No one could reconcile the two but Shaun.

So it must be a sickness, an illness, a disease. And everything bad that ever comes from sweet Michael’s mouth is a result of his condition.

If that’s the case, is it so awful to want to be as far away from them — from him — as possible,  whoever — and whatever — he is?

Patrick is only sharing the broken-down condo which remains of his brother’s body.

Taking back his stolen property.

And where does that leave Shaun?

As the unspoken martyr, of course.

There’s only so much room in my head for bullshit, Shaun seethes. I’m not going to live my  life cleaning up after him — not for Michael or Patrick.

And that’s it - that’s the one thing that people never let him have. The realisation which hits upon their return to the motel, where Michael cowers beneath the words spat from Shaun’s molten mouth. He always possessed a thought process blessed by rapidity, but a tongue cursed to be silver. Shaun is nothing but a host to a panoply of pain as essential to him as his own veins.

As essential as the blood flowing between Michael, and the brother he never met.

When Shaun storms out into the cold, determined to be somewhere, anywhere that puts great distance between him and the entity Michael/Patrick Andersen, he feels the full force of the Virus, nesting, breeding, multiplying beneath his skin. There’s no room for guilt and worry and pain — just the cure.

To never be near his brother again.

When Shaun saw Patrick’s nose bleeding, he had to swallow back bile. He knew in an instant that their brother never left, not really. Once, connective tissue held the bonds of their brotherhood fast. The transfusion continues. The real question is — who is the donor, and who is the recipient?

Even his own family emphasised the importance of their blood-bond, unable to comprehend Shaun’s behaviour.

“He’s your brother, Shaun, and he needs your help,” his mom tells him one night, barely holding back the tears. “I know he can be difficult to deal with, but this isn’t his fault. He didn’t ask to be sick.”

And Patrick didn’t ask to die, Shaun wants to scream. No one blames Michael for  cannibalism, do they?

Now he’s facedown in the wood, sawdust clinging to the hot streaks his tears leave behind, and that mortifying image which plagues his nightmares comes looming large from the recesses of his mind; two twin boys, floating without care in a shared amniotic sac, their umbilical cords respectively attached to the same fleshy hunk in lieu of a beating heart.

Shaun feels like his foetal never-brother. Severed. Shrink-wrapped in his own sac, the very thing keeping him alive. And then eventually swallowed whole.

It’s time for Shaun to cut the cord for good.

Why couldn’t you just be normal? The tears start for real now, fat and salty and rolling down Shaun’s face in a tempest. His internal monologue is louder now, drowning out the background noise of his softer (yet much more insidious) conscience.

Stormy would still be here if you weren’t so fucked up... I could have had a normal life if it  weren’t for you...

There’s no time left for forgiveness. Because of Michael... Patrick... because Shaun willingly exposed himself to this pathogen again and again, he is going to die here, in this glacial attic, with no one around to know or care.

But, as the lights are turned off, and a dark, unfamiliar laughter fills his every sense, a set of horrid thoughts riot in the screeching crowd of his brain; the thoughts that could never quite be buried.

Michael didn’t know what he was doing... Michael didn’t know what he consumed…

Shaun once made the mistake of asking his mom what his other brother was going to be called.

No-one ever asks to be infected.

Shaun’s eyes shut against the darkness for the last time.