Elijah Taken Up in a Chariot of Fire
Artist: Giuseppe Angeli (Italian, 1712-1798)
Collection: National Gallery of Art, Washington, DC, United States
Elijah and the Chariots of Fire
The image of Elijah’s ascension into heaven has embedded itself in the popular mindset. That image is most often incorrect. The following example from the National Gallery of Art is illustrative: in the 18th century, Venetian artist Giuseppe Angeli produced a work that he titled “Elijah Taken Up in a Chariot of Fire”. In it, the disciple Elisha kneels, arms thrown wide, and watches as his mentor is taken up into heaven, seated in a chariot of fire. In reality, that’s not at all what happened in the text. In 2 Kings 2:11, Elisha and Elijah are walking and talking together when they are suddenly separated by supernatural chariots and horses, both made of flame. This fiery divine vanguard is not what transports Elijah; instead, it serves to sever the divine realm from the human realm, safeguarding from the explosive results of what could happen if the two realms were to mix. Elijah is then brought up to heaven by a whirlwind or a storm. In artistic interpretations, Elijah is often placed as riding the chariot instead of the whirlwind.
“As they were walking along and talking together, suddenly a chariot of fire and horses of fire appeared and separated the two of them, and Elijah went up to heaven in a whirlwind.”
2 Kings 2:11 (New International Version)