May 11, 2021
Joey is a good papa despite his many flaws. At least to Ben he is.
Loading...
seen from Norway
seen from Finland
seen from China
seen from French Guiana
seen from Finland
seen from Pakistan
seen from China
seen from China
seen from Norway
seen from Germany
seen from Australia
seen from China
seen from United States
seen from Saudi Arabia
seen from Finland
seen from Switzerland
seen from Peru
seen from China
seen from Netherlands
seen from United Kingdom
Joey is a good papa despite his many flaws. At least to Ben he is.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Comunque stavo pensando che, da quando è iniziata la quarantena, non ho avuto nessun mental breakdown. Il che è strano. Però va bene così.
(Esaurimenti me ne vengono tipo tre al giorno, but okay...)
Oggi così.
Cioè raga in 'sta quarantena ho studiato per un esame in tre giorni. Rendiamoci conto del grado di noia raggiunto, per cui anche studiare diventa un' attività divertente.
DSC_1690 Matter in Space : Passages in Sculpture by Russell Moreton Via Flickr: Working Notes 2018/19 Curatorial Architectures/Assemblages Speculative Spatial/Curatorial; Practices in Fine Art and Architectures The Studio is no longer a retreat but it now integrates. It is all exterior. Ways of Curating, Hans Ulrich Obrist Constructing active research material that becomes transactive through interventions and installations of display. Blurring art and the everyday rituals of creative enterprise and survival. Seeking to create innovative and immersive exhibition formats/situations that seek to engage a discursive and informed audience. Building Relationscapes Movement, Art, Philosophy Sensorium Embodied Experience Technologies and Contemporary Art Erin Manning Caroline A, Jone Playing with INTERTEXTUALITY Setting the Stage MAKE SPACE Immersive Alienated Interrogative Residue Resistant Adaptive Interactive Workshop Exhibition Presentation Open Texts RESPONSIVE ENVIRONMENTS ARCHITECTURE, ART and Design Interiors URBAN FALLOW (10 Days in the Laundry) THE CURSE OF THE CONTEMPORARY OPERATIVE DESIGN CONDITIONAL DESIGN ON MAKING SPACE THE FEELING OF WHAT HAPPENS BODY, EMOTION and the Making of Consciousness Art Practices : the chaos of subjectivity and the organisation of self DRAWING, line,shape, volume, light.
I feel like my au Wally would be the type of person that, when approached by a Karen about her name, say that gender roles are a social construct and she's born to tear it down. Then watch as the Karen deals with this information.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Polagraph works, post-pixel painting, or just wobbly painting by imaginary numbers. You decide. This is, anyway, what BHP is up to these days. Last weeks in the freezing, but wonderfully large squatted studio space. Trying to get as much work done as possible, despite everything.
Post-printshop work as a printmaking educator differs from “traditional” work flows by alternating intensely condensed remote workshops, impostor syndrome teaching in a shop that’s not your own, where nothing is where one expects it, but in a different drawer / shelf / box, and then long stretches of mind-numbing email-only days, imaginary (or real? who knows in these days of augmented reality) tumble weed rolling through the office. Not a healthy flow of work in the long run. The above works were printed with Sandy Noble’s polargraph drawing machines, using oil-based ink pens, on three sheets of Fabriano Rosaspina (never forget), so the work’s total size is 210x100cm. Then using my beloved Rohrer & Klingner tusche inks to hand-colour the prints, until sick of doing so. Sometimes using some Polychromos pens or some Caran d’Ache pencils for colouring parts instead.