#peter docter

What we wanted most. (私達が一番欲しかったもの)

2022年3月現在、私の住んでる宮城県は地震があったり ロシアがウクライナに侵攻し、大変な日々ですが一日も早く 平穏な日々が訪れますように。

ソウルフル・ワールドいつまでも好きな作品です。

Inspiration

Pete Docter most amusing and go to inspiration is his life and what all everything happening in his life.

The kind of emotions he going through in his life gives him inspiration. 

Soul | Official Trailer

It is a fan art of the movie Soul. I thought that in the movie, the two of them would become human beings of the future for a moment. This figure did not appear in the movie. But I want them to meet again and live happily in NY.

I delusion that 22 was born in Kazakhstan and emigrated to the United States at an early age.

The third illustration is a combination of the first and second illustrations, numbered in the order in which they are read.

映画ソウルのファンアートです。私は映画で2人が未来の人間になった姿が一瞬出てくると思っていました。 映画ではこの姿は出てきませんでした。でも私は２人は再会してNYで幸せに暮らしていてほしいです。

私は２２番はカザフスタンで生まれ、幼い時にアメリカに移住したと妄想しています。

Owned?: No, library Page count: 739 collectively My summary: Marc Davis was one of Walt Disney's Nine Old Men - animators hired by Disney in the studio's early days who made their mark in the field of animation. Davis was then moved into Imagineering, and was the designer of many now-iconic characters and attractions in the park. Now, for the first time, some of Marc Davis' concept sketches and art for the parks are being published in this volume, alongside his own words and thoughts about the attractions on which he worked. My rating: 4/5 My commentary:

Oops, I've tripped and fallen back into a Disney parks fixation. Look, Disney the company is an evil media monopoly and a lot of what they do is absolutely reprehensible. I am just fascinated by theme parks as a medium - as an art form, how they tell stories and evoke moods and create characters, how they use physical space to create illusions, how they plunge the guest into an immersive world. But a large part of my fascination with Disney products comes not from the faceless company nor from Walt Disney himself, but from the artists and creators who have worked under the company, legitimately talented people making creative works that stand the test of time. And Marc Davis was very much one of those people. Davis was a character animator; when he was transferred to the parks, he used his skills to create scenes and presentations that could be 'read' in a single glance, gags that started being funny in 0.5 seconds, vibrant ideas that leapt off the page and into the parks. He was working for the parks from 1955-1978, working on many of the iconic attractions of the day like the Jungle Cruise, Tiki Room, Carousel of Progress, Small World, Pirates of the Caribbean, the Haunted Mansion, and America Sings, among others. And this is a collection of his work from those attractions, and from those times. I was very excited to see this when it was initially published in 2020, and now I'm finally sitting down and reading it all the way through!

And it's delivered. The art on display here is beautiful, from full-colour designs to rougher concept sketches, and beyond, with maquettes, models, and actual show figures being shown as well. The focus is on Davis' work, but other imagineers get a good look-in - I appreciated how many women were showcased, beyond just Marc's wife and talented costume designer Alice Davis to Mary Blair, Leota Toombs, Harriet Burns and the like. It wasn't just Davis' words either, with narration from other imagineers past and present filling in the gaps, leading to a much better-rounded view of the timeline than I was expecting. The only real thing I have to criticise is that it's very Disney-approved - no criticism of the big man allowed here, nor really of the company. The worst we get is faceless execs who were shooting down Davis' vision. Granted, this is more tolerable here than in most sources, because by all accounts Marc Davis had a high view of Disney as a person (he did work under him for years, after all) and this book's thesis is to tell Davis' story in his own words - if those words were uncritical of Disney, then that's the story that needs to be told. Other than that, gorgeous art, and a fascinating look into the minutiae of how these theme park attractions were being designed. If you're into this kind of stuff, I would heartily recommend it!

A família Incrível está de volta, durante a D23 foi anunciado que Os Incríveis 3 está em produção pela Pixar #OsIncríveis3 #Pixar #D23

A família favorita de super-heróis está de volta, durante a D23 foi anunciado que Os Incríveis 3 está em produção pela Pixar. A notícia dada pelo chefão da Pixar, Peter Docter, a sequência da animação conta com o retorno do diretor Brad Bird. No entanto, ainda não existem muitas informações sobre roteiro, novos personagens ou previsão de estreia. Leia também: Frozen 3 ganha arte conceitual e…