#patrick kavanaugh

Near Ball’s Pyramid

When the angel woos the clay, he'll lose

“O unworn world enrapture me, encapture me in a web Of fabulous grass and eternal voices by a beech, Feed the gaping need of my senses, give me ad lib To pray unselfconsciously with overflowing speech For this soul needs to be honoured with a new dress woven From green and blue things and arguments that cannot be proven.” ~ Patrick Kavanaugh [The Beech Forest (detail), 1885 - Ferdinand Hodler] 

• There are many reasons to celebrate and remember Patrick Kavanagh. First and foremost, for his beautiful, plain-speaking poems with their powerful complications and formal sense of adventure – as in the Canal Bank sonnets. But for something else as well. In his journey into his own space, Kavanagh gave a radical and influential witness of the poet’s independence from tradition and objectification. Like his poems, that influence, that witness, remains – still making and remaking a future for Irish poetry. More: https://www.poetryireland.ie/writers/articles/patrick-kavanagh-fifty-years-on 

Many of us remember the movie Amadeus that purported to tell the story of Mozart. Today I read a brief article on the backstory behind George Frederick Handel’s composition of The Messiah. This was particularly relevant to me because today I was doing some advance planning and study for my Christmas series for this year. So, compliments of  THE MEDIAN, the monthly newsletter of Master Media International here’s the article:

“By age 56 he was about to retire as a failure when a friend gave him a libretto of Scripture verses–and everything changed.

Kavanaugh writes, ‘Handel threw himself into writing and in a staggering stretch completed part one in only six days, part two in only nine, and part three in another six. He worked feverishly, driven by one overwhelming purpose.’

According to Kavanaugh, at one point he answered the door with tears streaming down his face and cried out, ‘I did think I did see all Heaven before me, and the great God himself.’

He had just finished what would become known as the ‘Hallelujah’ chorus.

Kavanaugh describes this amazing experience: ‘Handel completed an astounding 260 pages of orchestration in only twenty-four days.’

‘During that process, he didn’t leave his house, and friends often found him sobbing with emotion . . . . Some have considered it one of the greatest musical feats in history.’

Writer, speaker, and producer Phil Cooke reflects on this inspiring account in his blog . . .

‘It was as if he had been waiting his entire life for that moment.

‘Even Handel’s commercial successes were usually followed by financial disaster. He was attacked by the church an many at the time felt little reason to believe his talent was worthy of any kind of legacy–until THE MESSIAH . . .

‘Out of the past that was uneven at best, the creation of MESSIAH was a burst of creativity driven by the remarkable passion of a man who glimpsed his one real purpose.’

Phil asks this penetrating question: ‘What’s that one moment you’ve been waiting for all your life? How many times have you thought about giving up?

God put you on the earth for a purpose. Find it. Pursue it for the glory of God and the joy of the world and run after that purpose with all the passion you have.

And every day, make that your gift to the world.

[published again because I accidently placed it on the wrong part of the BLOG]

Many of us remember the movie Amadeus that purported to tell the story of Mozart. Today I read a brief article on the backstory behind George Frederick Handel’s composition of The Messiah. This was particularly relevant to me because today I was doing some advance planning and study for my Christmas series for this year. So, compliments of  THE MEDIAN, the monthly newsletter of Master Media International here’s the article:

“By age 56 he was about to retire as a failure when a friend gave him a libretto of Scripture verses–and everything changed.

Kavanaugh writes, ‘Handel threw himself into writing and in a staggering stretch completed part one in only six days, part two in only nine, and part three in another six. He worked feverishly, driven by one overwhelming purpose.’

According to Kavanaugh, at one point he answered the door with tears streaming down his face and cried out, ‘I did think I did see all Heaven before me, and the great God himself.’

He had just finished what would become known as the ‘Hallelujah’ chorus.

Kavanaugh describes this amazing experience: ‘Handel completed an astounding 260 pages of orchestration in only twenty-four days.’

‘During that process, he didn’t leave his house, and friends often found him sobbing with emotion . . . . Some have considered it one of the greatest musical feats in history.’

Writer, speaker, and producer Phil Cooke reflects on this inspiring account in his blog . . .

‘It was as if he had been waiting his entire life for that moment.

‘Even Handel’s commercial successes were usually followed by financial disaster. He was attacked by the church an many at the time felt little reason to believe his talent was worthy of any kind of legacy–until THE MESSIAH . . .

‘Out of the past that was uneven at best, the creation of MESSIAH was a burst of creativity driven by the remarkable passion of a man who glimpsed his one real purpose.’

Phil asks this penetrating question: ‘What’s that one moment you’ve been waiting for all your life? How many times have you thought about giving up?

Phil Cooke’s Blog Link

God put you on the earth for a purpose. Find it. Pursue it for the glory of God and the joy of the world and run after that purpose with all the passion you have.

And every day, make that your gift to the world.