Fyodor Dostoevsky, Poor Folk (translated by C. J. Hogarth)
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Fyodor Dostoevsky, Poor Folk (translated by C. J. Hogarth)

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Dostoevsky Groupwriting Challenge
The idea of a Dostoevsky Groupwriting Challenge that I have proposed in another post has resonated with some people. I have put all the submissions for a theme into a random wheel, and the prompt for this challenge is the word
Feast
Now, the goal is to write a fanfiction about any work of Dostoevsky, using the prompt Feast. Any of Dostoevsky's books are okay, use of OCs is okay, any interpretation of canon is okay, basically anything goes. I have created a collection on ao3 and would ask you all to post to it:
https://archiveofourown.org/users/MissToast/collections
If you don't have an ao3 account, it is of course okay if a friend submits for you, or if you send it to me so I can submit it for you.
I am also going to tag the people who expressed interests in this project to let them know that it has started. If you didn't know about this project before but would like to randomly join, that is completely okay! Just follow the prompt :D
I hope everyone has fun with this ^~^
@redpandafan64 @lord-of-bad-art @raskolnikov-did-nothing-wrong
@jestey-sunshiney
“𝐌𝐲 𝐬𝐰𝐞𝐞𝐭𝐡𝐞𝐚𝐫𝐭! 𝐖𝐡𝐞𝐧 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐨𝐟 𝐲𝐨𝐮, 𝐢𝐭'𝐬 𝐚𝐬 𝐢𝐟 𝐈'𝐦 𝐡𝐨𝐥𝐝𝐢𝐧𝐠 𝐬𝐨𝐦𝐞 𝐡𝐞𝐚𝐥𝐢𝐧𝐠 𝐛𝐚𝐥𝐦 𝐭𝐨 𝐦𝐲 𝐬𝐢𝐜𝐤 𝐬𝐨𝐮𝐥, 𝐚𝐧𝐝 𝐚𝐥𝐭𝐡𝐨𝐮𝐠𝐡 𝐈 𝐬𝐮𝐟𝐟𝐞𝐫 𝐟𝐨𝐫 𝐲𝐨𝐮, 𝐈 𝐟𝐢𝐧𝐝 𝐭𝐡𝐚𝐭 𝐞𝐯𝐞𝐧 𝐬𝐮𝐟𝐟𝐞𝐫𝐢𝐧𝐠 𝐟𝐨𝐫 𝐲𝐨𝐮 𝐢𝐬 𝐞𝐚𝐬𝐲.”
𝐅𝐲𝐨𝐝𝐨𝐫 𝐃𝐨𝐬𝐭𝐨𝐞𝐯𝐬𝐤𝐲, 𝐏𝐨𝐨𝐫 𝐅𝐨𝐥𝐤
by complete chance read poor folk in one sitting and then started humiliated + insulted not realizing how much h+i is tied to poor folk wtf. also didnt realize h+i was his first full length novel???? would highly recommend reading poor folk right before h+i though even if youve read it before bc it makes it make a lot more sense KDNFKKFKF

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I don’t even know what I’m writing, I have no idea, I don’t know anything, and I’m not reading over it, and I’m not correcting my style, and I’m writing just for the sake of writing, just for the sake of writing more to you… My precious, my darling, my dearest!
-Fyodor Dostoyevsky, Poor folk
Sketch of protagonist Makar Devushkin from Fyodor Dostoyevsky's debut novel Poor Folk, by I. V. Shabanova (1940)
"Ah, my darling, my darling! WHY did you come to this decision? How could you bring yourself to take such a step? What have you done, have you done, have you done? Soon they will be carrying you away to the tomb; soon your beauty will have become defiled, my angel. Ah, dearest one, you are as weak as a feather. And where have I been all this time? What have I been thinking of? I have treated you merely as a forward child whose head was aching. Fool that I was, I neither saw nor understood. I have behaved as though, right or wrong, the matter was in no way my concern. Yes, I have been running about after fripperies!... Dearest, I could throw myself under the wheels of a passing vehicle rather than that you should go like this. By what right is it being done?... I will go with you; I will run behind your carriage if you will not take me—yes, I will run, and run so long as the power is in me, and until my breath shall have failed. Do you know whither you are going? Perhaps you will not know, and will have to ask me? Before you there lie the Steppes, my darling—only the Steppes, the naked Steppes, the Steppes that are as bare as the palm of my hand. THERE live only heartless old women and rude peasants and drunkards. THERE the trees have already shed their leaves. THERE there abide but rain and cold. Why should you go thither? True, Monsieur Bwikov will have his diversions in that country—he will be able to hunt the hare; but what of yourself? Do you wish to become a mere estate lady? Nay; look at yourself, my seraph of heaven. Are you in any way fitted for such a role? How could you play it? To whom should I write letters? To whom should I send these missives? Whom should I call “my darling”? To whom should I apply that name of endearment? Where, too, could I find you? When you are gone, Barbara, I shall die—for certain I shall die, for my heart cannot bear this misery. I love you as I love the light of God; I love you as my own daughter; to you I have devoted my love in its entirety; only for you have I lived at all... Perhaps you did not know all this, but it has been so. How, then, my beloved, could you bring yourself to leave me? Nay, you MUST not go—it is impossible, it is sheerly, it is utterly, impossible. The rain will fall upon you, and you are weak, and will catch cold. The floods will stop your carriage. No sooner will it have passed the city barriers than it will break down, purposely break down. Here, in St. Petersburg, they are bad builders of carriages. Yes, I know well these carriage-builders. They are jerry-builders who can fashion a toy, but nothing that is durable. Yes, I swear they can make nothing that is durable.... All that I can do is to go upon my knees before Monsieur Bwikov, and to tell him all, to tell him all. Do you also tell him all, dearest, and reason with him. Tell him that you MUST remain here, and must not go. Ah, why did he not marry that merchant’s daughter in Moscow? Let him go and marry her now. She would suit him far better and for reasons which I well know. Then I could keep you. For what is he to you, this Monsieur Bwikov? Why has he suddenly become so dear to your heart? Is it because he can buy you gewgaws? What are THEY? What use are THEY? They are so much rubbish. One should consider human life rather than mere finery. Nevertheless, as soon as I have received my next instalment of salary I mean to buy you a new cloak. I mean to buy it at a shop with which I am acquainted. Only, you must wait until my next installment is due, my angel of a Barbara. Ah, God, my God! To think that you are going away into the Steppes with Monsieur Bwikov—that you are going away never to return!... ...Ah, dearest, my pet, my own darling!"
- Fyodor Dostoevsky, Poor Folk (1846)
Ah, o que será de mim, qual será o meu destino? É duro estar em tamanha incerteza, não ter futuro, não poder sequer prever o que será de mim. Também é medonho olhar para trás. Lá o pesar é tamanho que o coração arrebenta por completo só de lembrar. Para sempre me queixarei das pessoas cruéis que me arruinaram!
Gente pobre (Dostoiévski, Fiódor)