Iāve seen the theory that the reason Claire feels so instinctively at home in the 18th centuryāmore so than in her own timeāis because she was actually born there and traveled through the stones as a child. And while I understand why some might find that an appealing idea, the timeline just doesnāt add up. By the time Julia and Henry go through the stones, Claire is already a child living with Uncle Lamb. If she had been born in the 18th century, the sequence would require Julia (and possibly Henry) to go through, have her, return to the 20th century, and then go back againāwhich clashes with the genuine confusion and disorientation both Julia and Henry show during their first crossing.
Itās also easy to overlook a key point: Claire is already alive when Julia is pregnant. And Julia isnāt pregnant with Claireāsheās pregnant with a second child. That detail alone shifts the entire conversation.
To me, the stronger, more elegant explanation for Claireās sense of belonging isnāt that sheās āfromā the 18th century in a biological senseāitās that sheās lived it before. Diana Gabaldon herself has described Jamie and Claireās story as a timeloop. When they die, their story begins again, over and over, a Mƶbius strip with no true beginning or end. Jamieās ghost watching her in Season 1, Episode 1 isnāt just a romantic mysteryāitās a quiet vigil. Heās waiting for her to come back to him, to begin their story once more. Sheās already lived this life, and stepping through the stones simply placed her back at the start of a path she knows by heart, even if she doesnāt consciously remember it.
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(Jamie and Claireās personality types based on The Enneagram have been rolling around in my brain for a while so I wanted to get you guysā thoughts. Here are my guesses)
Claire: Enneagram 1ā The Reformer
1s are purposeful with a strong sense of right and wrong, and they are always trying to improve the world around them. Show!Claire is led very much by her set of principlesā both when it comes to medicine and family. The basic fear of a 1 to is be defective or useless. We see this played out with Claireās internal conflict in Paris. She feels aimless simply hosting dinner parties, but working at LāHopital des Anges gives her days meaning because she believes her purpose is to help people.Ā Another example is her insistence on bringing her 20th century medical knowledge into the 18th century, namely with the penicillin in S5. Even though Brianna warns her that itās dangerous to challenge history, Claire knows itās what needs to be done, so she has to follow through. Claireās status as a time traveler cements her as a reformer. Even though she is pressured on all sides by people of the 18th century telling her how to act, she refuses to do anything that goes against her values.
Jamie: Enneagram 2ā The Helper
This was a tough one. I was torn between this and a very healthy 8 (which can be pretty similar). For show!Jamie at least, I finally landed on 2. Hereās why: Enneagram 2s are caring, self-sacrificing, and even possessive. Jamieās drive is almost always for others. In season 4 he talks about how if he were alone, heād be content to live as an outlaw until he died, but he has others to worry about. Jamie is a Laird first and foremost, and he gives of himself everything that is needed in order to provide and care for them. Unlike an 8, who is a leader and can be people oriented, Jamie does not have a strong concern for his own physical well-being. (He does have some tendencies toward wanting control, such as hating the lost feeling of control in situations with BJR, but I think thatās a pretty normal response to extreme trauma rather than his personality.) When 2s are stressed, they can become aggressive and dominating, which we see in some of Jamieās fights with Claireā such as in S3Ā āFirst Wifeā in which he is so worried about losing her (a 2ā²s basic fear is being alone and unloved) that he becomes aggressive. At their best, 2s are unselfish and altruistic, which I believe we begin to see in Jamie as he settles Fraserās Ridge and starts to become a Laird again.
āI nearly switched Claire and Jamie several times, because oddly enough, I could also see Claire as a 2 and Jamie as a 1. Claire is deeply giving of herself like a 2, but I felt that the basic fear of unlovability did not apply to her as much as uselessness. Jamie also seemed close to a 1 because he has a strong sense of morality, but in the end I pegged him as a 2 based on his concern for others. Claire is the one that teaches Jamie about 20th century values, and because of his love and respect for her, he adapts.
Hi, hello - Witchie here. Writing of the fanfic-genre seems to be giving me some trouble as of late, so I thought Iād join in some Droughtlander fun prompted by the one and only @sassenachwaffles. This weekās questions, a lovely Friday night spent with a darling friend, and my love of music have brought some focus as to how I intend to participate (not Bernielander - someoneās a diva and wonāt cooperate). Iām bringing my love of music and the beautiful soundtrack of Outlander as my inspiration for this yearās journey through Droughtlander.
Without further ado, letās go Under The Kilt (err cut)
Jamie & Claireās theme is one of the most beautiful scores Iāve ever heard. The sweeping melody echos the romantic that could only belong to the greatest Russian composers while the solitary echo of a flute perfectly mirrors the hollow ache of twenty long years our beloved couple spent apart. We donāt need sixteen bars to know that this is one iconic piece of music. Haunting. Mysterious. Captivating.
As such an important piece of the score, we all know when the first time occurs... right? Itās the first time Jamie and Claire see each other in the cabin, after Jamieās dislocated his shoulder and Claireās journeyed through the Stones...
Nope... okay is it when we first encounter Ghost!Jamie in the 1940s as he gazes upon his one, true love, his Sorcha?
Wrong Again.
Would you believe the first time we hear Jamie and Claireās theme is before we even have a chance to meet Frank? Would you believe me that we hear this theme within the first three minutes of the first episode?
I was having a Wedding/Reunion rewatch marathon with my dear friend @ecampbellsoup (the queen of analysis - Iām so out of my element here), when she asked me the question:
Do you know when we hear Jamie & Claireās theme for the first time?
Would you believe that I didnāt know? (Because I didnāt.)
As the lovely @ecampbellsoup pointed out, tās within the first three minutes of the first episode... when Claire is chugging champagne on VE Day in France.
Now letās think about this coupled with Claireās opening monologue. Sheās discussing her random disappearance in the middle of her second honeymoon with her first husband... sheās weighing the consequences of her choice against the simple life she might have had... while sheās remembering her time in France...
France... who else spent time in France...
Jamie...
Iāve spent a lot of time pouring over the timelines of this pair (donāt ever try to write a canon divergent fic and play with the time travel element - you will go insane). There are plenty of unique and interesting coincidences that happen to line up perfectly. For example, Claire travels through the Stones on Beltane or May 1st in the books, which just so happens to be Jamieās birthday. Crazy right? When I looked at the timeline to see when Claire was in France, guess who just happened to be in France at that very same moment in time but ~200 years in the past?
James. Alexander. Malcolm. Mackenzie. Fraser.
Thatās right... the first time we hear Jamie & Claireās theme is when theyāre together in France, but separated by the space of two centuries. From the very beginning, Bear McCreary pulls a genius level move in setting up the major theme of our beloved couple - a love that transcends time.
Thatās what I noticed on this rewatch... see yaāll next week when we dive deep into the Scottish Highlands and clan life at Castle Leoch!
Portrait of the Marquise de Pompadourby Maurice Quentin de La Tour between 1748 and 1755, detail.Ā
Costume gown for character Geillis Duncan on Outlander, season 3. Designed by Terry Dresbach.Ā
The same time period, even. It also harkens back to France and the French court. When Jamie and Claire enter the ball, Jamie refers to Versailles and how French their outfits were. In general, a big nod to the French court and the ornate, lavish restoration period. Later when Jamie gets arrested there is a feeling that the Frasiers areĀ paying the piper for trying to affect the future. Hubris all around. We all know it canna be done. They do, however, end Geillis, which sort of draws a line under the whole period in France and Castle Leoch and affords closure for theĀ āNew Worldā, as Bear McCreary'sĀ incredible piece is calledĀ āKiss of Life/ A New World. The Frasiers have lived so many lives together and apart, there is a need for closure in order to adapt and move forward without too many ghosts on their trail. Geillis is a vivid reminder of who they were and where they have been. She is also a very real reminder to Claire of who she doesnāt want to be. Geillis is utterly consumed with the stones and her fanatic mission to change the tide of events. Claire knows by now that this is a futile struggle and is focused on what she can have. Brianna is something she canāt have right now, but nothing will stop her protecting Brianna from suffering, especiallyĀ due to Claireās choices.Ā
It's kind of unfortunate that they ended s1 of outlander with the Randall plot bc it muddies the fact that all the good guys also want to fuck jamie. Everyone wants to fuck jamie. Frank hates him and has never met him and he wants to fuck jamie
He could literally say 'You want to fuck me so bad it makes you look stupid' to 98% of the characters on the show, except he can't bc he's also stupid. And he doesn't know the word fuck.
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I feel like there needs to be a side by side or a general analysis of the teasers that we've had so far for Outlander - what we were given and what was teased.