#post-impressionism

Bibliothèque nationale de France.

Georges Lacombe's "The Violet Wave" isn't a peaceful seascape. The deep violet water curls around dark rocks with surprising force, while only a little warm ochre light remains at the edges. Painted around 1895, the work reflects the Nabi artists' belief that color could express emotion as strongly as a story. It's the kind of painting that deserves space to breathe and rewards every second you spend with it. Quelle: meisterdrucke.com

Van Gogh painted "The Dance Hall in Arles" in 1888, filling the room with bright yellow gas lamps and crowds of people. Instead of carefully painting every face, he used bold colors and quick brushstrokes to capture the feeling of music, movement and heat. Like "Café Terrace at Night", this painting shows Van Gogh experimenting with light. The glowing lamps become the center of the scene, turning an ordinary dance hall into something full of energy and life. The original is in the Musée d'Orsay. Fine art prints are available at Meisterdrucke. Quelle: meisterdrucke.com

Van Gogh couldn't stop painting cypresses. During his stay at the asylum in Saint-Rémy, he wrote to Theo about their flame-like shapes, convinced they deserved the same attention artists gave to sunflowers and wheat fields. In "But Green", a dark cypress rises from a swirling yellow field, cutting through the landscape like a living flame. Van Gogh painted more than 150 works during his year at Saint-Paul-de-Mausole and the cypress became one of his most persistent motifs. A small surprise - this painting isn't in Amsterdam or Paris but in the National Gallery in Prague. Quelle: meisterdrucke.com

Vincent van Gogh painted "Walk at Twilight" while living at the asylum in Saint-Rémy. Despite the circumstances, some of his brightest and most hopeful paintings came from this period. The crescent moon hangs above the landscape while a dark cypress rises at the left edge of the scene. Van Gogh returned to both motifs again and again. The real drama, though, is in the color, cool blue hills set against a glowing saffron sky. He believed colors could carry emotion directly and here the contrast does exactly that. The painting seems to vibrate between calm and intensity. Quelle: meisterdrucke.com

Gauguin arrived in Tahiti in 1891 searching for an imagined paradise. What he found was a colonial society already shaped by European influence. What he painted was something else again. In "A Street in Tahiti", dusty roads, violet mountains and impossible greens become less a record of a place than a vision of it. That tension between reality and fantasy is what makes Gauguin's work so compelling and so controversial at the same time. Quelle: meisterdrucke.com

Vincent van Gogh- Allee bei Arles mit Häusern (A Lane near Arles), may 1888

Pierre Bonnard's "Strawberries" (1922) turns an ordinary table into something luminous. The strawberries spill from their bowl, bread waits at the edge of the cloth and every color seems warmed by afternoon light. Nothing feels arranged for display. Bonnard wasn't painting a still life in the traditional sense. He was painting a moment of everyday life that happened to be worth looking at a little longer. Quelle: meisterdrucke.com