Oct 6, 2024
Zama
2017, Lucrecia Martel, Argentina
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Zama
2017, Lucrecia Martel, Argentina
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Frantz Fanon - TWOTE
Danika reviews The Unbroken by C.L. Clark
Danika reviews The Unbroken by C.L. Clark
Amazon Affiliate Link | Bookshop.org Affiliate Link This is a thought-provoking, complex book that I’m still mulling over. The Unbroken is a military fantasy about a colonial occupation. It’s based on French on occupation of North Africa, though it’s not–of course–an exact match. There isn’t a lot of sexism in this world: women serve alongside men at all ranks in the military, and they also lead…
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decolonial dark academia: a proposal!
Anthro Notes
Whenever the conversation is about these overlappings of post-ness(es), it's someone else, not us, who are postcolonial or post-Soviet, is it not so? Such was my impression. We, on the other hand, are all neo: neoliberal. Stoler warns about excessive stress on the "post" in postcolonial. Siberia is an agglomeration of overlapping territorialities from tsarist / colonial, Soviet / Post-Soviet, with a thin but noticeable layer of the vaguely-Western vogues and mores.
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Forte de São Sebastião, São Tomé, July 2015
http://herbertosmith.tumblr.com
The existence of an armed struggle shows that the people are decided to trust to violent methods only. He of whom they have never stopped saying that the only language he understands is that of force, decides to give utterance by force. In fact, as always, the settler has shown him the way he should take if he is to become free. The argument the native chooses has been furnished by the settler, and by an ironic turning of the tables it is the native who now affirms that the colonialist understands nothing but force. The colonial regime owes its legitimacy to force and at no time tries to hide this aspect of things. Every statue, whether of Faidherbe or of Lyautey, of Bugeaud or of Sergeant Blandan-all these conquistadors perched on colonial soil do not cease from proclaiming one and the same thing: "We are here by the force of bayonets...
Franz Fanon (1925 -1961) From THE WRETCHED OF THE EARTH (1961) ‘Les Damnés de la Terre’