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The Book of Enoch - Simon as St. Michael Slaying the Dragon
This is a photobash under the hood, that then got painted and "rendered." Not well, but, yeah, "rendered." It is based on a late 13th century illustration by an unknown artist that depicts St. Michael defeating the Devil.
The Book of Enoch isn't considered canon, but it's got all the fun stuff people like about Christianity like angels and mystic visions. You know, the GOOD stuff!
I don't think Simon is a Christian of any stripe that would count as one today. But bits and pieces of old religions endure in new ones. For example, the halo was originally used in depictions of sun gods like Apollo. When Christianity developed, artists needed a shorthand way to show divinity quickly and effectively to a largely illiterate population that would have been very familiar with the idea of gods and goddesses running around interacting with mortals, and also with how those gods and goddesses were traditionally depicted in religious art. Ta-daa! Just like that, the halo becomes Christian iconography, and the world just keeps on turning.
Clearly there are almost vestigial remnants of Christianity on Eden in the world of Iron Lung. The name of the space station alone carries a lot of weight. But, no, my goal in making this little piece wasn't to try and push some idea that Simon would have worshipped a Christian god or that he would believe in angels.
I promise, I just think of Simon as a dragon slayer, so it was either Michael or George, and Michael won the coin toss. :D
Darling Simon gets a halo here, but it looks to be made of uranium and a porthole made with Filament Station glass. Whoops.
For more about the Book of Enoch and for a the illustration I used to create my little Saint Simon, have a look below the cut!
13...In those days they shall be led off to the abyss of fire and to the torment and the prison in which they shall be confined for ever.
14 And whosoever shall be condemned and destroyed will from thenceforth be bound together with them to the end of all generations. and destroy all the spirits of the reprobate and the children of the Watchers because they have wronged mankind.
15 Destroy all wrong from the face of the earth and let every evil work come to an end, and let the plant of righteousness and truth appear, and it shall prove a blessing; the works of righteousness and truth shall be planted in truth and joy for evermore.
16 And then shall all the righteous escape and shall live till they beget thousands of children, and all the days of their youth and their old age shall they complete in peace.
17 And then shall the whole earth be tilled in righteousness, and shall all be planted with trees and be full of blessing.
-From the Book of Enoch, Chapter 4
Well! Wanna read about Sacred Trees and tortured sinners being bound together for eternity, and the righteous triumphing over evil and getting just a bunch of trees in paradise and such? If so, Enoch is one trippy book you could get into.
Like, look at this from Chapter 7:
Then Uriel, one of the holy angels who was with me, answered and said:
"This accursed valley is for those who are accursed for ever. Here shall all the accursed be gathered together who utter with their lips against the Lord unseemly words and of His glory speak hard things. Here shall they be gathered together, and here shall be their place of judgement.
I mean, don't you get "An arrogant god sees the world through a pinhole" vibes? I do! The eel screaming about the Light just kind of echoes in my head when reading passages like this.
Thanks for stopping by and coming to my apocryphal TED Talk.
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No matter the cost, no matter the sacrifice, to save a doomed world.
Or, to quote my favourite game of all time, "No cost too great."
Pastiche of Judith II by Gustav Klimt
Judith II is a very interesting painting, especially paired with its first counterpart. The focus on the character of Judith and not her act (beheading the man she just seduced to save her people), in the first painting we look at a seductive sight, while the second shows harsher traits, a resolve and determination that displays the unwavering goal to protect her people.
Madara was interesting to put here, for me, because, on one hand, the Uchiha have this whole "seductive and attractive" thing with them, something we especially see with Sasuke and how he is treated, and that can link back to their kekkei genkai as well. They are sought after like prizes, for their looks, for their eyes, hunted and seen more as objects than people.
Of course, the context is very different there from the original story of Judith, but it's really the intent I wanted to focus on, the whole atmosphere of the painting and how decisive she looked.
Madara doing unspeakable act to achieve his goals is nothing new, and I don't think it's something that only came with his madness after Izuna's death, although it was probably magnified. In the name of his clan and those he loves, Madara is able to go very far, and when he finds himself convinced he has a way to achieve peace, he runs with it and ignores the consequences of his own actions.
So he even defiles Hashirama's legacy, his own body turned against him and his ideals. It is betrayal, and I enjoyed having hints of both his and Hashirama's treachery towards one another.
Madara's wound, Hashirama's ultimate choice to abandon him and detach him from their shared dream (this is not to argue whether or not he was right in doing so, but the nature of this act. Even if it was justified (and I believe, to some extent, it was), it is betrayal), with flowers blooming from it (forget me not, the name was one of the reason, the second was that, in Japanese flower language, they signify true love). On the other hand, Hashirama's head, Madara's own prize from their encounter, his cells his power, a key to his dream, but a stab in the back to Hashirama, to use his own body in such a way (hmmm... they are so toxic)
Hashirama is peaceful, dead, Madara is determined and still going, fire and destruction behind him, a trail of blood at his feet, but remaining unbothered. Spider lilies are a last touch, they are often linked to death and rebirth in Japan, but also reflect abandonment.
Madara is someone who tries to walk forward while unable to move on or heal, forever stuck as he tries to save and protect while destroying what is dearest to him in the end.
A list for those who have run out of Holmes stories to read
Pastiche (Noun):
A literary, artistic, musical, or architectural work that imitates the style of previous work.
Lyndsay Faye- Writes both novels and short stories. Excellent at portraying canon Holmes accurately while also portraying emotional moments well; puts an excellently written focus on the friendship between Sherlock and Watson, has a book set from the point of view of minor characters in the canon that matches the books very well.
Bonnie MacBird- A pastiche novelist. Another writer that does well at inserting more intensely emotional moments into the story and writes more into the daily life of being a flatmate with Sherlock Holmes into her books.
Nicholas Meyer- Sherlock Holmes novelist responsible for some of the most famous pastiches of the modern era including “The Seven-Per-Cent Solution”, a deeper non-canonical look into Sherlock’s psyche featuring Sigmund Freud. Willing to put Watson and Holmes through the wringer physically and emotionally; excellent at writing more suspenseful and stirring stories. He also brings non-canonical depth and insight to the time surrounding Watson’s second marriage, creating a what-if scenario that some may enjoy.
more authors under the cut
James Lovegrove- Novelist. I enjoy how he references other genres and historical events in his stories, such as Sherlock facing off against a superpowered take on Charles Babbage’s Analytical Engine. His stories are entirely original while written close to the canon’s vibes.
Sam Siciliano- Novelist currently writing under the “Further adventures of Sherlock Holmes” series, while one could argue his stories are a series in their own right. Rather than being stuck writing in Watson’s perspective- which can be a challenge to prevent alienating certain readers, since imitating a set narrator’s writing style while attempting an original take can be a challenge- he writes from the point of view of an original character- Sherlock’s cousin, Henry Vernier- allowing him to create an original feel to the narrative without it feeling unlike a Sherlock Holmes story
Anthony Horowitz- A veteran author in his own right, he has the unusual honor of having a novel of his endorsed by the estate of Sir Arthur Conan Doyle. Despite only having two novels set in the Holmes universe, his experience in writing mystery and suspense stories shines through his works in a previously invented world.