Arundhati Roy quotes. S6, “After Life”. Buffy and Spike.


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Arundhati Roy quotes. S6, “After Life”. Buffy and Spike.

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A strange encounter with a Geass-wielder lets C.C. see cryptic origins of the strange power she holds, and grants L.L. a vision of the near future - the death of Zero and the Black Knights, and the obliteration of the peace Lelouch vi Britannia left behind. The distant past has the key to stop their disastrous future. Can they stop it in time? [POST-RE;SURRECTION FIC]
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Welcome, welcome, welcome to my very sorry attempt at making sense of C’s World and how it operates. (Will include elements from my latest obsessions, for sure).
Also, I just... really needed and wanted to write a Post-Re;surrection fic for the longest, okie? 😭
In spite of what other people assumed, she was actually quite sentimental. It was just… she didn't think her first time in bed with a man would be like this — or rather, she didn't think it would be with him. But for the first time, she realized that this was another sentimental memory she wouldn't mind keeping.
The first Code Geass non-CLuCLu story in my FFN profile. 😎😂 Just as I said I would. But umm, please forgive my writing because I tried my best with this one, and it’s probably horrible.
[EXCERPT]
Duccio di Buoninsegna, Christ's Appearance at Lake Tiberias, Museo dell'Opera del Duomo, Siena, 1308-11
THE PROPHETIC AND PROLEPTIC NATURE OF THE GOSPEL OF JOHN
THE PROPHETIC AND PROLEPTIC NATURE OF THE GOSPEL OF JOHN
This following will be taken from a book written by friends of mine called One God, One Lord. I am using it to help us understand how John wrote his gospel. The 4 Gospels depict Christ as a man, a servant, a king and in John as the son of God.
“The Gospel of John in many respects paints a portrait of Jesus has already glorified even before his resurrection. In John the glory to Jesus as Messiah…
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Christ’s evening appearance to the disciples behind closed doors, c. 1350. Fresco, Visoki Decani Monastery, Kosovo.
Duccio di Buoninsegna, Christ's appearance when the apostles are at table (from Back crowning of The Maestà), 1308-11. Tempera on wood, Museo dell'Opera del Duomo, Siena.
Caravaggio, Supper at Emmaus, 1602. Oil on canvas, National Gallery, London.